Walt Disney Concert Hall Critical Essay-When Art and Architecture Merge

When I came to the museum, the first thing that impressed me was the astonishing building: it was a masterpiece itself. The exterior of the Tampa Museum of Art has a light installation, and all I wanted at that moment is night to come so I could see thousands of colored lights reflected in the surface of the river that flows near the museum. What’s more, I liked the design of the museum inside as well. There were white walls and perfect lighting, and nothing would bother contemplation. In many museums I have visited before there was a lot of distractions, but in this museum everything was done on the principle of simplicity, and that was very pleasing to me. Moreover, when we came inside of the museum, it was almost empty. There were just a few visitors, who were fascinated by various drawings and statues. Most of the visitors were teenagers, what slightly surprised me. I

In art, there are qualities that speak louder than words. It expresses many different messages and emotions and each person has an experience different from the next. In this paper, I will be discussing two artworks I encountered. The piece is a good example of how people can encounter different experiences in one piece. I attended the Orlando Museum of Art a while back with family and overall enjoyed my experience. On my visit, I found the museum quite impressive and felt a deep connection with specific pieces.

Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.

Vitruvius also stresses on order, arrangement, eurhythmy, symmetry, propriety and economy and how architecture depends on these demands. This is not the case in today’s society. With advances in physics and construction sciences which allow buildings to be of asymmetrical shape and attain an abstract form directly places it in conflict with his stated ‘Eurhythmy’. To Vitruvius, all facets of architecture were to be in a state of complete harmony, as his views were so constrained towards the perfection of the human body. He described the various proportions of limbs and other body parts to be so accurately symmetrical and coordinated to meticulous detail. This perfection of the human body inspired architectural designs. In contemporary society, mainstream architecture has little to no correlation with the human body. It has been kept completely separate. Architectural inspiration today, more or less stems from everything outside the human, and looks towards a futuristic simplicity and sleek aesthetic that demands a different approach to the art of a building altogether. This commercial mindset has been influential since the engineering breakthroughs of the second millennium.

One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.

Positioned alongside Central Park in the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museum, especially one as influential as the Met, inherently predisposes its visitors to a certain set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within the museum. Brent Plate in Religion, Art, and Visual Culture argues that “objects obtain different meanings in different locations and historical settings.”An object placed on display behind a glass case inside a museum would hold a vastly different meaning if it was put on sale by a street vendor, like the ones who set up their tables in close proximity to the Met. The different meanings that objects are able to obtain is attributed to the relationships that are established between the object itself and the environment that surrounds it. These relationships often involve the kind of audience that a museum attracts, where the work is exhibited, and how the exhibits within a museum is planned out. Museums subsequently have the ability to control how these relationships are established which influences the way a viewer is able to construct meaning. When a visitor observes an object on display at the Met, they instinctively construct a certain set of

As Edgar Degas once said, “ Art is not what you see, but what others make you see”. The St. Louis Art Museum is a place for artist to display their art and give spectators the option to see art from a new perspective. This was the case for me. As we walked up to the beautifully structured building that stood so tall and wide, my expectations were extremely high. At first glance I notice the bronze statue of King Louis IX of France riding high on his horse. From this statue alone, my expectations of the art museum grew stronger. I have never been to an art museum before, so I wasn’t sure of what to expect. My first expectation was to see huge detailed sculptures right as I walked through the door. That expectation didn’t come true.

“The museum has changed people’s perception of museums, about the connections between art, architecture, and collecting.” (Freshome). Admiring the Architect, Frank O. Gehry, and how he would not just design, but how he would blend previous designs with his own and create a building made his work unforgettable.

When I attend the Oklahoma Art Museum this morning, I was completely blown away by the different styles, technique, and artistic abilities that artist have. Art can come in many forms and can involve many different things. From paintings, sculptures, and abstract pieces of the modern world. Along with my visit, I got to experience a new collection of blown glass that was absolute remarkable. As I walked though the museum, it was as I walked though time and got to see how each period’s art changed throughout time. From the different shades of color to the different types of technique that filled the halls of the Oklahoma City Art Museum, each piece was genuine in its own way. I was starstruck as I witnessed Lowell Nesbitt’s Parrot Tulip, Richard Diebenkorn’s Albuquerque, and Dale Chihuly’s blown glass.

The successful exhibit of H.2.N.Y engages in a spirited interplay of framed geometries, counterbalanced by the unrestricted, free-form illustrations which spiral around the walls of the John Kaldor Family Collection gallery space. The collection is renowned for its in-depth portrayal of some of the most influential artists of the twentieth and twenty-first century, including Michael Landy.[7] Conceived as an assembly of solo shows, each individual exhibit contributes to a perpetuating dialogue between a diverse range of expressive forms in a cross-section of contemporary attitudes towards artmaking. For this particular installation, Landy digitally tore apart his charcoal drawing Machine to Destroy the Tinguely Museum 2 (2010), a process he described as “cannibalizing [his] own work”.[9] Consequently, he enlarged it to create the fragmented constituents of a large-scale drawing which envelopes and pirouettes throughout the exhibition space, linking together a selection of his own works in the immediate area. Counterbalancing the composition of interior architecture is H.2.N.Y, a drawing seated compliantly within a set frame. This spatial dichotomy plays a fundamental role in the audience’s experience of the artwork, catering to both ends of the heuristic spectrum and pays homage to the intrinsic correlation

In 1958, the stage was completely rebuilt to fix the acoustics of the hall. A stage shell was built to reflect sound, and most of the carpets and wall decorations were removed from the main concert hall, to improve the sound quality. The shell also clashed with the hall’s Art Deco style. However, while The Cleveland

The de Young museum seen from a distance is a bold architectural statement, with its sleek horizontal building, indeterminate dark brown color and its massive tower emerging from its slightly bent curving roof. The building is an example of boldness, internationalism and cultural neutrality. Its setting in the Golden Gate Park’s landscape with the topography, vegetation; weather and light are taken advantage of. The significance of nature and the art that is housed in the museum from the Americas, Oceania, and Africa can be seen as having resonance in the architecture. Many of the works of art are sacred in their cultures, are made of natural materials and were never intended to be displayed in formal settings. Post modern theme of ‘context’ comes into expression as Jacques Herzog put it: “These objects belong to nature. We wanted to emphasize that”.

Positioned alongside Central Park within the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museums, especially one as influential as the Met, inherently predisposes its visitors to a set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within a museum. By analyzing two separate works on exhibit at the Met, I will pose the argument that museums offer a unique expression of a world view that is dictated through every element of its construction.

A group of us Arts and Music students used the day on Wednesday to go into the city to visit the Boston Museum of Fine Arts. It was a cold, breezy day so we were all bundled up in jackets and hats. As we got off the E train and walked toward the museum, its appearance was not what I expected it to be. The museum was an elegant, beautiful building made of what looked to be marble; not the big, brick monstrosity I had expected. Once we walked into the museum, it was even more elegant on the inside. The marble staircase had sculptures on each side leading up to the rotunda where white Christmas lights were strung around the banister in decoration for the Christmas season.

When looking at The Walt Disney Concert Hall from the outside you see a series of corrugated stainless steel panels covering irregularly shaped appendages. All of the appendages are interconnected and have glass between some of them to soften the look of all of the steel panels. The concert hall definitely stands out against the other buildings that surround it. The concert hall is in the heart of the city with all of the concrete buildings surrounding it. The center of the building looks like the hull of