Walt Disney Princess Informative Speech

Cassandra Stover explains in her Journal Damsels and Heroines: The Conundrum of the Post-Feminist Disney Princess, the dramatic shift with Disney princess at the peak of the late 1980s and early 1990s. She explains that the shift can derive from feminist movements and how the change can be directed to the third wave of feminism. She examines the original Disney princesses and decribes them to be more passively aggresive and unindependent, while the new princesses are more independent and brave. The author then explains if the shift from the old to new princesses are actually better, and not just different. Stover analysizes that Disney princesses evolve and are a part of the worlds change on feminism.

When Disney introduces new princesses, the first observation made is one concerning beauty. Often times, when Disney designs princesses, the definition of beauty implies a slim waistline, big eyes, and a perfect

Walt Disney once said, “It’s kind of fun to do the impossible,” and I guess he was right. Disney made films that made a wooden puppet into a real boy, a thief into a handsome, and a beast into a man. Disney created dreams for little kids of becoming royalty, but was that all they had in mind? Although Disney films may seem full of happy thoughts with true love’s kiss, but in reality they are just bibidi bodibi booed with a dash of pixie dust to hide the real truth behind the films.

This is because Tinker Bell’s reign as a princess didn't last, and Mulan and Pocahontas don't have glamorous outfits like the traditional princesses, even though they seem to be the most independent. This implies that an important aspect of being a princess is having a ballroom gown to go along with your title. Beautiful gowns have become something that coincides with princesses and their culture, making this something that little girls pay attention to. However, “when [princess culture] is so dominant then it's no longer a choice,” She carries out her argument by stating that there are 25,000 princess products, so no matter where you go you can't really get away from that. This really answers the big question, “What's wrong with Cinderella?” It's just a monopoly. Once we put our kids into this game, it's only about the money and we speak nothing of the consequences, no matter how big or

Every little girl wants to be a Disney princess at some point in their life, I was not different. There’s something about the good heart a princess has and the love she garners, that was special to me. Through the Arteisa Pageant, I have found my chance. I didn't realize that being a princess really did mean you were serving the community, and I wasn’t just a figure. I went out and did many things that have involved serving my community such as painting a house for a resident, handing out candy to kids for Halloween and encouraging literature to be read to children by reading to them at the Artesia library.

As a young girl I imagined what it would be like to be a woman, Disney princesses had very little influence on this reality. Stephanie Hanes, the author of “Little Girls or Little Women? The Disney Princess Effect,” discusses how little girls feel they must grow up too soon. There are several other women introduced throughout her essay whom share similar thoughts. Moms all over the world may have varying opinions on this subject; however, the women that Stephanie chose to display in her work, at least the majority of them, agree that Disney princesses might be the culprit of this behavior. There are a few brief statements that acknowledge that not everyone agrees with the idea that Disney princesses are causing this phenomenon. There are

From a young age, princess culture has impacted the lives of numerous people. Some individuals may have spent their childhood in the attire of their favorite Disney princess while they put on their best rendition of the character they admired most. Other children went seemingly unfazed by the phenomenon, as their peers remained spellbound by the magical world of princesses. With Disney’s debut of Snow White and the Seven Dwarfs, princess movies provided the defining factor of the Disney entertainment empire for years to come. From this, fairy tales embarked into a territory that would touch the lives of many in a new way. However, since princess culture has considerably grown, opponents, such as Monika Bartyzel, question if princess

Disney Princesses are known to be depending on their Prince Charming for happiness. As years pass by, Princesses today are more independent and don’t need a Prince Charming in their lives. This idea affects children who feel inspired by these Fairy Tales. In the article, Cinderella, by Bruno Bettelheim, he states, “It gives the child confidence that the same will be true to him.” This makes children think that they will have a similar life as them. Disney Princesses have changed overtime since the 1930s. In this essay, I will give examples of Disney Princesses and how they have changed from dependent to independent in the movie industry.

Among any community there is a set of boundaries that must be respected under penalty of being labeled as deviant. Consequently, a community will create agencies of control in order to punish and fight against all the forms of behavior considered as deviant. In his Study in the Sociology of Deviance, Kai T. Erikson defends the point that deviant forms of behavior are a natural and beneficial part of social life. One of his main arguments is that, in our modern society, “the agencies of control often seem to define their job as that of keeping deviance within bounds rather than obliterating it altogether” (Wayward Puritans 24:2). Now, what if society gave to its agencies of control the role of annihilating deviance? What if the set of

In our modern society parents want to know who the best role models are for their children; especially parents of young girls. Most girls are introduced to Disney Princesses at a young age, but what most parents don’t know is that not all Disney Princesses are positive role models of modern society. The princesses were amazing role models for their time but since then many opinions have changed on what is expected of women and what is not some; people in society today can argue weather certain qualities that the princesses posses are acceptable for today’s youth. The most famous princesses are the “Original Disney Princesses” :(in chronological order) Snow White, Cinderella, Aurora, Ariel, Belle, Jasmine, Pocahontas, and Mulan.

You’ll bring honor to us all.” Later the men who are in the military with Mulan sing to her a song that says “A girl worth fighting for… I want her paler than the moon, with eyes that shine that stars, my girl will marvel at my strength, adore my battle scars. I couldn’t care less what she’ll wear or what she looks like, it all depends on what she cooks like.” The body image of these women is widely looked at by these little adolescent girls and makes them feel as if this is the look of perfection; the look of a princess. Every Disney princess has a tiny waist, yet unimaginable curves, beautiful long hair, clear skin, full lips, large eyes, and ridiculously long eyelashes. Whether the leading female is a human or an animal, they are represented with all of these “perfect” feminine traits.

According to various articles, although the Disney Princesses seem to be an innocent form of entertainment for young girls, their overall messages serve as a negative influence on how they develop into adults. This is where the unrealistic Disney Princess aspect can potentially become detrimental.

Cramped in a small Los Angeles office, Walt Disney drew a few larger than life cartoons. After Disney’s big hit Alice Comedies and cartoons of Mickey and the gang, he moved his office to Burbank, California. There, Walt and his brother, Roy, came up with their most famous movies such as Cinderella, Snow White, and Alice in Wonderland. Now with two American amusement parks, three international parks, multiple cruise lines, multiple resorts, over five hundred films, and over thirty academy award, it’s hard to not heard of Disney. Every boy or girl has at least seen or heard of Disney movies. It’s such a big part of society today that it becomes influential in a kid’s childhood. This project will look at the underlying effect of the Disney princess phenomenon and how it shapes a young girls’ perspective of herself and how she’s “supposed” to be.

What young girl does not dream of becoming a princess and living in a castle happily ever after? Virtually every young girl identifies with princesses and has watched at least one Disney Princess movie. From the first movies of Snow White and Cinderella, to the later movies of The Little Mermaid and Beauty and the Beast, to the most current movie Moana, Disney Princess movies permeate not only the movie theaters, but also our culture. In fact, “becoming a princess is as easy as purchasing a tiara and hosting a princess-themed birthday party or buying a Halloween costume and playing pretend” (Garabedian, 2014, p. 23). Nonetheless, as declared by Princess Merida in the movie Brave, “there comes a day when I don’t have to be a princess. No rules, no expectations. A day where anything can happen. A day where I can change my fate” (Andrews & Chapman, 2012). In other words, does the life of a princess measure up to the expectations of little girls everywhere? The Disney Princess brand has grown incredibly popular, especially with young girls. In spite of this, the franchise has also become extremely controversial due to potential gender stereotypes in the films. “Gender is one of the most discussed topics in today’s society…[it] represents and also reproduces certain attributes, expectations and roles which are associated with male and female…influencing the views and opinions of future generations” (Maity, 2014, p. 31). Yet, is the Disney Princess brand harmful to young children due to gender stereotypes? Two essays that contemplate the Disney Princess brand and gender stereotypes with opposite viewpoints on this controversial issue are “Girls on Film: The Real Problem with the Disney Princess Brand” by writer Monika Bartyzel and “In Defense of Princess Culture” by writer and mother Crystal Liechty. However, Liechty’s essay “In Defense of Princess Culture,” is the most effective article in convincing the audience of her point of view due to the claim, support, warrant, language, and vocabulary employed.

Belle was kind to the Beast, and then she found her prince. It took courage to look into the eyes of someone that took away everything and see the good.