Walt Whitman And Robert Frost 's A Noiseless Patient Spider

​One of the first metaphors Jonathan Edwards use is the comparing of human powerlessness to a spider web. He is basically saying that a spider cannot hold a rock from falling the air. Jonathan Edwards is saying that a spider web is

Section 1: An animal I think represents me, is the spider. The spider symbolizes wisdom and a hardworking nature. First, I think I am hard working because I always try to do my best at whatever I do, even if I am bad at it. Also, I work as hard as possible, and I never go for minimum. In my picture, the spider is working hard to make a web. Second, I think I am wise because I think hard about my decisions before finalizing them to avoid making irrational decisions. I also consider myself fairly intelligent, which is a major part of being wise. I showed this in my picture through the color of the spider. I made it green, which represents wisdom.

Robert Frost's Design Robert Frost outlines an ironic and disturbing situation involving a flower, a spider, and a moth in his poem "Design". The poem's text suggests the possibility of an absence of a god, but does no more than simply beg the question, for Frost's speaker does not offer the answer. By examining the events of the poem in the first stanza and the speaker's annotative second stanza, we

Whitman's poetic soul, like the spider, stands isolated at the center of all things. If it is to take on meaning, it must... come to a realization of itself... The poet then, like the spider is complete in himself-a seer and a "kosmos" - constantly "musing, venturing, throwing, seeking" in an effort to create his own order by forming a union with the whole (Eckley 20).

Robert Frost’s approach to human isolation is always an interesting exploration. His poem of desertion and neglect paired with eternal hopefulness ignite the reader in his poem “The Census-Taker.” All of the elements of a Frost poem are in this particular poem. “The Census-Taker” must be from an earlier time in Frost’s career because the poem is written in an open, free verse similar to the style of his earlier 20th century poetry like “Mending Wall” and “After Apple-Picking.” Also, the language lacks the sophisticated word selection a reader of poetry might find in Wallace Stevens and instead uses simplicity to

Black Widows bare similarities to the unnecessary evil in our world. Showing excessive violent tendencies, these creatures represent a broader inspection of our society. Through many examples of literary devices in Gordon Grice’s essay “Caught in the Widow’s Web”, black widow spiders are compared to these evil tendencies in our world..

The predicament that the spider and the speaker face is similar. They use their inner connections to search for meaningful bonds. Whitman's enactment in the first stanza of the spider reads as if the creature is somewhat isolated and "ever unreeling...ever tirelessly speeding" the web without the knowing of making any encroachment on his environment. However, the poem has an optimistic idea at the ending. Even though it is difficult to try and find connections, his soul will end up being successful and he will be able to rest, just like a spider when it completes it's web in

The first stanza explains how the cunning spider “stood isolated” and to “explore the vacant, vast surroundings” it “launched” thread after thread “out of itself” thus creating a sturdy web. This then flows smoothly into the description of his soul, which acts in a very similar manner. At first, it too seems isolated. Whitman writes “O my Soul, where you stand” and “surrounded, in measureless oceans of space,” which connects to the how the spider “stood isolated.” This wording, however, might take on a new meaning to describe how his soul has an endless number of opportunities, even though it also seems as lonely as the spider. In the third line, “Ceaselessly musing, venturing, throwing, seeking the spheres to connect them,” Whitman illustrates how his soul also launches its own webbing, determined to connect itself with its surroundings. These may be relationships with others or finding a place to call home - anything that will create “the bridge [it] will need” or connections that will “anchor” it to its environment. Whitman helps readers understand the actions and nature of an intangible soul by relating it to a small and tangible

symbolic richness, but at the same time the poem supplies the reader with a wide

symbolic richness, but at the same time the poem supplies the reader with a wide

Along with the use of metaphors, the form of the poem plays an important role in uncovering the views of Whitman. First and foremost, this poem was written in free verse which is a form of poetry that lacks structure. The free verse stucture of the poem is shown in the lack of form in the stanzas of the poem. Some stanzas are six lines long while others are only one, and the lines can be either concise or drawn out. The poem also lacks any apparent rhyming scheme or rhythm. Unlike Shakespearean poetry, where the foot of the poem stays the same, the lack of any apparent structure to the poem leaves the reader unable to predict what is coming next. In addition to this, at the time this poem was written, free verse was not common. In fact, Whitman may have been one of the first poets to use this form, showing that he may have been rebelling against the predominant structured form in poetry. The lack of any apparent structure guides the reader towards the conclusion that Whitman did not like structure in poetry, and can even be

Edgar Allan Poe and Robert Frost influenced my thorough love of different styles of literature, particularly poetry. To the masses, Edgar Allan Poe and Robert Frost only share job titles, but the two poets share many similarities within their writing. Personally, I read pieces from both authors over the course of my schooling experience. I admired Robert Frost’s poem, “The Road Not Taken” from a young age, and that particular stole my heart since the first read. “The Raven,” became one of my favorite poems further down my schooling career, with its clear ominous tone that symbolizes much of Poe’s writing. Frost’s and Poe’s works may not seem similar, aside from the section in which their books reside within a library, but their work resembles each other’s quite well. Frost’s writing serves as a better introduction to poetry due to his easily relatable themes, his background connects to everyday audiences, and his use of modern language.

“The relationship between the energies of the inquiring mind that an intelligent reader brings to the poem and the poem’s refusal to yield a single comprehensive interpretation enacts vividly the everlasting intercourse between the human mind, with its instinct to organise and harmonise, and the baffling powers of the universe about it.”

This is another poem that links Whitman to the Romantics. The "birth of the poet" genre was of particular importance to Wordsworth, whose massive Prelude details his artistic coming-of-age in detail. Like Wordsworth, Whitman claims to take his inspiration from nature. Where Wordsworth is inspired by a wordless feeling of awe, though, Whitman finds an opportunity to anthropomorphize, and nature gives him very specific answers to his questions about overarching concepts. Nature is a tabula rasa onto which the poet can project himself. He conquers it, inscribes it. While it may become a part of him that is always present, the fact that it does so seems to be by his permission.

Robert Frost’s nature poetry occupies a significant place in the poetic arts; however, it is likely Frost’s use of nature is the most misunderstood aspect of his poetry. While nature is always present in Frost’s writing, it is primarily used in a “pastoral sense” (Lynen 1). This makes sense as Frost did consider himself to be a shepherd.