Wang Luo Quotes

His moral ambiguity is heavily influenced by outside forces in his life that changes his view upon the world. The most excusable action in the eyes of the readers is when he commits a crime because his family is struggling in the southern city. Other citizens stricken by poverty tell Wang Lung that the riches do not belong to the wealthy, but to the poor. This conflicts with his belief that God determines one’s fate and way in life. Wang Lung goes against his morals and commits robbery because of his influence from others and the situation he was thrust into. This action determines Wang Lung’s wealthy future, but also symbolizes overcoming an obstacle, in this case, overcoming his internal conflict with his morals. The audience begins to notice the shift in Wang Lung’s character which will continue to develop negatively as his values are no longer intact.

Again O-lan proves her work by making a nice little hut. Then throughout the rest of the chapter Wang Lung and his family are getting accustomed to their new life style. Wang Lung is also cheated of his money and only gets

Both worked hard and bought a great amount of land so they could increase their fortune. To manage all that wealth Wang Lung had to be smart and never forget about his traditional values. Wang Lung was held in his wants and desires as he wasted all his family’s savings to buy more land. By this time in the novel Wang Lung was being a terrible example for his kids. He would make terrible decisions economically speaking, which could lead to very complex and bad situations. Speaking about bad situations the famine in the ancient china begun. "Hunger makes thief of any man." ( Page. 122) The quote above makes it clear that becoming a wealthy man didn’t change Wang Lung completely; he still obtained very important values. With those traditional values in mind he could understand that during the famine it was hard to survive and this could lead to various

The mist in opening scene and overall color tone of grey suggests that Wang is paddling into a world of dullness. With his houseboat- his only sanctuary- Wang travels around to make a living by performing Bianlian in return of donation from people who appreciate his art on the street. Desperation and poverty are not only accompanying people in the slave market but also Wang: his wife left him after the death of his son; his only companion is not a human but a monkey. Master Liang’s confession that “ we all have our own sorrows” reflects the folk artists fate of twists and turns and bitterness. During one performance, Wang is intimidated and oppressed by soldiers, but he can only chant woefully “The dragon in the shallows is toyed with by the shrimp”. Many proverbs like this in the film convey to audiences his hardship and helplessness. Government corruption is also disclosed in the movie when Wang is falsely charged of all kidnap cases and imprisoned. In his quest for an heir, Wang visits Buddhist temple to pray and buys a Buddha to worship in the hope that it may gift him a son. All Wang’s spiritual sustenance is on the Buddha body. This showed Wang’s inner weakness and helplessness towards his own destiny.

A strong, intelligent, independent boy is what every traditional Chinese family wants. Unfortunately, Sek-Lung is not such an ideal child. In the novel, The Jade Peony, Sek-Lung is a marginal character. He is rejected by the dominant group, first being made to feel insignificant and second to feel uncomfortably visible.

When talking to O-lan, Wang Lung implies that she is ugly. He exclaims, “Now anyone looking at you would say you were the wife of a common fellow and never of one who has land which he hires men to plow!” (pg.168) This statement is clearly disrespectful to O-lan and it likely stems from Wang Lung’s wealth. Wang Lung then cheats on O-lan with another woman (Lotus) from the tea shop. The narrator says, “Every day he went to the tea shop; every evening he waited until she would receive him, and every night he went into her” (pg.181). This suggests that Wang Lung now prefers another woman over O-lan. As if he hadn’t done enough damage already, Wang Lung brings Lotus into his house to stay there permanently. He says, “Tell [Lotus] she shall do no work of any kind in my house but she shall wear only silken garments and eat shark’s fins every day” (pg.192). This is very disrespectful to O-lan not only due to the fact that she is his wife, but also because while she is doing housework, Lotus is being treated like a royal guest. It is evinced that Wang Lung’s wealth causes him to disrespect

The autobiography Mao’s Last Dancer by Li Cunxin is set in rural China where he was born and where he grew up in. The text shows Li’s life in how he transcends from his ‘poor’ roots, as he becomes a prominent ballet dancer. The text exposes Li’s physical and mental struggles, which his mental struggles, have a larger toll against him. The conceptual struggles are presented as Li leaves his family to go to Madame Mao’s Dance Academy, when Teacher Gao ridicules him and how he grew up with the propaganda of the Chinese Communist Party. Mental struggle is presented when Li moves to the dance academy, which proves a bigger toll on Li than his physical struggles.

However, their fortune is short-lived when bad omens rise because of Wang Lung’s insolent behavior towards his uncle’s family. Not only is their third child born a daughter, but a drought begins, preventing the land from cultivating and spreading both poverty and starvation through the North.

Wu-Mei struggles about family and relationships. She suffered bullying from her own family. Bullying is the use of force to abuse someone and it has been the problem for Wu-mei from the start which makes her feel unwanted. Her siblings were being aggressive to her because they believe that she was the cause of their mother’s death. There is a quote from the Bible “Do unto others what you want others do unto you” this means that do to others what you want them do to you. In the novel “Chinese Cinderella” Wu Mei is being bullied by her Big Sister by telling her that she is the cause why their mother had died. For e.g. on page 3 chapter 1, Big Sister once said to Wu mei “Mama died giving birth to you. If you had not been born, Mama would still

At the beginning of the book, the author really describes how Wang Lung is feeling. Wang Lung really did not want to be in that house any longer. He didn’t like anything about it. His father was really cruel, he did all the work and he hated working so much. This is probably why he wanted to get a wife so badly.

“Now if the water had receded...Wang Lung would never have gone again to the great tea shop.”. “[He] might have forgotten the pointed face on the scroll.” (Buck 176) The waters not receding lead Wang to lust, this idleness lead to lust, and his lust lead to trouble at his home. The biggest problem, however, that Wang Lung contends with comes in chapter 13 when they have to live in the south. “Not food enough to feed savage hunger and not cloths enough to cover bone.”. “Wang Lung lived in the foundations of poverty.” (Buck 113). This was his biggest challenge because no food, no clothes, and horrible poverty as he had not previously known. In conclusion Wang Lung has faced dire hardships, but none compare to his time in the

“It was not easy to live in Shanghai” (Anyi 137). This line, echoed throughout Wang Anyi 's short piece “The Destination” is the glowing heartbeat of the story. A refrain filled with both longing and sadness, it hints at the many struggles faced by thousands upon thousands trying to get by in the city of Shanghai. One of these lost souls, the protagonist, Chen Xin, was one of the many youths taken from his family and sent to live the in the countryside during the Cultural Revolution. Ten years after the fact, Chen Xin views the repercussions of the Cultural Revolution internally and externally as he processes the changes that both he, and his hometown have over-gone in the past ten years. Devastatingly, he comes to the conclusion that there is no going back to the time of his childhood, and his fond memories of Shanghai exist solely in memory. This is in large part is due to the changes brought on by the Cultural Revolution. These effects of the Cultural Revolution are a central theme to the story; with repercussions seen on a cultural level, as well as a personal one.

Despite the multiple decisions that Wang Lung chooses to make, the reader still observes that Wang Lung is a human. This makes it possible to understand Wang Lung’s faults are just him being humanly imperfect. Even if Wang Lung had generated more sound resolutions, perfection would still be unattainable by him. A quote from Liza M. Wiemer states, “For whatever it’s worth, I believe we’re born imperfect, and perfection, whatever that may be, is unattainable by us mere humans.” Wang Lung is comparable to all other mere humans in the idea that no one is perfect and all people make mistakes.

The fact that Wang Lung is caring about a “slave”, as women were commonly referred to, shows that he deeply cares about his family. Even though Wang Lung loves his land, he cannot let go of his own. Wang Lung wants his sons and daughters to have happy

Quote #1: "He had no articulate thought of anything; there was only this perfect sympathy of movement, of turning this earth of theirs over and over to the sun, this earth which formed their home and fed their bodies and made their gods (36). " The land Wang Lung worked was what he lived off, all the money that he earned was from all his hard-earned work. Constant sweating and labor to keep his farm running, it kept him and his family feed. What is so significant about this quote is that Wang Lung talks about how there was a perfect sympathy of movement showing that he had been doing it for so long that it just because another thing to him.