Was Shakespeare A Feminist

Through Helena Shakespeare created a woman so pitiful and wretched that he openly mocked the modern sixteenth-century women who allowed themselves to be treated in such a manner. Had a man been the monarch of England when this play was written, the bard might have been more discrete in his support of feminism. Luckily, Queen Elizabeth was fond of autonomous women and showed little animosity towards such mockery.

William Shakespeare’s tragedy “Macbeth” completely challenges the idea of traditional gender roles and social norms during the renaissance period. The male characters have many feminine traits while the female characters have many more masculine and manlier traits. This was going entirely against the stereotypical outlook of the roles you’re supposed to play as your gender during that time of history. During the renaissance period women were only expected to clean, cook, and to have babies. Men on the other hand were typically expected to work hard and to provide for the home. Socially women didn’t have power or respect and men were the ones who were supposed to be brave and tough at the best of times and the worst of times. That idea is

The feminist school has various goals when being used to scrutinize a piece of literature. As Gillespie points out, historically texts were written by males with primarily male protagonists, and thus, the male sentiment is most dominantly expressed in many works of literature. The lessened representation of women in literature is usually confined to typical stereotypes of the historical period. This can be seen in Shakespeare’s play Hamlet, and this will be further explored and discussed. Through the feminist lens, women’s presence and portrayal in the play, as well as the common stereotypes about women in Shakespearean society, can be studied carefully, despite the centuries that have passed between the play’s conception and the present. Additionally, as stated in Literary Theories: A Sampling of Critical Lenses,

In Act 1, Shakespeare wrote Macbeth with admired masculine qualities countered with Lady Macbeth criticising his idiosyncrasies. Lady Macbeth’s definition of a man is disparate to others’. In Scene 2, the captain labels Macbeth as “brave”. This is a venerated and respected quality on the battlefield. King Duncan later refers to Macbeth as “valiant cousin”. These pronouncements show that an

Before someone has the ability to analyze a female character in one of William Shakespeare’s works, one must take into account Shakespeare’s views on feminism, as well as how females were viewed in the time period. Is Shakespeare teaching us that women have no greater value than a breeding mule, or that women are truly property, simply to be owned by men? Obviously Shakespeare’s opinion is that women are inferior to men, seeming that his views are clearly portrayed by Helena’s character in A Midsummers night’s dream.

Overall the Shakespeare brings to light many issues that females dealt with during the 17 century. He talks about women's voices and opinions being suppressed, men being able to hold females as property, the double standard of males and females. With this many readers and viewers of the play, understand the concept that Shakespeare is trying to present to this audience during the time. Although Shakespeare was not a modern day feminist, he still was a feminist in the light of a man during this time period. Bringing characters such as Emilia, who are shown to not take no for an answer, Becca, someone who can stand on her own to feet, and lastly Desdemona, someone who has shown that her loyalty lies with someone who she loves and she has not

Lady Macbeth rebelled against her gender norms because she was craving the power and was willing to do anything to get the power. Most women in that time period were very intimidated by power because they didn’t have very many rights. So the fact that she was so driven to be powerful says something about her character. Back then women didn’t expect power unless they were in the royal families so when Lady Macbeth heard from Macbeth that he was going to become king she was ready to go to extreme extents for that power and to be a royal family. She went to farther extents for power then most men do.

Shakespeare characterizes Lady Macbeth as a woman full of masculine traits such as courage and ambition. She is the perfect and needed counterpart in order to push Macbeth to murder Duncan and take over the kingdom. The first trait that is shown to the reader is courage. When Lady Macbeth is planning how to convince Macbeth into murder, she describes herself as a courageous woman: "That I may pour my spirits in thine ear, / And chastise with the valor of my tongue/ All that impedes thee from the golden round" (Macbeth I. v. 26-28). In this passage, it is clear how she is full of valor and will stop at nothing to get what she wants. In fact, in Shakespearian times, being courageous was a characteristic reserved only for men since women were thought to be fearful and helpless. Even Macbeth himself recognizes this trait in his wife: "Bring forth men-children only/ For thy undaunted mettle should compose/ Nothing but males." (Macbeth I. vii. 72-74). Macbeth can see how his wife nature is too bold for that of a woman, so he thinks that she should only be the mother of men for her essence is in itself a good example of what a good man should be. This example is an undeniable proof that Lady Macbeth is a masculine woman. Another male characteristic that is given to Lady Macbeth is ambition. She is an ambitious woman and she fears that her husband will not be as motivated as she is to get the crown:

Lady Macbeth’s desire for power prompts her interest in controlling Macbeth’s actions. This theme of the relationship between gender and power is key to Lady Macbeth’s character: her husband implies that she is a masculine soul inhabiting a female body, which seems to link masculinity to ambition and violence. Although women were often expected during Shakespeare’s time to be modest, humble, and obedient, Lady Macbeth is actually one of the most explicitly and relentlessly ambitious of all the characters Shakespeare created. She is a woman who defies the stereotypes of her culture, which assumed that most women were or should be unambitious. At one point, she wishes that she were not a woman so that she could kill Duncan herself. A character

Lady Macbeth is an example of the feminism. Lady Macbeth puts herself with power by actually going through with her decision to murder Duncan. Lady Macbeth makes sure that she can persuade Macbeth to kill Duncan for her. In order to do this, she can’t act very feminine like to put herself into the leadership position. “Come you spirits/ That tend on mortal thoughts, unsex me here/ And fill me from the crown to the toe top-full/ Of direst cruelty. Make thick blood/ Stop up th’ access and the passage of remorse” (Shakespeare Act I.38-42). Lady Macbeth is upset that Macbeth gets to murder Duncan when

In Macbeth, one of the most tragic and well known plays, William Shakespeare changes women’s part in society. During this time period, women are known to be both mentally and physically weaker than men. Women are called to be only housewives. Shakespeare reflected the image of women in society by giving the men bigger leads in his plays. Only in a few of Shakespeare's plays did he give women strong leading roles. Macbeth is one of the few plays where women play a more powerful role than the men. In Macbeth, he gives the women unusual traits like manipulation and betrayal. In William Shakespeare's play Macbeth, women like Lady Macbeth , the trio witches, and Lady Macduff portray non-feminine traits.

This is most pointedly seen in Macbeth. Lady Macbeth is known to be one of the strongest female characters in a Shakespeare play. She attempts to masculinize herself by controlling her husband instead of the other way around. Like it is normally portrayed. Lady Macbeth continually challenges his masculinity by telling him that he is not manly enough. In Act II, Macbeth is the one who is worried about their current situation and is shown as fragile. Fragility is normally a trait reserved for females in literature, which as a result shows another form of feminism. Lady Macbeth constantly manipulates and oppresses her husband, which breaks the gender norm of being a good wife. Instead of staying at home and doing the dishes or cleaning the house, she is out tricking her husband into killing people for her own personal gain. However, in the end she misses fulfilling her masculinity to the fullest. Lady Macbeth does not have the ability to carry out the murder in her own hands and must drink wine to maintain her

Generally, Macbeth is thought of as Shakespeare’s most feminist play. With a supposedly powerful female character and an inversion of gender roles, it is easy to see how this idea came into being. However, it is totally wrong. Macbeth, written by William Shakespeare, is a play about an ambitious nobleman who would go to any measure to become king and retain that position after receiving a prophecy from three witches. At first, he is unwilling to resort to violence to become king but his wife, Lady Macbeth, manipulates him into doing so. Once the first murder is complete, he has found a thirst for killing and continues to kill various people until he is eventually killed and the rightful king takes his place. The claims of this being a feminist play stem from Lady Macbeth’s character and her relationship with Macbeth. Lady Macbeth is violent and evil, while Macbeth is originally too kind, showing a gender role reversal. Even so, there are many problematic aspects of Macbeth that completely negate the few progressive components in Shakespeare’s writing. Macbeth is a misogynist play because it promotes strict gender roles, gender non-conforming women are demonized and seen as responsible for men’s problems, and by the second half of the play, any innovative gender role reversals are themselves reversed.

Shakespeare’s The Merchant Of Venice highlights the women’s tenacity, power, and brilliance. It indicates the playwright’s insight that women should be on equal ground as men. Portia is the character that defines feminist theory. During this time, feminism was not widely accepted, but he was able to write about a revolutionary woman, Portia, who was a character supporting feminism. He hid these ideas in a comedy because the government censored everything he wrote, and the feminist views could be seen as betrayal. By writing a play like the Merchant Of Venice, Shakespeare contributed to a new and risky view of feminism in the sixteenth century.

    When one considers Shakespeare’s female characters, one has to remember that the plays were written in a time when women were considered weak-minded creatures who were apt to make bad choices if given the freedom.  Shakespeare, for the most