Washington Square By Henry James

Austen now introduces the reader into the lifestyle of Catherine Morland, and how her years have been spent quite different than the made assumption of a heroine. Austen decides on word choice to describe Catherine and her parents, to the complete opposite of what the average hero would be described as. Austen selects his word choice as, “for they [the Morland's] were very plain”, “She had a thin awkward figure, sallow skin without colour, dark lank hair”. The way Austen chooses to describe Catherine is not the common strong, muscular, genius, life changing, hero you hear about on an everyday basis. The image given by Austen on Catherine's appearance is carefully chosen to remain in

The culture of set societal rules and conventions urges Catherine to be with Edgar, compelling her to be ‘the greatest woman of the neighbourhood’ due to them being relatively firm in their gentry’s status. This suggests the importance of her social status against the nature of her love for Heathcliff stating, ‘we would be beggars’, through employing the word ‘beggars’ the reader crafts the idea of her belief that she won’t survive without her status. Catherine admits ‘It would degrade me to marry Heathcliff now; so he shall never know how I love him’ Thus implying a swelling sense of her vanity and pride; enough to enjoy the position she gains from being married to Edgar despite her admiration for Heathcliff, being ‘more than (herself) than (she is)’and

Catherine is forced to do lady tasks that she thinks are unbearable. "I can stand no more of lady-tasks, endless mindless sewing, hemming, and doctoring" (10). This quote shows

A couple reasons that she doesn’t like him is that whenever he is home, he is always roaring like a wild animal, and he is not letting her choose who she is going to marry. When Catherine and her father got in a fight, he cried, “My lady of Lithgow" (98). This shows that Catherine has to marry the horrible Shaggy Beard, the person she had been trying to get away from. Once she hears this, she is furious with her father for what he has done. While Catherine was talking to her friend, Perkin, she told him that she feels like a caged bear that can’t break loose. Catherine means that she would like to run away from everything that is happening in her life. However, how hard she tries to escape, she just can’t. An example from the book is when she tries to go home with her Uncle George. Although she realizes that she just has to be herself, so she could not go. Another example from the book is when Catherine's father tells her if she refuses to marry Shaggy beard, then he will find someone else that she will hate even more. Having her this from her own father made her livid. These are all the things that Catherine dislikes very

At the time when Thomas Jefferson was president, the U. S. had bought new land in France. He had Meriwether Lewis to lead an expedition to the New Lands who turned to Wiliam Clark to be the Co-commanding captain which turned into the Lewis and Clark expedition.

The disorderly atmosphere of Wuthering Heights, generated by Heathcliff’s raucous behavior causes Catherine to gravitate towards a more uncivilized and mannerless version of herself. Several times, Catherine snaps at others and throws furious tantrums, as she scolds and even slaps Nelly for cleaning in Edgar’s prescence. The rambunctious setting of Wuthering Heights conjures a different Catherine, where, “to pracise politeness...would only be laughed at,” influencing her to act on rebellious

Professional surfer and shark attack survivor Bethany Hamilton said, “Courage, sacrifice, determination, commitment, toughness, heart, talent, guts. That's what little girls are made of.” Catherine had all of these traits while she was dealing with the difficult parts of her life. Catherine has to tolerate many aspects of her life that she doesn't like. She especially hates her betrothal to Shaggy Beard, her lady tasks, and the fact that she doesn't have a lot of freedom.

Catherine was very ambitious and intelligent, she cared for her people even the ones in the lower class. Catherine didn't like how landowners treated serfs so she took action. Even though she had a weak position on the throne, she tried to improve

Novels can develop ties despite being written in different times, with very different plots. Such novels deserve the exploration of comparison between them. Both John Knowles and F. Scott Fitzgerald, in the novels A Separate Peace and The Great Gatsby respectively, show relationships between two male characters and detail how a dream can become out of hand. While both authors use extended flashback to start their narration about the past events, Knowles chooses to tell the story from the perspective of Gene who is extremely involved in Finny’s dream, while Fitzgerald uses Nick as a narrator less connected to Gatsby’s dream and fixation.

The novel, Washington Square, by Henry James is a realistic fiction novel that centers on the domestic abuse of the mid-eighteenth century American home. Though the abuse is not physical, James uses his would be heroine, Catherine Sloper, to demonstrate the emotional stress that came with being a woman who is not completely dependent on her family as a woman of her age would have been fifty years prior. Yet, the author’s decision to include a resentment filled relationship between Catherine and her father, Austin Sloper, demonstrates the complex family unit that would have been common for a middle class family during that time. Austin Sloper’s obsession with his daughter being considered clever to the public eye but disliking her himself in

Catherine is so wrapped up in her fictional world of reading that she becomes ignorant of her real life issues with Henry Tilney, for whom she has been love-struck since their introduction. She entertains herself with wild imaginings about his life and family. Catherine's imaginings foreshadow her eager desire for mischief as Austen's story develops. Catherine is endowed with a vivid imagination, but she has not yet learned to use it in concert with her perception, especially in understanding the interactions between people.

Another aspect which is relevant today and forever it shall remain relevant is selfishness. Catherine's selfish character was depicted when she wanted both Edgar and Heathcliff at the same time. In the beginning, she was introduced as a 'high spirited' character who was wild. However, she drastically changes throughout the book. When she hurts her leg and is forced to stay at Thrushcross Grange, she returns to Wuthering Heights as a well dressed and dignified lady. She was easily swayed to the superior lifestyle of the Lintons and began to look down upon Heathcliff. She even laughs at his rough and dirty appearance and says "I didn't mean to laugh at you. I could not hinder myself Heathcliff. Shake hands at least! What are you sulky for? It was only that you looked odd. If you wash you face and brush your hair, it would be alright. But you are

Soon after her own arrival in Bath, Catherine is followed by her brother James and Isabella’s brother John Thorpe. At the initial meeting with the boys, Catherine is mistaken on two different points, still being ignorant in her perceptions of other people. Although slightly thrown off by John’s manners, Catherine is unable to formulate her own negative opinion of him, too affected by the opinions of Isabella and James, and “her judgment was further brought off by Isabella’s assuring her…that John thought her the most charming girl in the world” (Austen 48). For Catherine, it is easier and more natural to accept the opinions of someone like Isabella, a mentor figure. Also, in the same scene, Catherine makes the assumption that her brother James has journeyed “so far on purpose to see me” (49). Catherine hastily jumps to this false conclusion, not having the experience to detect James’ continuous questions and compliments of Isabella as a sign of his true motives for coming to town: to visit the “prettiest girl in Bath” (49).

Starting from the opening sentence of the book, Catherine is repeatedly described as a heroine: “No one who had ever seen Catherine Morland […] would have supposed her born to be an heroine” (15), “from fifteen to seventeen she was in training for a heroine” (17). Furthermore, the plot is filled with experiences that are imagined by her as grand events typical of the Gothic genre, only to end in everyday, normal happenings. These intrusions guide the reader to laugh at Catherine’s naiveté by mocking the way she is swept up by Gothic novels: “And now I may dismiss my heroine to the sleepless couch, which is the true heroine’s portion; to a pillow strewed with thorns and wet with tears” (86). As Katie Halsey puts it: “[it] shows Austen’s amused ability to resist and appropriate for her own purposes what she perceived as ridiculous or unnatural in the writing of others” (Halsey

For Catherine’s “…situation in life, the character of her father and mother, her own person and disposition were all equally against her” (Austen 1). She was fairly normal and did not have any of the commonly used characteristics of heroines working in her favor, despite being a heroine herself. Austen writes Catherine this was to parody the way women are written in novels. There normally has to be some catalyst that makes the heroine special, different than the average women. However, Catherine wasn’t incredibly poor, had two well-tempered parents, and preferred other hobbies “…to the more heroic enjoyments…” (Austen 1) that heroines were normally fond of. By completely disregarding the characteristics normally attributed to heroines, Austen creates a character that would not fit into the normal novel. She essentially gives Catherine the character of someone who is almost the antithesis of what a heroine normally is, and by doing this critiques the