Wassily Kandinsky Essay

According to Tolstoy, the true purpose of art is connected to our abilities to feel emotion. “To evoke in oneself a feeling one has once experienced, and having evoked it in oneself, then, by means of movements, lines, colors, sounds, or forms expressed in words, so to transmit that feeling that others may experience the same feeling - this is the activity of art” (Tolstoy,66 ). Much like food is necessary for sustenance, art is necessary for our sympathetic capacities. In order for this form of communication to occur, the artist must have the capacity to express and transmit through his art, while the audience must have the capacity for sympathy in order to feel the artist’s expression. According to Tolstoy, simply transmitting an emotion is not enough to define art. A true work of art must be infectious to its audience and be able to express individual feelings lucidly and purposefully.

Franz Marc was a German artist and printmaker, and also one of the key statistics of the German Expressionist movement. Franz Marc was born in February 8, 1880 in Munich and past away in March 4, 1916, eventually Marc was only 36 years old. Wilhelm, the father, was an expert landscape painter; his mother, Sophie, was a strict Calvinist. Marc began to study at the Academy of Fine Arts, Munich in 1900. In 1903 and 1907, he spent time in France, intensely in Paris, visiting the city’s museums and copying many paintings, a conventional way for artists to study and improve technique.

In Wassily Kandinsky's excerpt from Concerning the Spiritual in Art, he argues that art is supposed to make one’s soul resonate through the discovery of the unknown and color. Kandinsky claims that at first art is only understood by one person, usually the original artist, and it then slowly expands to more and more people as they look at the art. This allows them to discover something the previously did not know or understand. He then claims that color affects the viewer in two distinct ways: physically and psychologically. Using these two claims, he supports his argument that art allows the soul to feel in ways that are not possible otherwise.

Kandinsky transformed colour into a completely abstract art absolutely divorced from subject matter. The fauvists and expressionists shared an appreciation of the pure and simplified shapes of various examples of primitive art, an enthusiasm that was generated by Gauguin and extended to Picasso, Brancusi, Modigliani, Derain, and others.

The innovative and passionate presence in both Jackson Pollock’s and Wassily Kandinsky avant-garde paintings exemplifies the redefinition of boundaries throughout their art making practices. Both artists challenged traditions both materially and conceptually using innovative and diverse approaches to materials and techniques when painting. Wassily Kandinsky goes against traditions and academies to create vivid, sensual and symbolic large-scale semi abstract expressionist oil paintings in a heightened state of mind. Many artworks of his convey bright and cheerful spontaneous colours that make the audience fully consumed within his works due to hypnotic and distorted semi realist shapes. Consequently, Jackson Pollock also goes against

For Tolstoy, the value of art comes from the function art serves in society and in human historical development. Art appears in everything that lives and should have the force to bring people together as a community. For him expressionism in art is a means of communication, in such as a language. Therefore, language can be described as a form of art under the theory of expressionism. Speech transmits the thoughts and experiences of mankind, serving as a means of expression among them; art also acts in a similar manner by sharing emotions. If people could not be affected by art, we would still be in the era of savagery. Referring back to the author of our book, John Fisher, emotional communication is essential to art. Fisher also states that too much harnessed emotion will tend to lower the value of art.

As art continued to drift away from reality in the twentieth century, it inevitably become detached from the ordinary public. Disregarding the conventional expectations of their audience, composers became increasingly experimental. Although to some this was a breath of fresh air from the heavy sentimentality of composers such as Tchaikovsky, many were driven away by the harsh separation of music from feeling. Compared to the romantic sounds from the era of the same name, Modernist music seemed cold and emotionless. One of the most influential composers of the time, Igor Stravinsky, was an outspoken advocate for this detachment, or “objectivity”, as it was called, of sentiment from music, and rejection of Romantic emotionality. Objectivity was the ideal, and this more mathematical approach to music led to some interesting new sounds. Some

Looking back in time at the great composers of the world, only one foreign composer stands out for his many contributions to classical music and in helping America to find its own music. Antonin Leopold Dvorak was born on September 8th, 1841, in a small village of Nelahozeves in Bohemia that lies on the bank of the Mauldau River. The village Dvorak was born into was in good company and surroundings however also retained much of its native luster even through the worst times of political oppression (1).

Achille-Claude Debussy or Claude Debussy was a French 20th century composer known for his prominent role in impressionistic music. Debussy never described his pieces as impressionism as he disliked the term when it was associated with his music. Born in Saint-Germain-en-Laye, he and his family left for Paris in 1867 only to move to Cannes in 1870 to escape the Franco-Prussion war. Claude Debussy learnt to play piano from an Italian violinist by the name Jean Cerutti and later studied under a woman, by the name of Marie Mauté de Fleurville, who claimed to have been a pupil of Frédéric Chopin. In 1872 he was enrolled in the Paris Conservatoire and remained there to develop musically over the next 11 years. Debussy was infamous for his experimental nature breaking

His artworks have a distinctive impact on the viewer, which makes them distinguishable among any other artwork of the time. His paintings had had a strong influence on the artists of the future.

Wassily Kandinsky was a Russian-born artist, whose contributions to the world of modern art are innumerable. On an artistic level, Kandinsky's maturation process from representational art to abstract art is fascinating. From his earliest work, with an impressionistic flair, to his later work, which was pure abstraction, Kandinsky was an innovator and a genius. He bridged the gap between reality painting of earlier decades and the fantasy pastime of the twentieth century.

Art has been part of our society since humanity existed. For countless years’ people been creating, observing, criticizing and appreciating art. Claude Monet’s piece titled Sunrise (Marine) illustrates the daylight in the industrial port of Le Havre of the north coast, France. This piece was made in March or April of 1873. The piece’s present location is the J. Paul Getty Museum, west pavilion, gallery w204. The medium is oil on canvas and is next to another piece made by Monet called The Portal of Rouen Cathedral in the morning light. Claude Monet was part of the impressionist movement that changes French paintings of the nineteenth century. For Sunrise (1872), people criticized the paint due to the appearance of an unfinished painting,

Mark Rothko- Abstract Expressionist paintings can be divided into two groups. That of the action painters and that of the colour-field painters. As melancholic and misanthropic as Pollok, killing himself in 1970. Understood that to paint a flat form painting destroyed illusion and revealed truth. He was very aware of the spiritual dimensions attainable in abstract art, some of his works being described as deeply religious. (Hugh Honour & Fleming, 1991)

When Ida and Urbano Fellini bore their first son, Federico, they must have known that he would be far from a calm easygoing person. On the evening of January 20, 1940, the weather at the seaside resort of Rimini on the Adriatic coast of Italy, was not pleasant. There was thunder, lightning, high seas, winds, and heavy rains; quite a setting for the entrance of one who was to be regarded as one of the greatest film directors in history.

The “point and line to plane” (Kandinsky 1979:6) is the painting element, such as the letters that make up the word, different combinations will have different effects. As Kandinsky (1979:12) has demonstrated, that point, line and plane is the basic building material of the artwork itself, and that in every different art the elements of art are certainly different. However, it is necessary to first distinguish the basic elements from the other elements, no artwork does not have these artistic elements. Therefore, the common feature between Wassily Kandinsky’s paintings and Guan Zhong Wu’s paintings are point, line