Water Imagery Of Nawal El Saadawi 's Woman At Point Zero Essay

At the beginning of the novel, the motif of water is used to represent Sarah and Handful’s hope for freedom and unnoticeable, understated rebellions. The imagery of water is utilized to represent Sarah’s quiet defiance in her campaign for autonomy and fight to become a lawyer.

In the two novels, Masters of the Dew and Praisesong for the Widow, water is an evident representation of change between opposite ideas throughout the overall plots. In Masters of the Dew, Jacques Roumain tells the story of Manuel, a Haitian peasant who struggles to save his native village, Fonds Rouge, from severe drought and division of the villagers. Later, Manuel finds a large reservoir of water but only tells the secret to one person. Towards the end of the story, the village is saved, but only after the divided village agree to work together and build an irrigation system after Manuel dies. In spite of Manuel’s death, the people of Fonds Rouge finally access water. In his death, there was change--reconciliation. In this novel, water symbolises change, from death to life--revival. In Praisesong for the Widow, the symbolism is similar, but not as literal. The story starts with Avey Johnson, an African American widow, on a cruise ship with her friends. However, Avey starts to feel an indescribable urge to

The river represents the period between life and death. Another part of this symbol is the air representing life and under the rocks and waterfall representing death. Just as the transition from life to death is in motion, so is the rushing of the water. Both have a beginning and an ending point, but the part in the middle is constantly moving, swirling and churning. As the girl loses hope for survival and the waterfall is approaching, the narrator states, “[S]he becomes part of the river” (45). The girl now crosses over the borderline of life and death, and she is about to be swallowed up by the falls of death and can never return to life. However, when the diver goes into the river to save her, he comes out saying that “he’d never enter that river again” (47). He encounters the spiritual eccentricity of the edge of death when he looks into lifeless girl’s animated eyes, and he can not fathom that experience. Another symbol that is introduced twice is the gurgle of the aquarium, which symbolizes the attempt to understand nature’s cycle of life. As she floats downstream, the girl remembers “her sixth-grade science class, the gurgle of the aquarium at the back of the room”(45). During this moment, all of her thoughts are puzzled, and she cannot understand the death awaiting her. Later on, after sleepless nights, the diver is in the empty school where “the only sound the gurgle of the aquarium” (48). This moment is the point at which he decides

The appreciation of nature is illustrated through imagery ‘and now the country bursts open on the sea-across a calico beach unfurling’. The use of personification in the phrase ‘and the water sways’ is symbolic for life and nature, giving that water has human qualities. In contrast, ‘silver basin’ is a representation of a material creation and blends in with natural world. The poem is dominated by light and pure images of ‘sunlight rotating’ which emphasizes the emotional concept of this journey. The use of first person ‘I see from where I’m bent one of those bright crockery days that belong to so much I remember’ shapes the diverse range of imagery and mood within the poem. The poet appears to be emotional about his past considering his thoughts are stimulated by different landscapes through physical journey.

 Water represents Sethe's transition from slavery to freedom. Sethe left Sweet Home pregnant with Denver, "and ran off with no one's help" (p.224). She ran scared and fearful of the trackers following her trail.  Sethe met Amy Denver, a white women, on her way to Ohio.  Amy helped Sethe find the Ohio River.  The river was "one mile of dark water...[and] it looked like home to her and the baby"(p.83).  When Amy left, Sethe traveled downstream and met Stamp Paid.  He helped her and Denver cross the river to freedom.  Stamp took Sethe upstream, "and just when she thought he was taking her back to Kentucky, he [Stamp Paid] turned the flatbed and crossed the Ohio like a shot" (p.91).  The river locked away the memories of Sweet Home and began her life with Denver at 124.   Water represents the transition of Sethe's slave life to her life of freedom.  Again, water has cleansed the soul of the sin of slavery. The river is now a barrier.  It separates Sethe's life of slavery, to her new life of freedom.

The water is symbolic of romantic love as an overwhelming and transforming force that changes in form and changes the people involved. The wave is large, unpredictable and spans out as far as the eye can see. The movement of an all-encompassing emotion like love is impossible to contain, much like water. It is free flowing and goes on forever. “Love was a game, a perpetual creation (Paz, 2). Love and water are both creations of the divine and humans tend to use and abuse them. However, humans are emotional and social animals who need both love and water to survive. Waves have a way of hitting humans all at once, just like love. It renders humans excited and full of surprise at first “wave of surprise” (Paz, 2) like a crashing delight. It also leaves us always wanting more. We have an unquenchable thirst for love and affection, thus we chase it even in its most sinister forms, like an abusive relationship. The narrator is accepting of the wave 's presence when she appears in his home where he was once hesitant of the idea of her in his life. Love also transforms and can change us, like water changes states. It can become overwhelming and hard to breathe, but it is often all around us and

The geography of rivers is important to their symbolism in this story. Antonio’s river starts from a lake, a place of no morals; studies prove that infants are selfish beyond belief, and so is water at its birth. His river carries the water to the ocean, the place where all water lands, carrying the blood and salt and debris that it picks up on its long journey. All high rivers go to the ocean, no matter how many lakes they go through. The ocean is where water goes to die, until its spirit, in clean water, is carried through the clouds back into the frigid mountain lakes, where it is born again. This is the cycle of water, and the cycle of life.

The conflict of the Haisla people's spirituality and modern "white washing" of their culture has a major influence on Eden Robinson's novel Monkey Beach. The protagonist Lisa struggles to understand her spirituality and her family often dismisses any hint of spirituality. Lisa finds herself connected to nature but is does not fully understand why, leaving her to contemplate there meaning or existence by herself. Robinson’s use of allusion and imagery illuminate many key themes and implicit meanings throughout the passage.

Oceans are essential for our environment since they produce more than half of the oxygen in the atmosphere covering about seventy percent of the Earth. Without our vast oceans, humankind would be unable to survive. In Annie John, by Jamaica Kincaid, utilizes water as a motif to show the growth and develop of Annie, a young girl in the Caribbean. Learning how to properly balance the values of the colonial world and the native Caribbean culture, Obeah, Annie grows up through her mother’s parenting. Kincaid uses water as a tool of empowerment to Annie’s growth by curing, nurturing, and transforming her.

The thoughts and emotions that occur in connection with water are triggered by the lake, and they help Ruth choose transience over any other form of existence. When water floods Fingerbone, the boundaries are overrun, exposing the impermanence of the physical world, and the world’s own natural push towards transience. Water shifts the margins, warning us that the visible world only shows us part of the whole--or perhaps even a mere reflection of a false reality. After the fantastic train wreck in which Ruth’s grandfather perished, the lake sealed itself over in ice, changing boundaries again, while it concealed, like a secret, the last traces of the victims with the illusion of its calm surface. The lake, a source of beauty and darkness, life and death, is “the accumulated past, which vanishes but does not vanish, which perishes and remains” (172). Water carries the symbolic possibility for rebirth– the flood causes the graves in the town cemetery to sink, “so that they looked a little like…empty bellies," suggesting that the dead were born into the receding waters (62). As water and death are so pre-eminent in Sylvie’s consciousness, in dream, she teaches Ruth to dance underwater, to live a life of transience to be

The last page of the chapter condenses a lot of important themes of the book into a few paragraphs. As Edna finds herself she uses the water almost as a role model and or support system to help her through her journey. Although the water is not heavily influenced in this chapter a slight hint to her relationship with the water is displayed. As Edna reflects on her depressing moments, thinking about her happy days and sad days she compares

‘Children of the Sea’ is a harrowing story written by Edwidge Danticat, a Haitian-American woman who expresses her personal trauma and horrors through her literature. ‘Children of the Sea’ opens with an undisclosed man writing a letter to his beloved as he travels across the sea from his home, where is lover is also writing letters directed to him. The letters they write to one another dictates the plot and reveals the two unnamed narrators lives.

The poem “Dear Matafele Peinam” by Kathy Jetñil-Kijiner is a tremendously moving poem about climate change. To begin, two of the main symbols of this poem are the lagoon and hands. Firstly, the lagoon symbolizes what the world could look like if people do not change. It shows the negative aspects of the world, and it also highlights the direction Earth is going. This symbol can be interpreted from the quote “men say that one day / that lagoon will devour you” (10-11). This implies that scientists are claiming that the Earth is headed in the wrong direction, and change is necessary before Earth devours its residents. Next, hands symbolize collaboration and change. Whenever hands were mentioned, it was always associated with change. A few examples are “hands reaching out / fists raising up” (62-63) and “marching with signs / hand in hand / chanting for change NOW” (80-82). These are powerful statements about rallies and statements about change. The hands are symbols of how the only way to save the planet for the future generations is to collaborate and work together to achieve a common goal.

Vivid imagery can be seen all throughout “Araby.” Vivid imagery is detailed writing that gives you a sense of an image while you read. The story begins with “North Richmond Street, being blind, was a quiet street” and continues to say, “An uninhabited house of two storeys stood at the blind end, detached from its neighbours in a square ground. The other houses of the street, conscious of decent lives within them, gazed at one another with brown imperturbable faces” (“Araby” 1019). The way this imagery is used shows

The fictional accounts of women’s experiences in Fadia Faqir’s, Pillars of Salt, illustrate issues articulated by women’s rights activists in the Middle East. Traditional roles of women and men and a mythology of femininity and masculinity are juxtaposed with the disparate realities of the characters. The damaging forces of colonial rule, war, and Westernization are also exposed.