Water can be identified as a symbol that embodies the very essence of Kate Chopin’s The Awakening. This “feminist” novel depicts the life of Edna Pontellier and explores the many daunting themes of identity, women and their roles in society, and independence; all of which, during the nineteenth century, were extremely sensitive and daring topics. In a nutshell, the novel is truly about her “awakening”, which is portended by its title. What allows this is water, which stands to represent Edna’s awakening. It is no coincidence that much of her time at Grand Isle was spent at the beach or in the water, or that her infamous death was due to drowning. Similarities like these do not just occur: they give purpose to the novel’s plot and meaning. …show more content…
Like the current beneath its surface, it pulls and tugs at her soul, inviting her to its depths. Edna was attracted to the water, just the same as she was her changes. When she first begins to transition, she was chary and distant, hesitant of its mysterious qualities- she felt the same way towards the ocean. She was not sure why, but she could not resist the temptations of this new fantasy, and she could not stop herself from finding her way back to the water. In her eyes, “the voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation,” (Chopin 33). Edna felt connected to the water; in it, she reached self-actualization and encountered a side of her no one else knew existed...even herself. It was only once its potent seductions drew her in did Edna begin to see and feel the alterations swelling inside her. The true turning point and catalyst in her awakening was her ability to swim on her own. While Edna did attempt to swim before, she was never truly free- she depended on the …show more content…
It is also, though, the thing that kills her. While Chopin’s work is technically classified as a feminist novel, many question if this writing has been appropriately labeled. The reason for this dispute is because of Edna’s apparent suicide. While she may appear weak and her drowning may appear as defeat, her suicide is an important part of her awakening. Her death is the final step towards a complete transition. As morbid as it may seem, Edna was never going to be happy in a world so constricting and limiting. The only way to complete and arrant freedom was to liberate herself from a life full of impedances and griefs. Her demise was actually her birth, allowing her soul to live eternally awakened. Edna’s life and death is cyclical, where she is born and eventually dies, only to be reborn. The only thing connecting each phase of her life is water, serving as the guide for her newly aroused being. It is the fuel to the fire, the light that induces and triggers the changes within her. Readers can see this cyclical aspect of water when Chopin utilizes the same phrases at her death and at the commencement of the novel, where she first learns to swim. “The voice of the sea is seductive, never ceasing, whispering, clamoring, murmuring, inviting the soul to wander in abysses of solitude,” (Chopin 203). Edna still feels enticed to the water, but
Kate Chopin’s The Awakening depicts Edna Pontellier’s struggle to find and assert herself within the cultural constraints of late 19th century America. Like her name “Pontellier”, which means “one who bridges,” it implies that Edna is in a transition between two worlds but not fully embedded in either. Her intent is to bridge the limited world of the mother-woman to that of selfhood.
The reader thinks Edna might just be frustrated with her husband. As the novel shifts to New Orleans, it is clear that she has changed. Edna starts to feel motivated to take action. Finally the setting comes back to Grand Isle, and it is the climax of Edna’s awakening. It is also where she drowns herself. Nobody know for sure whether it was intentional or not since Chopin said, “Even as a child she had lived her own small life all within herself. At a very early period she had apprehended instinctively the dual life—that outward existence which conforms, the inward life which questions”(Chopin 58).
Kate Chopin’s book The Awakening published in 1899, provides a snapshot of Creole society through a neutral point of view. The male dominated French-Louisiana society provides a challenge for the main character, Edna Pontellier to adapt to. Through the character of Edna Pontellier, we the audience, see both an emotional and physical awakening. After awakening, Edna tries to combat the societal structures of motherhood which define her as the wife of motherhood and force her identity as the wife of Leoncé and the mother of Raoul and Etienne instead of her own self-defined individual. Chopin’s concentration on two other principal females outlines Edna’s options; either
The ending of Kate Chopin’s The Awakening is both controversial and thought provoking. Many see Edna Pontellier’s suicide as the final stage of her “awakening”, and the only way that she will ever be able to truly be free. Edna’s suicide, however, is nothing more than her final attempt to escape from her life. Edna Pontellier’s life has become too much for her to handle, and by committing suicide she is simply escaping the oppression she feels from her marriage, the suppression she feels from her children, and the failure of her relationship with Robert.
Edna's feelings of despondency fade as the sea's spell reaches out for her again. The narrator points out that "[the] voice of the sea is seductive, never ceasing, whispering, clamoring, murmuring, inviting the soul to wander in
Ranging from caged parrots to the meadow in Kentucky, symbols and settings in The Awakening are prominent and provide a deeper meaning than the text does alone. Throughout The Awakening by Kate Chopin, symbols and setting recur representing Edna’s current progress in her awakening. The reader can interpret these and see a timeline of Edna’s changes and turmoil as she undergoes her changes and awakening.
This is the point in the story where Edna starts listening to her voices inside her gives into her inner desires. She continues to struggle with the fact that she married out of convenience and she has two sons that she really does not want to mother as well as the fact that she loves being an artist. In chapter x, Edna goes to the sea only to realize that all her swimming lesson had finally paid off that summer and she was swimming. Chopin describes this even like a baby finally getting enough confidence to walk and the baby walks realizing its own strength and power. While swimming, she soon gets tired and has quick feeling overcome her of the possibility of drowning but quickly swims back to shore. She has conquered her greatest fear and now feels like a new woman that is no longer afraid of her true feelings. Edna’s affair with Robert continues and he eventually leaves Grand Isle and her and her family returns home.
Edna states, “The voice of the sea is seductive, never ceasing, whispering, clamoring, murmuring, inviting the soul to wander in abysses of solitude...to lose itself in mazes of inward contemplation”(Chopin 17). Chopin utilizes practical uses of water to show Edna’s nonconformity and foreshadows the end of the novel. Kathryn Seidel states, “Edna begins her journey by discovering the limitations of domesticity as exemplified by the confining roles of wife and “mother-woman”; Chopin approached her novel from a background of local color and domestic fiction but with a sense of its limitations”(236). By incorporating swimming and sunbathing, Chopin reveals her underlying theme. Beginning in chapter one with the way Mr.Pontellier looks at his wife as a damaged possession after stating, “You are burnt beyond recognition”(Chopin 5). This shows how women were treated in this time period; therefore, Edna felt the power to break the social norm of objectivity of women. Towards the middle of the book, Edna experiences her first swim. The narrator states, “She turned her face seaward to gather in an impression of space and solitude which the vast expanse of water...as she swam she seemed to be reaching out for the unlimited in which to lose herself”(Chopin 32). Edna’s first swim symbolizes her awakening moment. As she swims, she feels like she is “reaching out for the unlimited”
The ocean, represented in Chopin’s novel, underscores liberation through nonconformity and independence, but also destruction through its solitude and waves of uncontrollable power. For instance, when Edna embarks on a boat excursion to the Chênière Caminada for mass, Chopin reveals that Edna felt as if “she were being borne away from some anchorage which had held her fast, whose chains had been loosening...leaving her free to drift whithersoever she chose to set her sails” (Chopin 34). Thus, Edna’s first outing away from the Grand Isle serves to awaken her in the sense of sailing away from the limitations of societal norms in which she feels trapped. This is further underscored through Chopin’s symbolic use of an anchor, as it represents the heavy weight of which Edna feels burdened by societal customs. In addition, Edna reveals to Robert that she has “been seeing the waves and the white beach of Grand Isle” (Chopin 100) while he was away in Mexico. Waves are often associated with uncontrolled activity; as such, the ones of which Edna speaks of may symbolize that her rebellion against
“The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, and inviting the soul to wander for a spell in the abysses of solitude; to lose itself in mazes of inward contemplation." (Chopin 13). Edna was a person that found passion within arts of life, her admiration to her most intimate friend who had the gift of writing, a personal way of expressing, as well as Mademoiselle Reisz who played the piano with a passion that broke tradition for which Edna was the only one to appreciate it, Mademoiselle Reisz music evoked a waking with Edna 's body and soul that could not compare to nothing else - "But the very passions themselves were aroused within her soul, swaying it lashing it as the waves daily beat upon her splendid body. She trembled, she was choking, and the tears blinded her"(Chopin 27). Approximating the end of the summer Edna also nears a personal growth within, she learns to swim, simply ineffable to Edna but ordinary to many other people would not care for its gift, she learned to swim and she went as far into the ocean where no woman had swum before, a point in Edna 's life that prepares her to open herself up for new choices. She choices to find shelter in a man that had aroused herself as a young beautiful woman, she choices to dream and long for Robert Lebrun like the other forbidden men in her childhood, but its only when she returns to her charming home on
In the iconic debated novel “The Awakening”, Kate Chopin’s novel takes place in the Victorian Era, which is in the 19th- century, similarly the novel was published in 1899. Edna is depicted as a woman longing for more, a woman who was looking for more than just a life of complacency and living in the eyes of society. The story uses Edna to exemplify the expectations of women during this era. For example, a woman’s expression of independence was considered immoral. Edna was expected to conform to the expectations of society but the story reveals Edna’s desires which longed for independence in a state of societal dominance. Throughout The Awakening, Chopin’s most significant symbol,
In Kate Chopin’s novel, The Awakening a wife and a mother of two, Edna Pontellier, discovers her desires as a woman to live life to the fullest extent and to find her true self. Eventually, her discovery leads to friction between friends, family, and the dominant values of society. Through Chopin's use of Author’s craft and literary elements, the readers have a clear comprehension as to what the author is conveying.
Sacrifices can define one’s character; the definition can either be the highest dignity or the lowest degradation of the value of one’s life. In The Awakening, Kate Chopin implicitly conveys the sacrifice Edna Pontellier makes in the life which provides insight of her character and attributions to her “awakening.” She sacrificed her past of a lively and youthful life and compressed it to a domestic and reserved lifestyle of housewife picturesque. However, she meets multiple acquaintances who help her express her dreams and true identity. Mrs. Pontellier’s sacrifice established her awakening to be defiant and drift away from the societal role of an obedient mother, as well as, highlighting the difference between society’s expectations of
In Kate Chopin’s novel, The Awakening, the constant boundaries and restrictions placed on Edna Pontellier by society will lead to her struggle for freedom and her ultimate suicide. Her husband Leonce Pontellier, the current women of society, and the Grand Isle make it evident that Edna is trapped in a patriarchal society. Despite these people, Edna has a need to be free and she is able to escape from the society that she despises. The sea, Robert Lebrun, and Mademoiselle Reisz serve as Edna’s outlets from conformity. “Edna's journey for personal independence involves finding the words to express herself. She commits suicide rather than sacrificing her independent,
In the novel The Awakening, Kate Chopin (2005) uses deep symbolism to show how the main character, Edna Pontellier, discovers her own independence in the society in which she lived. Edna was a traditional mother and wife seeking freedom and independence throughout her adult life. Chopin portrays Edna as being a rebel against her own life. The story takes place in the 1960s when women were to follow certain rules made by the society they lived in. Chopin also foreshadows the things that occur in Edna’s life through nature and death itself. Based on the many ways Chopin uses symbolic meanings through the novel, we can see the events of Edna’s life as one that rebels against society. Throughout this novel, Chopin proves that Edna’s actions