Essay on Wayang Kulit

Anthropology is defined as the study of human societies and cultures and their development through time. This is shown through Clifford Geertz essay “Deep Play: Notes on the Balinese Cockfight”. In his essay, he attempts to give insights on the Balinese culture and mainly focusing on the significance of Balinese cockfights within the Balinese culture. Throughout this paper, first, I will briefly summarize Geertz’s essay, then, I will discuss his use of ethnographic fieldwork and ethnocentrism in Bali and how it led him to the discovery of the Balinese culture. Finally, I will discuss cockfights and their meaning and significance within the Balinese culture.

The Balinese production has a magical and mystical tone and is all caused by the effects the director decided to use to help make the tone

The next thing that shows up in the story that has very importance as a symbol is the conch. Piggy and Ralph were walking around the island looking for others, when they see a pink shell shimmering in the water. Piggy recalled the shell as one he had seen used as an instrument. Upon seeing this, he picked it up, handed it to Ralph, the leader figure, and told him to blow. As he did this a noise was produced so that it carried itself across the island, drawing all the other boys to it's sound. This use of the conch is the first to demonstrate it's symbolism as authority.

In William Shakespeare’s Macbeth, there are many impressive literary devices that he so brilliantly uses. Symbolism as one of the major literary devices that can reveal another or deeper meaning of an object, person or situation is used frequently in the play for certain. During numerous symbols, there are three important groups that are used most regularly. These are blood, hand and animals, which all have different representations. Those three symbols together add a certain value to the work and enrich the play considerably.

Symbolism is a way we can express our beliefs or ideas through physical objects; however, they also divide people into groups. A paragon of this situation is the

"A Philosophy of Theater « " East of Mina. N.p., n.d. Web. 19 Jan. 2011.

In Lord of the Flies by William Golding, he has the boys use objects that have a bigger meaning than what we think. What are they and what do they mean? Do you know the meaning behind Piggy’s glasses, the conch, and the scar? Many don’t realize that these objects play an important role in this story. Let us discover what they symbolize.

Each of the main characters in the novel represent a certain ideas or aspect between civilization and savagery, therefore, it goes the same for an object that they used in the book. The object represent and emphasize themes and idea. Couchshell, for instance, which is used to gather the boy, call for assembly, give them the right to stand up and speak for themselves and for the groups, it represent order and justice. Piggy’s glasses, which are used to make fire, the side of science tecnology kind and it represent the power of science and physic. The pig's head, represent somethings that will bring more violence and savagery, and a barbarism that exist within everyone that causes fear for all.

They represent civilization, a symbol and reminder of the intellectual side of humanity. His eyesight may be weak, but his insight is powerful. Piggy is bullied to the point where his glasses are taken away, and because of this he's made helpless and unable to handle the rigor of the island. Piggy in turn gains confidence by standing up for himself, but his character is unappreciated, his intelligence ignored and uncared for. His stand only makes matters worse.

In the book, The Lord of the Flies by William Golding, the author has inserted items to symbolise an interesting character named Piggy. As these items are revealed Piggy’s symbolism and conservative nature foreshadows his death and misfortune of the boys on the island. And as the story goes on each of these symbols disappear.

Going first to Japan, Taymor studied traditional Japanese puppetry then went on to Sri Lanka, Paris, and Indonesia. She chose to remain in Indonesia after her fellowship ended for four years in her early twenties in a dirt-floor compound with no running water, electricity, or telephone. When there, she created Theater Loh, a troupe composed of actors, dancers, musicians and puppeteers from a multitude of countries. With this company she created a trilogy called Way of Snow which served to explore tensions between traditional Indonesian society and modern influences. Taymor carved all of the puppets and masks used in this performance herself using wood from a tree outside her house (Academy of Achievement). It was while she was in Indonesia that she had a life changing experience that would change her perspective on theatre

Purple represents youth. Green represents adolescence. Orange represents adulthood. White represents old age. Violet represents imminent death.

Type here. Piggy is a very thoughtful and unique character. Which of whom we are able to understand through the use of symbolism, these symbols include the glasses, the conch and the mountain. within these symbols Golding, these include the use of metaphors, similes, personification and hyperbole. The use of symbolism allows us to better understand Piggy as a character.

Figure 2 was a much earlier depiction of the stage, now it is much more intricate. There are over fifteen aspects to the stage that make it unique to Kabuki theatre. Each one holds an important aspect. It is more in-depth in Figure 3. Primarily, when starting from the top left and working the way down comes the mawaributal, which is known as the revolving stage. The mawaributal used to be operated only using human power and provide for simple scene changes by simply revolving the center section of the stage. Not only does it allow all of the audience to view the scene it is also much more appealing then abrupt scene changes. Then comes the Hombutai and two Daijin-bashiras, the Daijin-bashiras are two black pillars on both stage left and stage right and between them like the Hombutai, which is the stage prop. Stage right is the Shimote, which holds the left side of the audience and stage left is called the Kamite and there sits the right side of the audience. Audience’s sit all over the stage because of all the different places acting takes place. There is a little box in front of the Shimote called the Kuromisu, also known as the Geza and here Nagauta is sung in

In Kabuki theatre, everything that is seen on the stage is the result of a meaningful inner dynamic which completes the performance by the coordination of the actors with all the various components of the mise-en-scène and then by the traditions of all the various elements being assembled into an organic whole (Kawatake 1990, 247).