Ways That Golding Presents the Island in Lord of the Flies

The first act of destruction on the island follows the idea of the diseases and fallen human nature, is the pushing of the boulder. After three of the boys have noticed the boulder, they decide to ‘accept the challenge’, which they succeed in doing so. The fact that they didn’t need to remove the boulder from the mountain portrays the fact that the smallest things that the boys notice in their way have to be somehow destroyed. This displays the temptation in which the island is leading them to, as if they are obsessed by the thought of destruction in these early stages. The pushing of the rock symbolises the naturally destructive instincts that loses the innocence inside the children who are immediate to disturb the harmony of the island, following Golding’s theories. The islands reaction to the rock is through the forest shaking ‘with the passage of an enraged monster’. Golding uses the word ‘monster’ to describe this, to imply that the boys have let out a metaphorical beast onto the island which portrays the evil inside of the boys beginning to become exposed and their evil nature beginning. Furthermore, this portrays the battle between the diseased mankind and the natural world starting to corrupt the island.

 Golding's motives for choosing the island setting for the novel, Lord of the Flies was to have the characters isolated, where the laws of their governments could not reach them.  The boys on the island represented a microcosm of world society.    Golding chose children because they have not yet been fully conditioned by society to understand right from wrong, and thus are guided by their instinct and what is inherent within them.  Golding uses a great deal of symbolism throughout the novel.  Different characters provide different symbols.  Jack is a symbol of savagery and anarchy.  Golding relates the inherent evil

The Lord Of The Flies is a Nobel prize winning novel, written by William Golding. Who was an English teacher in 1930’s. The novel is about a group of young British school boys who find themselves deserted on an island in the Pacific Ocean and are forced to fight for themselves. This has a unique symbolism of characters and the events. The young boys don’t know how to fight for themselves and turn into complete savages by the end of the Novel and they have some freedom from the adult rules they are familiar with back at home.

Throughout the novel, the face paint that Jack and his crew used simultaneously masks their faces as well as their civility. The first mention of the facepaint is made when Jack is strategizing a way to sneak up on a pig and he decides to camouflage himself. Jack says that his “half-concealed face” is “for hunting. Like in the war” (63). The incomplete coverage of the paint indicates that Jack is not fully immersed into his savagery. However, his interest in aggressive acts, hunting and war, insinuates that he does have a tendency towards aggressiveness as well. Perhaps the most blatant reference to the fact that face paint induces savagery within the boys, specifically the hunters, is when Golding states that “the mask compelled them” (64)

Nature clearly plays a significant role in the presentation of many themes in Lord of the Flies. The story itself is set on an uninhabited island that has plenty of food and water as well as beautiful scenery. At first, the characters' situation appears to be an opportunity to have fun and indulge themselves in survival make-believe games until they are rescued. The false impression the island gives is demonstrated when Ralph gives one of his first meetings as the leader: “‘But this is a good island...there’s food and drink, and-’ ‘rocks-’ ‘blue flowers’”(Golding 34). The boys assume that they will have fun on the island simply because of its attractive outward appearance, which, especially in the day, exemplifies pleasure and hope.

      In the novel, Lord of the Flies, William Golding tells the story of a group of boys on an island left out to self survive. The time was World War II when the plane the boys were in was shot down leaving young survivals on a deserted island without any adults. The whole story is about what happens during their stay on the island representing metaphoric ideas of humanity in each incident as Golding describes. Golding has reportedly said that he wrote the novel in response to his personal war experiences. “ (The war)… taught us not fighting, politics or the follies of nationalism, but about the given nature of man.” (Golding) By looking at Lord of the Flies, it is clear that Golding’s view of

William Golding's Lord of the Flies is a novel about a group of English school boys who are stranded on a tropical island after their plane has been attacked and crashes during World War II. In the beginning, the boys like being on their own without adults. The boys separate into two groups, led by Jack and Ralph. Jack is obsessed with hunting, and he and his group pay do not pay attention. Ralph is concerned about keeping a rescue fire lit so they will have a chance to be rescued, but no one else seems too concerned about it. At least one ship passes by without noticing the boys on the island. Things on the island deteriorate into chaos and savagery. Jack and his tribe are consumed with hunting and

Lord of the Flies is a novel written by William Golding. It is about british schoolboys who are stranded on an island after their plane is shot down. They are on the island with no adult supervision. Their group is civilized but turns to savagery. In Lord of the Flies, Golding uses the characters of Ralph, Jack, and Roger to symbolize that there are violence, evil, savagery, and good that exist in every society.

The setting of the novel takes place on a peaceful, life giving island. However, once the boys came to the island, the island slowly became consumed in darkness as the boys became more savage like. Towards the beginning of the novel, Golding emphasizes the light hearted mood by describing the brightness and beauty of the island,” The palms that stood made a green roof, covered on the underside with a quivering tangle of the reflection from the lagoon.”(pg 12). Just like the island, the boys start out as peaceful boys when they first arrive on the island. However, as the boys became more corrupted by savagery, so does the island and Golding effectively uses this in the scene where the boys lose control of themselves and in their bloodlust, kill Simon,”The clouds opened and let down the rain like a waterfall…” (pg 153). Golding’s use of the setting shows the evil in humans by giving the reader a mental illustration of the progression of the island turning from paradise to despair, much like how Jack starts out as a normal boy, but progresses into savagery.

In the midst of the 1950's, the Cold War begins. While in that period, William Golding creates Lord of the Flies published in 1954. This is a novel about young school boys crash landing on an island. The boys on the island let the fear of something inside of them be in control. In the story, there are lots of events that take place and characters that take part. Golding uses Roger to show that there are those who resort to violence and savagery when laws are not in place.

Even though Golding had an enormous amount of symbols throughout his novel, Simon is the first to recognize the complication posed by the beast and the “Lord of the Flies” that is, that the monster on the island is not a real, physical beast, but rather a savagery that lurks within each and every human being. As a final point, the loss of social structure within civilization can lead to the demise of the boys on the island whether it's between Ralph vs Jack, the boys vs the island, or even Simon vs

Lord of the Flies, written in 1955 by William Golding, is a dark allegory under the guise of a coming of age/ adventure novel. The book features large amounts of imagery, beautifully crafted characters, deep imagery, and a plot that leaves the reader hooked and lusting for more. Despite these many wonderful attributes, however, Lord of the Flies is not for the faint-of-heart. This book discourages young or sensitive readers by use of profane language, grotesque imagery, and immoral actions. This book is not for kids and kids-at-heart.

The metaphysics (the philosophical look at existence) of Golding’s book are quite interesting. He questions the existence in essence of war, and desperation. It is absolute that the world around the boys’ existed. However, the world that they lived in was also one of their own creation. They created their own laws, and built boundaries for their characters’. The island, though, seemed to have a mind of its own. The boys were always at the will of the crashing sea, and the creatures that lurked in the trees. While, their biggest downfall was themselves, the island itself was their greatest fear, and what ultimately drove them mad. Simon, went mad with the knowledge that he had gained about life and death.

William Golding uses young boys on an island as an example to show that the world is

The novel's symbolic nature further enhances the books status as a fable. The disintegration of civilization is charted through the use of symbols, one of the major tools of the fabulist. Almost every detail in the novel has a meaning of its own and a representational meaning in terms of the theme and the development of evil on the island. The setting of the novel is particularly symbolic. The island functions as a microcosm of the wider world and parallels our society in competitiveness, destructiveness and violence. The island is a perfect place in which Golding can test his theories, as being isolated it lacks society and societal laws and rules, allowing the boys to run wild and show their true inner selves. However, the presence of the wider world is never forgotten, as there are constant mentions to the war occurring outside the island. References such as the boy's evacuation, the crashing of the plane and the pod, the dogfight over the island at night and the arrival of the naval officer on the beach and his warship, show the