We Are Making A New World By Paul Nash

This painting tells a sad story about a general who is willing to die for his citizens. This story also tells a hopeful story about unity between two completely different civilizations.

The historical site of the Western front that house the trenches and memorials attributing to the battles fought between the two opposing forces in WWI, is significant in aiding our understanding of the past. The memorials of some of the battles that happened on the Western front such as the Gallipoli battle, the Battle of Somme at Beaumont Hamel and the Battle at Vimy ridge, establishes a sense of national identity for the countries that fought, along with expressing their achievements, sacrifice and history for the modern generations to contemplate on.

On September 26, 2017 I visited the Dallas Museum of Art where I saw “The Fountain of Vaucluse” by Thomas Cole. The oil on canvas painting, displays a rocky landscape which captures the beauty of nature and civilization while also provoking thought in the viewer. An individual’s nature to hope for something better than the current discomfort he or she is experiencing is portrayed through Cole’s use of color and environmental contrast in this piece.

Daniel Ridgway Knight was an odd American artist who loved to paint relaxed French peasants in luscious landscapes. Ironically, he lived during a stressful time when the Industrial Revolution displaced numerous farmers and polluted the environment. He seemed to ignore the harsh truth and shut himself in his imaginary serene world. For instance, In the Premier Chagrin, translated as The First Grief, Knight paints two healthy girls conversing on a stone wall in front of gorgeous fields. At first, it appears as merely a pretty painting that is nicely contrasted to show depth and realism. Yet, with a closer look, this contrast in the colors and lines of the landscape and the figures creates tension to suggest the painter’s conflict between longing for serene freedom and feeling trapped within the stiff society.

“We don’t really care about diversity all that much in America” (132). In “People Like us” David Brooks takes a logical approach through examining the demographics of our neighborhoods, our educational institutions, and he touches on an emotional approach by having his audience examine their values; he does this with hopes of having his audience question their word choice for the American value diversity, and question if the way they are living their lives invites diversity.

The San Diego Museum of Art has remained a must-see stop for tourists and locals alike due to the informative nature of the displayed artwork pieces and its relation to world history. The centuries of artwork pieces can perhaps broaden one’s perspective of art cultures from around the world, as I have become more informed about Asian cultures and traditions through pieces, such as Brush and Ink. As Hans Hofmann stated, “through a painting, we can see the whole

“Facing it” by Yusef Komunyakaa and “Dulce et Decorum Est” by Wilfred Owen, are two powerful poems with the graphical life like images on the reality of war. It is apparent that the authors was a soldier who experienced some of the most gruesome images of World War I. In “Ducle et Decorum Est” Owen tells us about a personal experience in which he survived a chemical warfare attack. Although he survives, some of his fellow troops do not. As in “Facing It” Komunyakaa is also a soldier who has survived a war. Komunyakaa response to his war experience is deeply shaped by his visit to Lin’s memorial. Inspired by the monument, Komunyakaa confronts his conflicted feelings about Vietnam, its legacy, and even more broadly, the part race plays in

CLS- The painting depicts the people in Guernica in an abstracted composition of multiple figures describing the lose of the wounded and the chaos the war that result in a tragedy.

The diversity between Americans has always been evident, and not just by the skin tone or religion, but also by their backgrounds, as well as how their lives are like today. Especially in African Americans and those who wanted to change the ways of religion, and the prejudice against them continues to stick, even today.

Like the painting, the sketch exhibits a number of West 's finest imaging and clearly and convincingly depicts all of the feeling of a frightful scene. The larger oil on canvas work isn 't one portrait, but rather, a

Justin Torres Novel We the Animals is a story about three brothers who lived a harassed childhood life. There parents are both young and have no permanent jobs to support their family. The narrator and his brothers are delinquents who are mostly outside, causing trouble, causing and getting involved in a lot of problems and barely attending school, which their parents allowed them to do. The narrator and his brothers were physically abused by their father, leading them to become more violent to one another and others, drinking alcohol and dropping out of school. Physical abuse is an abuse involving one person’s intention to cause feelings of pain, injury and other physical suffering and bodily harm to the victim. Children are more

4. Space- Perspective is demonstrated in many ways. This artwork takes up almost the whole canvas. The horses on the edge look like they were maybe even squeezed in. All of the characters in this artwork look to be congregated to the middle of the painting, besides the villages in the distance. Linear perspective is used in the placement of the villages in the background and in all the men and horses, which are grouped in the middle of the screen. Looking at the features in the painting I notice the use of overlapping and vertical placement, which both imply depth. The horses overlap each other as well as the gentlemen and other elements of the painting. The brown horse’s head overlaps the black one hiding its mouth. The villages and hills in the background appear to be very far away (diminishing size); they look smaller and distant from the rest of the main aspects of the painting.

Poets frequently utilize vivid images to further depict the overall meaning of their works. The imagery in “& the War Was in Its Infancy Then,” by Maurice Emerson Decaul, conveys mental images in the reader’s mind that shows the physical damage of war with the addition of the emotional effect it has on a person. The reader can conclude the speaker is a soldier because the poem is written from a soldier’s point of view, someone who had to have been a first hand witness. The poem is about a man who is emotionally damaged due to war and has had to learn to cope with his surroundings. By use of imagery the reader gets a deeper sense of how the man felt during the war. Through the use of imagery, tone, and deeper meaning, Decaul shows us the

“Where Worlds Collide” is an essay by Pico Iyer who talks about the expectations and reality of Los Angeles through the perspectives of travelers from different backgrounds. In “Where Worlds Collide,” Pico Iyer argues that even though Los Angeles is depicted as a vicinity to receive wealth, happiness, and many opportunities- it is actually the antithesis, and instead, many harsh prejudice and unending craziness will occur instead; Iyer argues this by using allusions, anaphoras, and juxtapositions to help convey what he is saying.

The book Between the World and Me by Ta-Nehisi Coates, Coates writes a letter, addressing his son. He composed this message to his fifteen-year-old son, who that year had learned of the unjustified murders of numerous black individuals, including Eric Garner and Michael Brown; killed by police officers who received no punishment for their actions. Coates describes to his son many realities, that he has experienced firsthand, with which a black person must contend. He details his difficult childhood, living in fear – fear of the streets, fear of the police, fear of losing his body. In his letter, he illustrates how Howard University, the Mecca, and his experiences and interactions there shaped him. Another incident he discusses as one that