We Grow Accustomed To The Walk

Poetry as a literally work in which the expression of ideas and feelings is given strength has had great authors overtime who took different perspectives in this genre of literature. These poets used distinctive rhythm and style to express their styles, poetic themes, outlook on life, and had their share of influence on the American society. This paper uses the basis of these styles, themes, outlook on life and subsequent influence on the American society to compare three prolific poets who ventured into this literature genre: Robert Frost, Mary Oliver, and Maya Angelou. Robert Frost (1874-1963) holds a unique and almost sole position in the career span which mostly encompasses

In literature, themes shape and characterize an author’s writing making each work unique as different points of view are expressed within a writing’s words and sentences. This is the case, for example, of Edgar Allan Poe’s poem “Annabel Lee” and Emily Dickinson’s poem “Because I could not stop for Death.” Both poems focus on the same theme of death, but while Poe’s poem reflects that death is an atrocious event because of the suffering and struggle that it provokes, Dickinson’s poem reflects that death is humane and that it should not be feared as it is inevitable. The two poems have both similarities and differences, and the themes and characteristics of each poem can be explained by the author’s influences and lives.

Dickinson writes, “We grow accustomed to the Dark / When Light is put away / As when the Neighbor holds the Lamp / To witness her Goodbye” (Dickinson 1-4). The reader is given a situation where one must perceive his/her fears as an obstacle to overcome in order to adapt to the situation. Dickinson explains how the mind influences how people see things. Although the mind gets used to the “darkness”, the mind also changes its way of interpreting other problems. Emily Dickinson also writes, “The Bravest - grope a little / And sometimes hit a Tree Directly in the Forehead / But as they learn to see” (Dickinson 13-16). This stanza is explaining how the bravest people perceive their fears as an obstacle to overcome in order to continue forward with their lives, like adaptation. The “bravest” are those who choose to conquer their fears instead of letting their fears consume them. Overall, the poem, “We Grow Accustomed to the Dark”, elaborates on how people must adapt to change sufficiently both mentally and physically in order to overcome their

In their eyes is the truth. The speaker in Dickinson’s poem promotes adaptation as the primary response to the darkness; one must, “fit our Vision to the Dark –” before acting. With courage and conviction can the speaker finally move forward “And meet the Road – erect”. Familiarization to the darkness instills a sense of fortitude with which the speaker suggests may assist until the light returns. While the speaker in Dickinson’s poem chooses to face the darkness, the speaker in Frost’s poem becomes enveloped within it, shying away from the surrounding society. Embarrassed by this nightly wandering, the speaker scarcely responds to meeting the watchman on his beat, saying, “And dropped my eyes, unwilling to explain.” By lowering the eyes, the speaker assumes a passive role, choosing to dwell within the night rather than facing it. This melancholy response may appear cowardly against the courageous action of the other poem, but the speaker knows that one must become acquainted with the night before moving on from this solitary lifestyle. In both poems, the reaction to the darkness is within the eyes. They must change themselves to face the darkness, or let the night change

In Emily Dickenson's "We Grow Accustomed to the Dark," and in Robert Frost's "Acquainted with the Night," the poets use imagery of darkness. The two poems share much in common in terms of structure, theme, imagery, and motif. Both poems are five stanzas long: brief and poignant. The central concepts of being "accustomed" to something, and being "acquainted" with something convey a sense of familiarity. However, there are core differences in the ways Dickenson and Frost craft their poems. Although both Dickenson and Frost write about darkness, they do so with different points of view, imagery, and structure.

Robert Frost takes our imagination to a journey through wintertime with 
his two poems "Desert Places" and "Stopping by Woods on a Snowy Evening". These two poems reflect the beautiful scenery that is present in the snow covered woods and awakens us to new feelings. Even though these poems both have winter settings they contain very different tones. One has a feeling of depressing loneliness and the other a feeling of welcome solitude. They show how the same setting can have totally different impacts on a person depending on 
their mindset at the time. These poems are both made up of simple stanzas and diction but they are not straightforward poems.

Darkness is a recurring image in literature that evokes a universal unknown, yet is often entrenched in many meanings. A master poet, Emily Dickinson employs darkness as a metaphor many times throughout her poetry. In “We grow accustomed to the dark” (#428) she talks of the “newness” that awaits when we “fit our Vision to the Dark.” As enigmatic and shrouded in mystery as the dark she explores, Dickinson's poetry seems our only door to understanding the recluse. As she wrote to her friend T.W. Higginson on April 15, 1862, “the Mind is so near itself – it cannot see, distinctly”(Letters 253). In this musing, she acquiesces to a notion that man remains locked in an internal struggle with himself. This inner

The existence of poetry as an artform predates literacy itself. Over the course of history, poetry grew from a verbal form of art, existing mainly in religious hymns, to becoming the universal “language of the heart”. The work of William Shakespeare and Edgar Allen Poe, some of the most notable poets of history, has resonated with generations of Americans. Although they lived in a Pre-industrial world, their work remains powerful because the themes expressed in their artwork can still be applied to modern society. On the contrary, protruding among this group of ancient poets is Robert Frost, whose modern work remains just as powerful, shaping generations through his questions of existence, and depiction of loneliness in an indifferent universe. One of Frost's most celebrated poems: The Road Not Taken, is influential not only in the literary world, but also within American culture. The poems subsequent ripple through American life is analyzed by David Orr In his essay The Most Misread Poem in America. Here, Orr argues that the misread of The Road Not Taken magnifies the underlying issues in society’s understanding of both Frost and poetry as a whole.

Most of us are accustomed to the light, we live and prosper in the light; it’s such a familiar thing. But imagine one day that light vanishes and it’s gone, the only thing that’s left is the darkness and it’ll be there forever, so growing accustomed to it is not an option. That’s exactly what Dickinson’s poems “We Grow Accustomed To The Dark” and “Before I Got My Eyes Put Out” are about, but on a metaphorical level. In those two poems she gives a message about how happiness disappears and depression comes, but also how her viewpoint is changed and how she takes a safer and more isolating approach.

Emily Dickinson , a private American poet , whose poems made a lot of metaphorical references had her poems exposed by her younger sister right after she died. As a child Dickinson lived most of her life in isolation which gave her time to write a lot of things like letters and poems like “Before I Got My Eye Put Out” and “We Grow Accustomed to the Dark”. Most of her poems aren't literal. They are written in metaphorical ways to make you think. Like her poem “Before I Got My Eye Put Out” , I think this poem is referring to how she wanted to explore the world , but later realized that she would be safer inside where there was shelter and protection. In her poem “We Grow Accustomed to the Dark” I think she refers to how she lost somebody that she was close to , and the problem she encountered along the way as they were gone. Both of these poems are alike in a way that they both talk about losing or giving up on something. In “Before I Got My Eye Put Put Out” the speaker reacts to the loss by giving up and not trying anymore. I think speaker in “We Grow Accustomed to the Dark” would react differently and actually try to explore the world and go on an adventure.

Robert Frost’s poetic techniques serve as his own “momentary stay against confusion,” or as a buffer against mortality and meaninglessness in several different ways; in the next few examples, I intend to prove this. Firstly, however, a little information about Robert Frost and his works must be provided in order to understand some references and information given.

Poems are like snowflakes. While no two are the same, they all have common structures and themes. One prevalent theme in poetry is that of death, which is present in both “Because I Could Not Stop for Death” by Emily Dickinson and “Stopping by Woods on a Snowy Evening” by Robert Frost. Dickinson perceives death as a gentleman, while Frost perceives death as loneliness, which provides insight on how the time periods of the poems, the genders of the authors, and the authors’ personal experiences influence literature.

Emily Dickinson a modern romantic writer, whose poems considered imaginative and natural, but also dark as she uses death as the main theme many times in her writings. She made the death look natural and painless since she wanted the reader to look for what after death and not be stuck in that single moment. In her poems imagination play a big role as it sets the ground for everything to unfold in a magical way. The speakers in Dickinson’s poetry, are sharp-sighted observers who see the inescapable limitations of their societies as well as their imagined and imaginable escapes. To make the abstract tangible, to define meaning without confining it, to inhabit a house that never became a prison, Dickinson created in her writing a distinctively elliptical language for expressing what was possible but not yet realized. She turned increasingly to this style that came to define her writing. The poems are rich in aphorism and dense

Edgar Allan Poe and Robert Frost influenced my thorough love of different styles of literature, particularly poetry. To the masses, Edgar Allan Poe and Robert Frost only share job titles, but the two poets share many similarities within their writing. Personally, I read pieces from both authors over the course of my schooling experience. I admired Robert Frost’s poem, “The Road Not Taken” from a young age, and that particular stole my heart since the first read. “The Raven,” became one of my favorite poems further down my schooling career, with its clear ominous tone that symbolizes much of Poe’s writing. Frost’s and Poe’s works may not seem similar, aside from the section in which their books reside within a library, but their work resembles each other’s quite well. Frost’s writing serves as a better introduction to poetry due to his easily relatable themes, his background connects to everyday audiences, and his use of modern language.

Emily Dickinson was one of the many famous American poets whose work was published in the 19th century. Her writing style was seen as unconventional due to her use of “dashes and syntactical fragments”(81), which was later edited out by her original publishers. These fragmented statements and dashes were added to give emphasis to certain lines and subjects to get her point across. Even though Emily Dickinson was thought to be a recluse, she wrote descriptive, moving poems on death, religion, and love. Her poems continue to create gripping discussions among scholars on the meaning behind her poems.