Wearable Technology In Theatre

“The point of theatre is transformation: to make an extraordinary event out of ordinary material right in front of an audience 's eyes. Where the germ of the idea came from is pretty much irrelevant. What matters to every theatre maker, I know, is speaking clearly to the audience 'right now. '” This quote by English playwright and screenwriter, Lee Hall, from an essay he published in the Times of London, is central to the connection between theatre and motion picture technology. Since the rise of film in the early twentieth century, these elements have been influencing each other, and working together, to elevate the storytelling and experience of each medium and, in turn, better connecting them to the modern audience. The collaboration of these two mediums has resulted in a new form of theatre, known as digital theatre, that shows “theatrical entertainment does not have to be either purist (involving only ‘live’ actors on stage), or be consumed by the dominant televisual mass media, but can gain from the strengths of both types of communication.”(Masura). Throughout this paper, the intersection of theatre and motion picture technology will be explored through their effect on each other, in storytelling and experience, and the product of their collaboration—digital theatre.

From an audience’s perspective, a performer and their costume merge into one entity (Wilson, 2011). The costume that was the biggest eyesore was Froggy’s military attire. As everything in the show has a rural, old fashioned theme, he brought something totally different to the picture: camouflage fatigues. The costume that I was most impressed by, though, was Ellard’s. His outfit was a physical representation of what people thought of him. He had disheveled hair, dirty overalls half undone, and a messy shirt underneath. Ellard was perceived by those around him as mentally challenged, and his costume conveyed that through his lack of awareness towards his

Today, consumers can buy wristbands that count steps and track sleep, athletic shoes that monitor fitness, watches that double as phones, and smart glasses that function as a computer or GPS. Fitbits and apple watches are two of the most popular wearable technology in 2016 (according to www.cnet.com).

Competed in a Montreal Fashion Show, where I created a design that fits the theme “Futuristic,” and successfully hand wired LED lights and programmed them to flash different colors on the runway.

By the 21st century, the advancement in technology has forever changed the way clothing is made. “The impact of CAD software on everyday clothing is becoming more prevalent as the software is linked to 3D printing technology.” This saying, clothing has come to be an easy thing to come by and still is advancing. “Machines for home printing are becoming more affordable… the ability to create customized clothing is becoming more of a reality as technology evolves.” As technology evolves, it will impact the way people shop for clothes and how their clothes are

New York’s DesignTech Services is the leading provider of design training and support in today’s fast-paced, super-exciting fashion industry. The business stands way out from the typical IT company via powerful fashion technology software and related services. Team members from the New York institution recently interviewed Jason McConnell and Meir Erani, aka the founders of Fashion Classroom, an online video classroom for fashion designers. Check out the following wise words from the fashion technology pioneers, including how their classroom formed and why they made the move to designer training.

Wearable simulation equipment. Wearable simulation equipment is any equipment applied to the body that is used to simulate the effects of aging. There are many aspects to this equipment. There are six different types of goggles to simulate visual disturbances (unilateral retinal detachment, retinitis pigmentosa, cataract, diabetic retinopathy, macular degeneration and glaucoma). In addition, headphones that simulation auditory disturbances (hearing loss, high frequency hearing loss, dementia related hearing disorders and tinnitus) are also part of the simulation experience. Some other aspects are: a cervical collar to restrict range of motion of the neck, a weighted vest to restrict range of motion of the thorax and

Fashion is unique and customizable to the wearer. We each have a style that defines us. What if the clothes made available were different? Would that make you run to the stores. Wearable technology is becoming a trend at fashion shows and even with your phone.

The modern day society is highly developed and the sector setting the trend for this development is represented by the technologic industry. Throughout the past recent decades, technology has evolved from an inaccessible dimension into one which impacts all aspects of the modern day life, from the making of breakfast to the means in which the people complete their professional tasks.

Wearable technology, once the stuff of old spy movies, is rapidly moving into the 21st century. Today, consumers can by many new technologies that can do multiple things. To go along with all of these new inventions, I have invented an exciting new item of wearable technology. It’s what everyone has been wanting; you no longer have to be embarrassed when trying to take a picture of somebody without them knowing. My invention is called “The Spy Goggles”.

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Fashionable technological accessories such as the boom box of the “70’s” have changed the world as the demand for more and more fashion statements are represented by some of the technological wonders of their time. The well known Dutch fashion designer Anouk Wipprecht represents one of today’s technological geniuses by incorporating items such as a drink making dress and the self-painting dress which has become popular with the hi-tech crowd.

I was elated to be given the opportunity to present the research of technical theatre. The research I've done proved educational and useful in fulfilling my theatre 300 deviation. I'm eternally grateful to the Theatre Department for allowing me to write this research paper. The information that I have gathered, has broadened my knowledge of technical theatre based on the history and advancements in this area. Attending SUNY Oswego has not only allowed me personal growth but has also given me professional guidance.

There are several elements in a play that make it successful. These elements consist of the writer’s plot, theme, characters, dialogue, music and the “Spectacle”. The Spectacle refers to the visual elements that make up a play: sets, costumes and special effects. Although costumes are only one small component in a play, I believe they are very imperative for the overall feel of the audience. The costumes worn by the performers portray the personality of the character along with the period of time of the play. According to a Canadian designer, Judith Bowden, “The main job of costume design in a production is to provide physical and emotional support to every actor through the clothing he or she will wear to enhance characterization” (“The costumes designers role”). There is an extensive history of Costume design in Theater, an each century has importance.

It is secretly one of the most underrated tools in the history of fashion: Shapewear. They let you figure out in a very flattering way: shapewear. Anyway, there are many of us thankful for and wear it with pride. But how does this shapewear technology exactly? We like to give you answer this fundamental question.