Wedding Of Zein Analysis

The novel revolves around two women, Mariam and Laila. The novel takes place during a terrible time to live in Afghanistan, but things were especially hard for women. Their lives brought together and are forced to live through unimaginable situations. At first, they didn’t get along, but then a beautiful friendship began. Their friendship would eventually be their salvation. They both experienced incredible character development. Mariam and Laila’s childhoods were very different, which is explains their characteristics in the novel. Laila’s modern upbringing gave her courage, which inspired Mariam to take action in both of their lives.

Aladdin is a proletariat, trying to stay alive by stealing food. Due to his social class, he is unable to wed princess Jasmine because a law forbids commoners to marry royalty. On the other hand, Jasmine is part of the bourgeoisie. Trying to overcome this obstacle, Aladdin pretends to be a prince through one of his wishes granted by the genie. However, the evil Jafar uncovers him and eventually this conflict is solved by Jasmine 's father, Sultan. After seeing the courage of Aladdin, he changes the law and allows a commoner to marry his daughter. This compromise happened due to the conflict of social class between the poor commoner and high royalty.

In the Wedding of Zein by Tayeb Salih, the ability of diverse groups of Muslims to come together and celebrate Zein’s wedding reveals the power and strength of community in Islamic culture. Despite divisions amongst the community throughout the book, Zein is able to interact with all factions of the village, regardless of their standpoint. Zein is portrayed in the book as a group of one. Zein is isolated as a group of one because of his constant openly berating if the imam. Although he can sometimes appear as an outcast because of this, every group in the village still appears open and understanding of him thanks to his open personality and likeability. The turning point in the story, which leads to a closer community, is when Zein chokes Seif-a-Din for hitting him over the head with an axe. Seif-a-Din decides to put his former life behind him and become more devout to his religion and closer to Islam. Ultimately, after this event, the whole village becomes closer and more united, with a greater sense of cohesion amongst the village. Zein’s wedding represents the coming together of the community despite the differences of religious belief and modernist and traditionalist viewpoints. The Wedding of Zein reveals the ability of Islam to bring people together, even despite their minor differences. At the center of this is Zein, an example of how one person and their desire to good for others has the ability to touch so many diverse people and forge a bond that ties them all

The author develops the theme by using the micro setting when Muhammad and Thomas showed how their family was treated throughout the generations

In John Bul Dau’s memoir, God Grew Tired of Us, he tells the inspiring and heart wrenching story of the Lost Boys of Sudan. This two hundred and eighty one page book was published in 2008 in the USA. John’s moving story begins by explaining the tense political situation in his beloved homeland, Sudan. Sudan is a country located in Northern africa. John was born in1974 into the Dinka tribe in the agricultural and cattle raising farm of Duk County. The environment of southern Sudan is scorching hot and dry, however the farmers and herders in Sudan, including the one’s in John’s own village, adapted to their surroundings by using different techniques to hunt and grow produce varying on the season. He grew up in his peaceful village very

As they reach America at last, Amir’s wife introduces herself to Sohrab sweetly, but he just, “shift[s] on his feet and look[s] away” (358). Sohrab does not say much, do much, or move much at all. Imagery presented in this stage of the journey is quite gloomy, what with Sohrab’s blandly colored clothes, sallow face, and plain room. Amir and his wife seem gloomy as well, as they are always whispering, crying, or wondering what went wrong. The saving grace and the real transformation happens at the celebration of the Afghan’s New Year’s Day. After a day of muteness that has become regular, Amir and Sohrab finally connect through the kite flying contest. This is something to which Amir and Hassan dedicated their lives when they were children. Amir is overwhelmed with joy to see that, “one corner of his mouth had curled up just so. A smile” (370). It seems like nothing, but this truly is a breakthrough with this child. If it were not for Hosseini’s descriptive words that lend to pure joy and elation, the reader would not even realize what a momentous occasion this is. Hope may seem lost when traveling a guilt filled path, but if one’s intentions are honest and efforts are useful, forgiveness will find its way

In a passage from Zeitoun, pages 148- 150, Dave Eggers describes the time when Zeitoun’s brother, Ahmad, used a street camera to see his family that lives thousands miles away. This anecdote builds Ahmad’s caring and protective personality which becomes a key factor during Zeitoun’s imprisonment. In the passage, Egger portrays Ahmad in a admirable light to show his character, uses an image to appeal to the reader’s emotions, and applies diction to symbolize Ahmad as a guardian angel.

Story takes place within a society which morally cannot allow sharing of this type of an encounter with others. Both of the main characters are expected to continue their marital life and remain faithful to each owns family. In the story, the writer addresses the theme of womanhood and the complexities of the holy matrimony. The story is drawn to a close by this sentence, “So the storm passed and everyone was happy” (Chopin). This sentence reflects the relationship that Calixta and Bobinot share and provides us with a glimpse of the emotional bond the two of them have. The writer’s view is that a woman’s sexuality and her desires are suppressed by marriage, although sometimes that desire can be fulfilled without placing any type of damage on the relationship.

powerful and moving story about two brothers, however it also does an outstanding job at portraying the culture and norms of Afghanistan; both the positive aspects and the negative aspects. Hosseini directly and

As a further means of separating the population into distinct groups, religion acts as a divisionary force between characters and cultures. There are two primary conflicting cultures represented in the novel that are the cause of religious differences: Sunnis versus Shi’ites and secularism versus religious fundamentalism. Similar to the discrimination based on ethnicity, the conflict based on religion is primarily exemplified through Assef and Hassan, who are Sunni and Shi’ite, respectively. As such, any justification for inclusion and exclusion of people not based solely on ethnicity could just be rationalized through differences of religion. With this prevalent culture present, the importance is in the author’s depiction of the “bleak hypocrisies of the Taliban period--the disgusting cruelties performed in the name of righteousness” as stated by David Denby in “Hard Life.” Through the

The incident in the stadium also reveals to Parvana and Shauzia the complete horror of living under such a regime and haunts Parvana for the next few days. As a Muslim, the writer believes that the actions of the Taliban like the one’s depicted in this novel disgrace Muslims in the present times. Islam is a peaceful religion that promotes morality and generosity among all people, not the twisted version portrayed by the Taliban.

The artwork by Paolo Veronese were known for being created on large platforms and were centered on religious topics. One notable works of his was The Wedding at Cana. This piece is a depiction of Jesus' first miracle as he turned water into wine for a wedding celebration. Based in Venice, Veronese's life was heavily influenced by the Christian culture and was esteemed by the community and church officials for his artistic abilities. As Veronese painted in the Mannerist style, The Wedding at Cana was an asymmetrical painting with elegant principles. Also, Veronese heavily used vibrant colors to show the richness of the subjects and to create light. This painting has lived through several interesting eras and owners. Wars and political overlords dominated the geography of this painting and even damaged the canvas. Since Veronese's style and talents were sought after, his work, religious and secular, was mostly commissioned by patrons of the Venetian community.

Throughout Mosin Hamid’s “The Reluctant Fundamentalist” there is a continual undercurrent of tension, with the main point of focus centred on Changez’s shifting identity. This being said, Changez is not the sole focus of the framed novel, with a mix of character’s actions and emotions building up the rise in tension. As the novel is told to us through the words of Changez, he is obviously considered to be the protagonist; the source of a large part of the angst which resonates from the text. Another prominent character in the novel, Erika, pulls away from the complete focus on Changez, adding in on another of the main sources of

This project requires research imagination, and logic in applying the content of this course and book.

However, there is a deviation in each the Prioress and Wife at Bath’s experiences. The Prioress represents a model of a “religious” person. She possesses good table manners and pretended to be rich. The Prioress also spoke a lower form of French. This indicates that she is educated. On the other hand, the Wife at Bath has had different life experiences that have molded her to become the women that she is in the story. The Wife at Bath has traveled to other pilgrimages throughout the Middle East. She has also had five different husbands, meaning she has had a heavy sexual experience, unlike the Prioress.