Weird Fiction Is An Appropriate Course For College Students Essay

The Educated Imagination discusses major ideas that answer the question “what good is the study of literature?”. Frye does so by discussing concepts such as the desire of humans to connect to nature, the conformity to conventions and deviation from reality in literature, and the ideal manner in which literature should be taught. Northrop Frye’s The Educated Imagination proposes the idea that through the consumption of literature, the individual is able to develop an imagination which allows him to connect to society from an educated perspective.

Passions drive people, and the townspeople in “The Lottery” and Paul in “The Rocking-Horse Winner” are no different. Each of the members of the unnamed town has a strong passion for tradition. The original black box used for the lottery is described as being, “lost long ago, and the black box now resting on the stool had been put into use even before Old Man Warner, the oldest man in town, was born” (Jackson 251). This sentence gives the reader an understanding that the lottery is an ancient tradition that has become an integral part of the town’s lifestyle. Such a tradition can only be carried on for this length of time if the people are passionate about preserving the tradition. Paul had a passion to be wealthy as a way to prove to his mother that he was lucky. From a young age, he saw that his family always wanted more money to support a better lifestyle, yet

I peered around through the rain, desperately searching for some shelter, I was drowning out here. The trouble was, I wasn’t in the best part of town, and in fact it was more than a little dodgy. I know this is my home turf but even I had to be careful. At least I seemed to be the only one out here on such an awful night. The rain was so powerfully loud I couldn’t hear should anyone try and creep up on me. I also couldn’t see very far with the rain so heavy and of course there were no street lights, they’d been broken long ago. The one place I knew I could safely enter was the church, so I dashed.

The inevitable had happened; I, as a small child, was demanded to read. A little antisocial human being launched into a world of, at first, difficult words and lengthy phrases. While words and literacy were forced into my mind, I had reluctantly begun the adventure to enjoy and accept the art of literature. Later however, my hopes and dreams were crushed to pieces by a gruesome teacher with an interesting form of a so called “grading policy.”

She does not understand why the older and well-known authors are not being read in high school. Prose uses a personal experience from her son’s sophomore English class. He had to read a “weeper and former bestseller by Judith Guest” (424), about a dysfunctional family dealing with a teenage son’s suicide attempt. “No instructor has ever asked my sons to read Alice Munro, who writes so lucidly and beautifully about the hypersensitivity that makes adolescence a hell,”(424). She again mentions books she approves of that should be read in English classes.

In the introduction to the book Weird Fiction by S. T. Joshi, different aspects of the weird tale are examined. Joshi states that “the weird tale…did not (and perhaps does not now) exist as a genre but as the consequence of a world view” (1). This quote refers to the fact that weird literature stems from a desire to display a certain view of the world to readers, not just take them on a flight of detached fancy. Another point that Joshi makes about weird literature, is seen through a quote on the last page of his introduction, “In every case we shall see that each writers entire output is a philosophical unity, changing as the author’s conception of the world changes”

“In nineteen minutes, you can stop the world, or you can just jump off it. In nineteen minutes, you can revenge” (Picoult). Those words are of the opening lines of Jodi Picoult’s best seller, Nineteen Minutes. Although this novel is heart wrenching, and cuts into the ‘grays’ of school shootings, it is anything but original. Lead character, Peter Houghton, is an almost perfect profile replication of 1999’s Columbine shooters, Dylan Klebold and Eric Harris. A simple personaltiy analysis will reveal that both Peter and Columbine Shooters suffer from parental neglect, the violent virtual world, ruthless peers, as well as easy access to weapons.

In this fiction short story “Ines in the Kitchen”, Cristina Garcia discusses a women in the story Ines, who is a housewife and pregnant. Garcia talks mainly about the character Ines and her situation and emotions. Throughout the story Ines feels trapped and confused about life in the choices she made, she feels betrayed not in the since from someone but of herself and the expectation of being a women. The author Cristina Garcia creates themes through the use of the elements of conflict and Plot to show the main character’s situation.

One of the spookiest experiences in Harley’s life was on a cold, dark Halloween night when Harley and her friends, Lauryn and Heidi, got chased by a clown for 3 blocks on a gloomy narrow road. This scenario relates to traits  of Gothic Literature and Magical Realism because, that experience was in a dark setting and contained weird incidents and a disturbing plot. Those two genres are similar because they both usually have unrealistic characters and scary plots. However, in Edgar Allan Poe’s “Fall of the House of Usher” is an example of Gothic Literature because, the story’s setting is in an isolated, creepy, and large house with odd characters and a frightening plot line, while Julio Cortazar’s “House Taken Over” is an example of  Magical Realism because the realistic characters are accepting the unimpressed narrative tone in an ordinary way of life. Gothic Literature is a style of writing that is characterized by elements of fear, horror, death, and gloom. Settings are usually in a isolated and haunted location in a big house or castle with trap doors, dark rooms, and secret passages. Characters are usually supernatural beings or monsters.

'The Tell Tale Heart' is located in a house that is probably old as a

In England, during the 15th and 16th centuries, the previously underground and ignored practice of witchcraft became an offense that was punishable by death. Women were the majority of the citizens who were tried for the crime of witchcraft. The belief that they were given their supernatural powers by the devil and aimed to crush all Christian values and people caused their excessive persecution.1 This paper will explain why most individuals accused of witchcraft in England were women and will be backed by primary sources from a variety of historical individuals and also secondary sources from various historical backgrounds. King James I was particularly interested in witchcraft and through his life changed his opinion about how those

Horror Stories are a very popular genre of books. Some can be exceptionally malicious and gruesome in nature while others are tamer and rely on suspense. People tend to read these stories for the adrenaline rush, to explore the unknown, and to conquer their own adversities. Studies show that us as humans like to experience fear. We read and view scary stories so we can experience artificial situations of “fight or flight.” These scenarios, whether real or imagined, get your body ready for action by giving you an extra dose of adrenaline. The thrill and suspense that hangs over us while reading, is a welcomed feeling. Scary stories also allow us to explore the unknown. In books there are boundless supernatural realms, where wonder and horror walk side by side- realms were people rise from the dead, and fight their own

There are many ways to supplement a story in order to add lucidity. It is done through literary devices and Tim O'Brien's "The Things They Carried" is no different. "The Things They Carried" is a narrative about a soldier at war in Vietnam. However, this story provides multiple layers of meaning through O'Brien's tone and style that help the reader further understand it. Both of these literary devices are embedded in the story and gradually help define it.

Although there are many subgenres of horror fiction, including bizarro, fantasy, surrealism, and magic realism, there are certain aspects that a story must encompass to be considered, “weird.” Magic realism is a branch of fiction that is often mistaken to be a work of the, “weird.” What differentiates the two genres explicitly include the authors concentration on setting and overall atmosphere, and the embodiment of themes that disrupt the readers perception of time, space, and their natural world. “The Werewolf,” by Angela Carter exhibits strong characteristics of magic realism, while H.F. Arnold’s, “The Night Wire,” is a genuine work of, “weird,” fiction.

in a long breath of air in order to calm myself down. I had run up the