The poem Welcome to the Jungle characterizes how men perceive and treat a black woman; their traits beyond their appearance are often latent to men and sometimes may even be limited to being sexualized. The poem includes a counting of couplets with no punctuation to illustrate an ongoing trend and relation on what a black woman often encounters one after another. Similarly, the content of the couplets reveals a sense of discontent regarding the speaker’s life and interaction with men. It involves a poetic diction of dreaminess where she fancies being a white blonde that just had “fifty parties”, whereas portraying herself as a “fantasy” for men. Likewise, the title “Welcome to the Jungle” considers to be a dreaminess in terms of the poetic diction in a way that “jungle” is more humongous than a “park”, which refers to their opportunities or their “sun”. In the poem, Parker often seems to interact with many White men, although, her expectations from them doesn’t seem to be fulfilling or doesn’t develop any fondness. As she mentions, “With champagne I try expired white ones/ I mean pills I mean men/// All Men Have Been Created Equally/ To Shiver At The Thought Of Me” (44). She seems to emphasize that every man that she had encountered were amazed by her because of her distinctiveness from others. When men “shivers” from the thought of her it sets a clue that she triggers an extreme sensation for pleasure, but also, in contrast, “shivers” can relate to a shudder from horror or disgust. Hence, her constant interaction with men seems to suggest that they attain a sexual desire for her. Whereas the relationship with them is toxic and bears unfulfilling experience as she describes them to be “expired white ones”. This is striking because even though her sense of confidence and fierce is apparent, the power to control men’s view of her still remains to be just an idea. Furthermore, constantly being hypersexualized forms a tension that interferes with her desires, even with her brief requests; it must always be coupled with conditional favors such as her body as an incentive. For example, when the speaker mentions, “too much food every time can someone just/ give it to me when I get home// I know the answer is
The poem I have deconstructed is, “How to be a Real Indian” by Kenzie Allen. “How to be a Real Indian” consists of two stanzas. The poem is in a first person point of view. This poem was deconstructed in order to gain a greater interpretation of how and why it was written. To interpret what more the speaker was trying to convey through their writing.
Lorna Dee Cervantes' poem, “Poema para los Californios Muertos” (“Poem for the Dead Californios”), is a commentary on what happened to the original inhabitants of California when California was still Mexico, and an address to the speaker's dead ancestors. Utilizing a unique dynamic, consistently alternating between Spanish and English, Cervantes accurately represents the fear, hatred, and humility experienced by the “Californios” through rhythm, arrangement, tone, and most importantly, through use of language.
Li-Young Lee is a poet who has written numerous amounts of work. He is a writer of Chinese heritage, but he does not classify himself as an Asian American poet. According to an article titled, “Li-Young Lee,” Li-Young Lee refuses to classify himself as an Asian American writer because he strives to be a “global poet.” This statement demonstrates that Li-Young Lee uses poetry as a means of addressing universal concerns. He writes about experiences or lessons that are personal to him; however, these are experiences and lessons that people all around the world can relate to. Li-Young Lee specifically writes about his childhood memories and family. A particular poem that reflects his personal life and poetic writing is, “The Gift.” In “The Gift,” the use of vivid imagery, free verse, and a distinct tone portrays Li-Young Lee’s poetic style.
Clint Smith is a writer, teacher, and doctoral candidate in Education at Harvard University with a concentration in Culture, Institutions, and Society. Smith Clint wrote a poem called “Something You should Know.” The poem is about an early job he had in a Petsmart. The poet allows the readers into his personal life, but before he had trouble opening up to people and his work. Moreover, Clint wrote an insight in the poem about relying in anything to feel safe and he says it is the most terrifying thing any person can do.
The relationship between father and son changes over time, and molds along with the people in encapsulates. As in real life, the father and son who inhabit Li-Young Lee’s poem “A Story” experience sudden changes within their relationship as the time passes on. The son’s cries for a story that slowly change into adult conversations throughout the poem indicate that with maturity and age comes both understanding and hostility.
The poem “A Story” by Li young Lee tells of a young child asking his father for story. The boy simply wants a story that he has never heard, his father is bombarded with panic as he seems to think he is disappointing his son. Through analysis of structure, points of view and metaphors this seemingly simple story is transformed into a deep meaningful poem about a complex relationship between a father and son.
In the music video/song “Strange Fruit”, the phrase strange fruit doesn’t really refer to a fruit that is strange. It actually refers to people being lynched and hanging from trees. More specifically, the term strange fruit applies to the lynching of African Americans. This song was performed by Billie Holiday in 1939 at the Cafe Society in New York. The music video was actually a recorded performance from 1959. The song was written and performed because the purpose of was to raise awareness and fight against African American lynching because during that time, African Americans were being discriminated and abused. Billie Holiday in the music video/song “Strange Fruit” displays logos through context and imagery, pathos through her sorrowful tone and facial expressions, and lastly, ethos because she won many awards during her career in singing, and Strange Fruit is one of them.
Language Analysis- ‘Bali Nine: Why I won’t be lighting a candle for Myuran Sukumaran and Andrew Chan’
In “Monkey Hill,” Stan Rice writes about the speaker of the poem who sits at a zoo with his friend observing the spider monkey exhibit. The two stay the whole day to observe these monkeys. The speaker becomes envious of these monkeys and their ability to be confident with exactly where they are and with who they are. Rice argues that our minds imprison us when we are worried about judgment from others. The monkeys in the exhibit felt free and at ease while the two observers were trapped in worrisome about the outside world in fear of how others would perceive them.
On a ordinary day, and a ordinary date, Zac was dating a girl and they just went out to dinner. He really likes the girl and he didn’t want to get married at the time, but she did. So when she got really personal and asked if he want to get married. Zac just said ‘’No’’ and was saying how he wanted to travel to mexico and go fishing with a pretty girl like her. So they just talked about what they wanted and she realized they both wanted completely different thing. So she just broke up with Zac. He decided to head to mexico that night as soon as possible. He packed up all his things and headed to the coast of mexico. When he got there he went and bought a nice little house just on
Conversely, Pope adopts a colloquial, sing-song-like tone in an effort to inaccurately characterize war as simple and effortless. Her application of the word “laddie” throughout her poem The Call communicates the informal and conversational presentation of the topic, for the word is often used in everyday, casual settings. Such a careful choice of language demonstrates her subtle downplay of the seriousness of war, for choosing to converse in such an informal manner when discussing a subject of this magnitude highlights her intention to equate war to the everyday connotation of her word choice. In addition, it allows her to appeal to her audience on a personal level. Rather than merely posing questions to her audience every other line, Pope chooses to address them personally with the inclusion of “my laddie”. Perhaps this intimate acknowledgment contributed to her poem’s success in persuading men to enlist. Likewise, the entirety of The Call exhibits her deliberate illustration of war as a sport or game, specifically in lines such as, “Who longs to charge and shoot” and “Who’s keen on getting fit” (Pope 11,13). These understated comparisons accentuate her sing-song-like tone, for they are consistently followed by rhetorical questions that challenge a reader’s loyalty and commitment. This rhythm Pope develops in The Call results in a forced steady read, much like that of nursery rhymes. Although indistinct, the rhythmic similarities between nursery rhymes and The Call
The Caterpillar is a poem which focuses on the previously overlooked actions some of us may partake in, that may not be thought much of, but have short and long lasting effects on a scale we might not be very familiar with. Do we feel remorse for living organisms on a small macroscopic level, or is it just an insignificant part of our complex lives? Is the appreciation of life developed through experiences? Do we feel more pity for a single being that has been through trauma than we do for thousands that have not? In this poem, the conflict between caterpillars and humans is discussed in a such a way that brings up questions about how valuable we perceive other life to be, and how different
Poetry is a reduced dialect that communicates complex emotions. To comprehend the numerous implications of a ballad, perusers must analyze its words and expressing from the points of view of beat, sound, pictures, clear importance, and suggested meaning. Perusers then need to sort out reactions to the verse into a consistent, point-by-point clarification. Poetry utilizes structures and traditions to propose differential translation to words, or to summon emotive reactions. Gadgets, for example, sound similarity, similar sounding word usage, likeness in sound and cadence are at times used to accomplish musical or incantatory impacts.
Some of the poems and essays I have read during this class were relatable to me. Being away from college, I have struggled with not being at home. I have become a different person when I am at school, but when I am home, I feel like I am my normal self again. Some of these authors of the poems and essays that I have read throughout this class has struggled with being somewhere where they don’t belong and that they are someone else when they are not home. Unlike the other poems and essays we have read throughout the course. I enjoyed reading the ones about “home” because I actually understood what they are going through and that I can relate. Some of these poems and essays include “Going Home” by Maurice Kenny, Postcard from Kashmir”, by Agha Shahid Ali, “Returning” by Elias Miguel Munoz and “Hometown” by Luis Cabalquinto. All of these poems deal with duality.
It was like we were both in a forest where we played around and we didn 't need anything but our love and we would play hide and seek and shit like that but always ended up back together. We found each other at the end you know and if we fought we would both hide behind a tree, but we always talked shit out and ended together, until one day the most unexpected thing happened and we hid behind a tree and I called out to him and said "Hey Babe I 'm sorry can we please talk it out" and I got no response. I was scared as hell because that would mean he left and I thought No! No the person wouldn 't leave you remember, he loves you he promised he wouldn 't leave so, I went and looked after each tree that was close and there was no sign of him