Welcome to the Monkey House, Harrison Bergeron, and Slaughterhouse-five, by Kurt Vonnegut

Kurt Vonnegut wrote during the postmodern literary period which breaks free from many ideas created in the modern period and describes the literature that follows World War two. This period is characterised with the technology becoming part of life,paradox,and fragmentation. Authors also hold true the idea that all stories have already been told and works of this era are new methods of telling them.(Klages np) These techniques are used throughout the short stories of Vonnegut’s “Welcome to the Monkey House” and influence can be seen due to his past in the military which may be seen through his storytelling.

Throughout Slaughterhouse-Five, Vonnegut chooses to use special literary techniques that better explain his own encounters in war as well as help his readers bare the horridness of war. Vonnegut adds black humor in his text to benefit readers as well as “an author-as-character” perspective to set barriers and help protect his own memories in the war. Without adding these two specific devices, Vonnegut could possibly have lost reader’s interests in the book or lost his own interest in writing the book.

Kurt Vonnegut Jr. is one of the most well known World War II authors. His humble beginnings and early life misfortunes shaped not only his writings, but also his view of the world. His imprisonment in Dresden in World War II, however, formed his opinions about war at an early age and later inspired many of his works and style of writing. After the returning from World War II, Vonnegut voiced his sentiments through his writing that war was wasteful and uncivilized. Vonnegut developed a unique blend of sadness, satire, and simplicity, along with his ability to understand the audience, which made his novels comprehensible and inspirational to any

Vonnegut's comments on the similitudes amongst himself and other writers, particularly the impacts of adolescence and war on composing, alongside the improvement of varying mentalities toward viciousness that drove Vonnegut to separate himself from Hemingway. War in Slaughterhouse-Five is a principally manly exertion, described by misinformed masculinity and bloodthirstiness. Maybe remembering the toxic manly talks of President Johnson, Vonnegut utilizes includes the "post-coital fulfillment" some war lovers get from what is informally known as "wiping up". This helps him as a author because he has the ability to show the direct impacts of the effects of war.

As a tool for social commentary, oftentimes a writer will employ the use of a biting satire. Through precise writing and exaggerated concepts, Kurt Vonnegut is clearly a skilled user of satirical storytelling. As one of the most famous and widely read short literary tales of all time, Vonnegut’s Harrison Bergeron is certainly his best example in this genre. In Harrison Bergeron, Kurt Vonnegut proposes that true equality is not an ideal worth striving for, as many people believe, but a mistaken goal that is dangerous in both implementation and consequence. To achieve physical and mental equality amongst all Americans, the government in Vonnegut's short story subjects its citizens to “handicapping” through the use of crude means, such as canvas sacks of lead balls worn to impede physical ability, or more sophisticated technology, like the miniature radio used to mentally incapacitate the intellectually adept. This has rendered the dystopian future presented both bland and uneventful through its enforcement of equality for all. Vonnegut expertly engineers his story to capture the essence of an utterly broken and depressing future. Calibrating the specific aspects of literature, Vonnegut is attune with the exact parameters he so desires for his tale. Like a true master of his craft, Vonnegut in Harrison Bergeron welds together poignant imagery, vague setting, rich symbolism, and a detached tone to build a stunning tour de force of American literature.

Kurt Vonnegut followed many principles in his writings. He claimed that “people do not realize that they are happy” (PBS NOW Transcript). Feeling that people had the wrong view on war, he felt that he needed to get the facts straight. Vonnegut believed that art can come from awful situations, and that the truth is not always easy to look at. Kurt Vonnegut wrote Slaughterhouse – Five to tell of his experience in the bombing of Dresden, as a prisoner in war and the atrocities that occurred.

The Slaughterhouse Five novel, is a fictional and nonfictional delight all clashed into one. The author, Kurt Vonnegut, amazingly combines a fictional character’s life with the nonfictional influence of what Kurt himself had experienced. As well as major topics being debated on and dealt with today. Billy Pilgrim takes hold of the story’s main protagonist as a prisoner of war during the Dresden raids in eastern Germany. While reading, I found many relationships in the novel to common concerns, such as time and death; too correlated opinions from other anti-war enthusiasts.

Kurt Vonnegut writes pessimistic novels, or at least he did back in the sixties. Between Slaughterhouse Five, Mother Night, and Cat's Cradle, Vonnegut paints a cynical and satirical picture of the degradation of society using distortion as the primary means to express himself. In Cat's Cradle, the reader is confronted with the story of the narrator, John, as he attempts to gather material to write a book on the human aspect of the day Japan was bombed. As the

One of the most reoccurring discussions on Kurt Vonnegut’s Slaughterhouse-Five seems to be on the meaning of the book. Straight into his

Slaughterhouse Five by Kurt Vonnegut takes places on two contrasting planets. One is Earth, where war tears apart families and minds, and the other is Tralfamadore, where supernatural alien beings share their extended knowledge of the world. Vonnegut uses the two planets, Earth and Tralfamadore, to show the contrasting ideas of chaos and order, and that human actions have limitations that render them helpless against a meaningless universe.

War is a tragic experience that can motivate people to do many things. Many people have been inspired to write stories, poems, or songs about war. Many of these examples tend to reflect feelings against war. Kurt Vonnegut is no different and his experience with war inspired him to write a series of novels starting with Slaughter-House Five. It is a unique novel expressing Vonnegut's feelings about war. These strong feeling can be seen in the similarities between characters, information about the Tralfamadorians, dark humor, and the structure of the novel.

Throughout his career, Kurt Vonnegut has used writing as a tool to convey penetrating messages and ominous warnings about our society. He skillfully combines vivid imagery with a distinctly satirical and anecdotal style to explore complex issues such as religion and war. Two of his most well known, and most gripping, novels that embody this subtle talent are Cat's Cradle and Slaughterhouse-Five. Both books represent Vonnegut’s genius for manipulating fiction to reveal glaring, disturbing and occasionally redemptive truths about human nature. On the surface, Cat’s Cradle and Slaughterhouse-Five are dramatically different novels, each with its own characters, symbols,

Kurt Vonnegut’s book, Slaughterhouse-Five, an antiwar book that took 23 years to write, is not what he thought it would be. He explained early on to

Kurt Vonnegut’s personal experiences of World War II and the firebombing of Dresden were important factors in determining his writing style and the political and philosophical views that it conveyed. Throughout his works, the overarching message that Vonnegut delivers is the need for love and compassion in a world where humans are helpless against an indifferent fate.

Slaughterhouse-five strives to remember the tragedy of the bombing of Dresden. Kurt Vonnegut constructs his novel around a main character who becomes “unstuck in time” (23). Billy Pilgrim’s life is told out of order, which gives him a different perspective than the rest of the world. Billy lives through his memories, and revisits events in his life at random times and without warning. Vonnegut introduces Billy Pilgrim to the Tralfamadorian way of thinking about memory and time so that he can cope with being unstuck in time. The Tralfamadorian ideology is set up as an alternative to the human ideology of life. In the novel Slaughterhouse-five, Kurt Vonnegut constructs a reality where memory is unproductive through the Tralfamadorian