Well In Sense And Sensibility

Marianne thought she met her prince charming, Willoughby, when she fell and he saved her. He saved her after she fell. Willoughby had a “manly beauty” with a “good” name behind him (Austen 44-45). To Sir John, Willoughby was “as good a kind of fellow as ever lived” because he was “pleasant” and a “good humored fellow” (Austen 45). Once Marianne finds that out, she is sure that Willoughby was the type of man she “liked” because of “his eagerness” and she was assured that he was “well worth catching” (Austen 46). From that day, Marianne and Willoughby had a well established relationship, and some questioned if they had gotten engaged, due to how much time they were spending together. Then, Willoughby suddenly has to leave Barton for business in town. Mrs. Jennings, a few months later, invites Marianne and Elinor to town with her. But, in the meantime, Marianne did not hear anything from Willoughby, and she became worried. At a party, Marianne sees WIlloughby and questions why he has not responded to her letters she had previously sent. Willoughby had

Like Marianne, Mrs. Dashwood is romantic and whimsical, more prone to act on feelings than reason. Also similar to her youngest daughter, she often misjudges both the characters and situations of individuals. When Elinor tells Marianne of the difficulties Mrs. Ferrars presents in marrying Edward, "Marianne was astonished to find how much the imagination of her mother and herself had outstripped the truth" (18). Furthermore, Mrs. Dashwood's reaction to Willoughby is just as naïve as Marianne's. "In Mrs. Dashwood's opinion, he was as faultless as in Marianne's" (43). It is only Elinor, acting with the maternal caution her mother does not possess, who has reservations about Marianne's suitor.

Jane Austen was a Georgian era author who was best known for her novels that commented on social issues and class, and Northanger Abbey is no exception. Austen’s social commentary is apparent in this novel’s plot, as the reader follows a seventeen-year-old protagonist, Catherine Morland, as she matures and forms intimate relationships with fellow characters in an England town called Bath. Marriage between characters in the novel is heavily based on wealth, and because of England’s unstable economy at the time, marrying into wealth meant maintaining a high social class and economic stability for the characters. The importance of economic prosperity and social rank heavily influenced marriage in 19th century England, and this idea bourgeoisie classism and marrying for wealth is contradicted by Austen in her novel, Northanger Abbey.

Mrs. Bennet’s desperation is especially noticeable when Elizabeth, the protagonist, is given the opportunity to marry Mr. Collins, a distant cousin and a wealthy land owner. After learning of Elizabeth’s refusal to marry Collins, she implores Mr. Bennet to force Elizabeth to change her mind. In her final efforts to convince Elizabeth, Mrs. Bennet addresses,

A majority of what people know about wealthy individuals comes from television, movies or novels and a lot of misconceptions about them are inaccurate. People forget that wealthy individuals have similar problems as themselves; this can include anxiety about their children, uncertainty over their relationships and fears of isolation. The universal saying that “money cannot buy happiness” rings true to the novels Water for Elephants, written by Sarah Gruen and The Great Gatsby, by Scott Fitzgerald. The characters from both books fail to find happiness from wealth. Through marxism both literary works show that being physically wealthy may not necessarily equate to happiness in a capitalist society dominated by the bourgeoisie. This idea is depicted through people valuing materialistic goods for their sign value, becoming victims to conspicuous consumption, and falling under a

The awkwardness that transpires as both Elinor and Edward attempt to write letters in the same room shows both Elinor’s and Edward’s reluctance to show their feelings because of society’s judgements and develops their individual characters. Elinor is aware of the impact that her lack of wealth has on her marriage prospects, so she does not admit her feelings for Edward explicitly to him nor her family despite their existence. She is sensible and does not allow her love for a man make her vulnerable. Edward also has difficulty expressing his emotions. His feelings are complicated by his family’s desires and his engagement to Lucy Steele (Sarah Elizabeth Keyes). Despite his feelings for Elinor, he is characterized by his loyalty to his prior commitments. His loyalty, while admirable, is also the hamartia that nearly keeps him away from Elinor forever. Marianne Dashwood’s passion and spontaneity is evident through her actions; she cuts off a lock of her hair for her suitor, John Willoughby, without an engagement and weeps openly when he leaves town. Her excessive sensibility is a critique of women’s dependence on men for happiness. Willoughby is characterized as the perfect man, yet develops into a very problematic and unfaithful character. He draws Marianne in only to break her heart and it is eventually revealed that she is not the only girl

This stands in stark contrast to what Miss Elizabeth Bennett wants. Mrs Bennett wants her daughters to marry because it’s thea only way for them to solidfy that they will have food on their plates and a roof over their head. Mr. Collins is Mr. Bennetts brother and is set to inherit his estate when he dies. He comes to visit in the middle of the book and his main intentions are to ask on of the daughters to marry him and to observe what he will in time own. Mrs. Bennett says in response to all this “Oh! Single, my dear, to be sure! A single man of large fortune; four or five thousnd a year. What a fine thing for our girls!” (57, Austen) The single man she speaks of his Mr. Collins, the Bennett kids uncle. Austen describes Mr. Collins as a self retious kind of man who thinks he is above the Benntt’s just because he is set to inherrit their estate. This gives him a villeness quality. Austen is commenting on the blindness of Mrs. Bennett to the qualitys of Marraige. She only shes Mr. Collins as money but Elizabeth sees him as a bad person to spend the rest of her life with and theirfore turns down his marraige purposal. Which causes trouble between her and her mother. This is the best example of the contrast in what the two women see as the meaning of Marriage.

Throughout the modern era, society’s views on money’s effect on a person’s emotions have drastically changed. Many people believed that the more money a person has, the more satisfied he or she will be. However, due to recent conclusions made by writers and case studies, money has proven to not be responsible for a person’s contentment. In F. Scott Fitzgerald’s novel, The Great Gatsby, Daisy and Gatsby’s wealth ultimately shows the reader that money does not equal happiness.

As Mr. Elton’s pride is greatly damaged, he decides to go to bath for a holiday, and returns with an offensive, vulgar woman, who will soon be his wife. Mrs. Elton is a rude, dull woman, but has a high social status, which is the reason Mr. Elton chose her. From this love-match, Austen shows us how wrong it is to marry for anything but love. Though it is a highly amusing situation, and Mrs. Elton herself is a very comical character, it in fact causes very serious and severe circumstances, in which these two people will be unhappily married for most probably the rest of their lives.

Attaining wealth brings with it many benefits. Certainly, wealth allows a person to buy more items and live a certain lifestyle. However, sometimes wealth comes at a cost—wealth can also blind a person to what is truly important in life and can lead a person to make choices that are actually harmful.   In the novel, Pride and Prejudice, by Jane Austen, the author explores the concept of wealth as a means of examining how individuals can lose sight of importance.

Marianne flaunted the relationship, and gave everyone reason to believe they were engaged for example she gave Willoughby a lock of her hair and rode

Clearly Elinor displayed signs of sense by looking at her affair with Edward practically. Edward, by Elinor's account, is "far from being independent," because he will need the inheritance to live comfortably. It would be impractical to marry until the marriage is accepted. In contrast, Marianne plays into the role of impracticality by giving her heart to Willoughby without finding out his financial situation or his lineage. Acting with sensibility, Marianne sets herself up for misery when Willoughby abruptly leaves because she has unequivocally given her heart away.

She feels inclined to do this, as “she [has a] knowledge which her mother had yet to learn, and which one of her sisters had resolved never to be taught”(Austen, 6). When her father died, both her mother and Marianne went into a state of hysteria and spells of dramatic depression, and Elinor had to be the voice of reason in the household. Even though she too was affected by his passing, she took the responsibility of caring for her mourning family by entertaining guests and handling the legal fundamentals with her brother. By staying calm and collected, Elinor proves that her rationality guides her through a life of responsible actions and care for those that she loves. Elinor also steps up as the responsible family member by covering up for their mistakes, particularly her sister’s. Marianne is oblivious to the offenses and conflict that she is creating through her carelessness, as well as the fact that Elinor is covering them up. While the sisters are living in London, Marianne’s strange love-struck behavior does not go unnoticed by their company, and Elinor incessantly interjected excuses for her sister’s imprudent behavior, claiming her to be ill, anxious or tired. She voluntarily takes the responsibility of keeping her family in line, assuring that their lack of rationality will not cause any troubles for them in the future.

Upon the arrival of Mrs. Dashwood at Cleveland, Marianne quickly grew strong again and they were soon able to make their way back to Barton. As Elinor sat by the window one afternoon, she glanced across the lawn and saw the figure of a man on horseback. He stopped at their gate and she thought him to be Colonel Brandon, but soon she saw that it was noneother than Edward Ferrars, whom she hadn't seen since before the announcement of his engagement to Lucy. The whole of the Dashwood family was rather

Both Elinor and Marianne get their hearts broken by the men they loved. In the beginning, Elinor meets a man named Edward Ferrars and the two immediately click almost like they were meant for one another. They soon face troubles when they find out others don’t find them good enough for each other. Marianne tells Elinor that she finds Edward too dull, while Edwards’s mother doesn’t approve of them being together. Putting others aside, the feelings between them begin to grow and we start to question if they are falling in love. Eventually, Elinor and her family end up moving to Barton Cottage, causing things with Edward to become complicated. They begin to communicate less, and Marianne finds it strange that Edward had not came to visit Elinor yet.