West Side Story Symbolism

The set consisted of separate panels made to look like the walls of a subway station, as well as stairs on either end of the stage and benches for the characters to sit on. There was an immense amount of detail in it, with the walls graffitied onto as if it were actually part of a subway. The costumes were reflective of the characters’ backgrounds. For example, the lawyer, the businessman and woman, and the professor all wore suits, as to indicate their professionalism. On the other hand, the homeless girl wore dirty clothing, reflecting her state before her death. The lighting in the play helped create the atmosphere of being in a subway underground. It came from different parts of the set, including the sides, with some of the lights being different colors, which gave it some variety. As a whole, sound was not particularly prominent in the production. At the beginning and the end, there is the sound of a train, as to indicate its departure and arrival. Additionally, there was also a sound queue with the conductor calling out, but it was barely audible due to a technical error. No special effects were implemented in the

The technical aspects of the production such as scenery, properties and costumes also played a keynote in the productions success. The scenery was fabulous it truly made the play. It was very realistic and extremely vibrant. Almost the entire play was performed in one setting, except for the railcar and dance scenes. The house, the main setting, was magnificent with painstakingly placed detail in every corner. All elements in the house matched wonderfully, for example the furniture, the photos on the wall, the telephone and even the trash can. Little bits of detail were everywhere adding to the beautification of the set, for example the lace decorations on the chairs, the etched glass above the front door and even the Christmas tree.

Each element gave the stage a different feel that matched every scene , complementing each brilliantly. The only element that lacked for me was lights, although very bright ; in my opinion the reoccurring blue wasn't the best option. I feel if the lighting designer would have had more warmer colored lights against the already vibrant set pieces, it would have made the stage pop more. But one thing i did particularly fancy, were the costumes the characters wore and how they fit each character. Each character's’ costume showed the dichotomy between the personalities and tastes of each individual. For example Ilona played by Jane Krakowski was dressed in a scarlet / pinkish dress with a high slit up the left side; showing her seductive character type. Meaning when i saw Ilona on stage, I immediately knew who i was looking at . Lastly the sound effects included , like the door jingle sound or The bike bell , added to the whole idea of being inside and outside of a retail building. These effects gave the stage an outdoorsy feel , drawing you in , giving the audience illusions of really being in 1930’s

The set throughout the play was non-naturalistic as the props used were to represent things, for example they used the sofa’s to represent cars on the stage, which had headlight on the front of the sofas or when they used the

The first thing my eyes were drawn to was the show poster because of it’s scientific look. It led me to believe that the play’s focus was on science and theories. The designs used also led me to believe that you needed to know about science to watch the play and the title on the poster seemed to me like it was handwritten which made me think that this play was going to be a play that had elements of a lecture and that one of the characters would be a teacher. Going into the house and sitting down the thing that stood out to me was the set. It looked very spacy and galactic which gave me a feeling of excitement and curiosity. I believe that the set played a huge role as far

The set was designed in a way that was very versatile and yet, still convey a serious message. By versatile, I am implying that the open-stage with two ramps crossing each other in the background was plain and simple but served a purpose of several scenes -- such as a bar, church, and even a funeral. A set prop that were a key pieces in the play were the wooden benches, these made it possible for the actors to switch scenes. Some examples on the usage of the benches were when they stacked two benches one on top of another and turned it into a bar, they turned the bench in a vertical position and created a podiums to express different religions, or setting the benches in a close and aligned design to create a church. Other props that influenced the scenes were snow, umbrellas, then using the umbrellas as angel wings, and of course lighting. Instead of building entire sets, or making the audience use their imagination with no props included in the play, the set designers and directors created visuals that were ordinary objects and interacted the audience to use their imagination and "build" the appropriate set for the scene in their minds. I believe by keeping a low budget, the designers of The Laramie Project accomplished a bigger impact on the audience with a simple-low-budget set rather than an expensive-big-fancy set.

Broward College, Central Campus Theater in building 6, on Sunday, the 1st of November. The play was performed by Broward College students. The type of stage was Proscenium stage with extended apron. I thought it was a little bit small, but it did not show as a problem. The pre-show was dark and a feel of suspense. I felt excited to see how everything would play out. The play takes place down south of Chicago in the 1950’s.

The play was well interpreted by all whom were involved. Steven Wrentmore, the Director, kept the 1920’s feel by dressing in all 1920’s costumes and everyone spoke as if they were living at the

The scenic design in this play was extraordinary, and I could tell there was a lot of effort put into it. In this play there was a stairway towards the back of the stage. It brought in a new way for the actors to enter/exit the stage. I thought this was very creative idea that was easy to move on, and off stage if needed. There were many scenes that had the moon and the stars in the background. I loved this because it showed the audience when it was night time. I also love looking at the moon and the stars, I feel it creates a very romantic atmosphere. There were times the setting was inside a house or a pub, and then there were times that the setting was outside like the war scene, and the balcony scene. I

3. The use of different settings throughout the play Our Town not only relates to the Stage Manager, but he is also the one that introduces them in every act. For example, the setting in the very beginning of the play sets the tone of the book and allows the reader to get an understanding that the Stage Manager is not only in the play, but sees it from the audience’s perspective as well. The Stage Manager says, “This play is called ‘Our Town.’ It was written by Thornton Wilder … The name of the town is Grover’s Corners, New Hampshire … The first act shows a day in our town. The day is May 7, 1901. The time is just before dawn.” The Stage Manager then begins to describe some of the shops and people of the town, explaining that not much goes

Using certain shapes of materials and color helped the audience understand the scenery of the play, being able to understand what time period this took place. The lighting through the play was great, being able to clearly see in detail for each scene. For example, when the Stage manager introduces the people in Grover's Corner, is was clear and easy to see what type of life style they live. Grisel Torres did an excellent job with the angles, colors, and shadows throughout the play, really emphasizing the emotion and lighting for each scene. Allison Mortimer, the costume designer, did a good job figuring out what each character should wear and allowing the audience to decide which class each character fits in society. The costumes looked like they were somewhat middle class and even looked vintage at times. I wasn't sure if they were recreated or not. Changing costumes for different scenes made it easier to understand the aspect of the scene and allowing the audience to understand what will happen.

The performance space was in a cafetorium and the stage was on the smaller side. The back of the stage was set up as if it was an old abandon graveyard, with dead trees, old crumbly headstones, and a large black entry gate. Then when it was time for the scene set in and out of the house they had movable walls, and door set on wheels. This gave the illusion that we were now indoors or outside of the house depending on the scene. When we were inside they had furniture such as tables, chairs, and a couch. When we were outside they had trees, bushes, and dead plants. The lighting of the play was on the darker side to help create the Addams Family come to life. The loss of the scenery would have completely destroy the whole story.

The play was well interpreted by all whom were involved. Steven Wrentmore, the Director, kept the 1920’s feel by dressing in all 1920’s costumes and everyone spoke as if they were living at

The lighting of any production is the most important part in my thought. the lighting puts you in the mood that you have to be in, in order to fully understand that part of the show and to actually live it like they do. For example, when they were in the park and it was raining, they had their umbrellas, and the background effects of rain made it really seem as if it was raining in the theatre. The lighting was always focused on every part of the stage, especially on those who were the main parts in that scene.

The setting of the play helped to develop the mood. First of all, the abundance of props brought the story to live successfully. For example, the bed and door created the forgotten, quiet feeling in the old man's room. Next, the floorboards were lifted up so it actually looked like the