Western Literature Makes its Way to the Big Screen in the Matrix

Although The Matrix does not explicitly reveal any connections to the Christian faith, many can be deduced from the symbols and messages portrayed throughout the movie. As such, many figures presented in the Bible can be seen throughout the entirety of the film. Neo being the central character in The Matrix can be compared to Christ in the way that he is portrayed to be the savior of the people living in a false reality. Furthermore, Neo’s name can be rearranged into the word “One”, alluding to the Chosen One, which to Christians further stresses his symbolic relationship to Jesus Christ. In addition, Neo undergoes many experiences that relate to various events in the life of Jesus. An occurrence such as Jesus’ recognition by John the Baptist

Millions of people flock to the movie theater year after year on a quest to be entertained. Even a mediocre movie has the ability to take the audience to another place, escaping the realities of their own life, even if for just a few short hours. Some movies are simply pure entertainment. And then, there are those movies that provoke conversation long after the film has been viewed. Despite the popularity of the recent films The Hunger Games and Divergence, the dystopian theme in film is not a new one. The Matrix shows a society where humans exist without any freedom. The film, not only entertaining but thought provoking as well, paints a world with two different dimensions, a world very much like today’s when the film is closely examined. The Matrix questions the benefit of technology and influence over society.

Millions of people flock to the movie theater year after year on a quest to be entertained. Even a mediocre movie has the ability to take the audience to another place, escaping the realities of their own life, if only for a mere two hours. Some movies are simply pure entertainment. And then, there are those movies that provoke conversation long after the film has been viewed. Dystopian themes are not new, and have historically provided a template to gage the course of human existence. The Matrix portrays a society where humans exist without freedom. The film is not only entertaining, but also thought provoking. It paints a world with two different dimensions, one with the mind numbing

The Matrix, written and directed by Lary and Andy Wachowski, is a 1999 science-fiction action film that has been regarded as one of the most igneous and highly imaginative films of all time. It depicts the complex story of a dystopian future in which the reality perceived by most human beings is actually a simulated one created by AI machines who use the suppressed humans as energy sources. Though the main characters of the story have freed themselves from the matrix, one character named Cypher (a.k.a. Mr. Reagan) regrets learning the truth and wants to return back to the dream world. Cypher is an example of antagonist Agent Smith's belief that "as a species, human beings define their reality through misery and suffering" as he believes

Differences between the representations of these supreme beings represent the differences in contexts between the two texts. In the more modern context of Blade Runner, consumerism has replaced Christianity, and hence the head of a corporation has assumed the God-like responsibilities and status, although it is suggested that both creators, Victor and Tyrell, are answerable to a higher power as they are punished by their creations. The representation of the importance of this belief in a higher being in both texts suggests that this concept is relevant to both contexts, and, in fact, to all contexts. Society constantly values this notion, indicating that Mary Shelley’s values were also relevant to the 1980s audience of Blade Runner. The everlasting relevance of this value is evidence that values are essentially, universally timeless.

This book review is from the readings of Biblical Inspiration by Howard Marshall. The book is published by Regent College Publishing located in Vancouver, and British Columbia published the book in 2004. The book is braces around the interpretation of the Bible, and the inspiration of the Bible in our lives of today. There are many questions that are brought up the book, and these include: Is the Bible infallible? How do we interpret the Bible today? is its inspiration believable in and biblical criticism believable? All of the different opinions on biblical issues equivalent to these bring up issues and questioning within the community. It is Marshall’s goal to try and produce a statement that is concrete of what the Bible says in our lives today.

In 1982, Scott directed what is considered the most accurate mirror of our current society with his movie Blade Runner, influenced by Dick’s novel Do Androids Dream of Electric Sheep. The screenplay covers many common philosophical dilemmas; including but not limited to genetic engineering and divine purpose. The setting is a futuristic city with closely resembles the twenty-first century. Further, the editing illuminates the dismal ambiance that corruption can trap people in.

The presence of fundamental storytelling methods across the globe establishes a universal connection between societies. Contrasting cultures influence variation among symbolism and moral values, however collective literary essentials exist. For instance, an abundance of flood stories that expand across the world verifies a connection among the traditions of mankind. The strong resemblance between the flood accounts in the ancient Mesopotamian myth The Epic of Gilgamesh and the biblical narrative of Noah’s Ark in The Genesis propose a closer relationship that encourages further analysis. The major plot points are echoed in both texts despite differentiation of detail, however the crucial distinctions are observed through the contrasting religious themes. In contrast to Gilgamesh, the Genesis is a religious narrative that promotes monotheistic ideals. Both texts articulate nearly identical scenarios, however the Genesis adaptation provides a Christian perspective by offering moral interpretation. Further exploration of both assists in the determination of significance between the differences.

This essay will analyse how the 1999 movie, ‘The Matrix’ reveal Neo as a messiah figure. Most people argue that it is a Christian sci-fi movie as it portrays the doctrine and the life of Jesus from birth, death, resurrection and ascension through indexical and iconic signs. This movie suggests a juxtaposition between Neo and Jesus Christ as he is being referred to as ‘the one’ through the movie. He is seen as a messiah that would save the world from the matrix- computer-generated illusion and unite humanity with the ‘real’ as Jesus reunited the human race back to God. Also, this essay will gradually unfold the parallelism that exists between the characters in the movie, and the people in the time of Jesus in succeeding paragraphs.

There are times when a movie is made that is said to have themes that are parallel to themes in various religious cultures; the Matrix, written and directed by The Wachowski Brothers, is one of those movies. The Matrix series eventually ended in a Trilogy with fans stating that there were various religious connections throughout all three movies. For the purpose of this reflection I will be focusing on the original Matrix movie. I will also focus mostly on the Christian religious ties that are sprinkled throughout the first movie. Finally, I will explore the idea that Neo, is represented as a savior of sorts and how this can tie into saviors of any religion.

The film ‘Gladiator’ was released in 2000. A thrilling action film, it was a huge success, scooping five Oscars and earning over $427 million dollars. Sir Ridley Scott- who directed the film-already had many great films to his name, such as ‘Alien’, ‘Blade Runner’ and ‘American Gangster’, so it was no surprise when this film became one of the highest earners of the year 2000.

A world where everyone lives inside of a simulation that is being controlled by machines after humans lost the war, but they are unaware that it is not the real world. A group of people that are trying to take down this simulation called The Matrix. The directors, Lana Wachowski and Lilly Wachowski, use themes, chemistry, and special effects to capture attention and make The Matrix the greatest film ever made.

The Matrix Written and directed by the Wachowski brothers, ‘The Matrix’ is a science fiction film, which was released in the year 1999. It was the first film to use the now famous camera technique of ‘bullet time’ and also introduced wirework martial arts into conventional cinemas. Its vision of the future is similar to other science fiction films such as ‘Men In Black’ with the agents always wearing sunglasses and the idea of man vs. machine\evil. In the opening sequence of the film, I am going to analyse the effects of different camera shots, as well as other factors, which engage the viewers’ interest.

Machines that rule the world. Broken down, this is the fundamental building block of two major motion pictures released decades apart from one another. Although the two films have similar fundamentals, each film is different in technological ways. Because there is a difference of seventy-two years between the release of Metropolis (1927) and The Matrix (1999), there are bound to be some distinct differences between the two films. These differences spring from the roots of the film: the film stock, cinematography, and the editing processes.

The literature field is full of works that are nothing short of great. Many popular writers, such as Shakespeare and Charles Dickens, have authored stunning classical plays and novels, which have been read around the word. This makes choosing one’s work over all the others’ even the more difficult when there comes to the time of literature evaluation and comparison. However, in the midst of all those great literature works, there are some great standing out articles due to their strong composition and meaningful life messages that the authors try to convey to the audiences. One of them is the short story “Sonny’s Blues”, written by James Baldwin in 1957. This story shows us the reality as well as the complexity of life matters, and an overall picture of all the subcategories also really shows us the reason why it should be remained as a part of the literary canon of the 21st Century.