Whale Rider Gender Roles

The character of Nanny develops more to show the readers that with her forceful strong attitude, Nanny is still very loving and caring towards

Blackfish (2013), a mesmerizing, psychological documentary with 7 film awards and 38 nominations, presents an extensive look into the negative effects captivity has on Orca whales. The director and writer Gabriela Cowperthwaite calls her audience to action, similar to documentaries such as Food, Inc., The Cove, and Super Size Me. In all of these documentaries, the director and writers reach out to an audience that is not fully knowledgeable on a certain topic, in order to persuade them into taking a stance on a certain topic. In Gabriela’s film, she illustrates the story of Tilikum, a performing Orca who killed many people while at SeaWorld, Orlando. Though at times graphic, the film investigates the harmful effects captivity has had on these wonderful creatures and their trainers. Blackfish uses credible interviewees, powerful voice-overs, and influential outside evidence to persuade those who are un-informed of the negative effects of captivity on killer whales. The ultimate goal in doing this is to urge these individuals to take a stance against aquatic captivity.

Reading novels is an experience unlike any other. With the crack of a new book, the reader is transported into the pages, into a new land, ready to take on the role of protagonist. Each little girl has the chance to be a pirate-fighting hero, each little boy able to become the doting husband. If that sentence sounds strange, it is because society has socialized individuals to gender any and all activities, reading included. Elizabeth Segel drives this point home in her article “As the Twig is Bent… Gender and Childhood Reading,” which gives an in-depth analysis of gender in children’s book, and the implications it has for readers.

The writers of The Whale Rider argue that going against the status quo and fighting for personal beliefs is the best way to create change in society because it demands attention and ultimately a choice.

The film “Whale Rider” is an example of gender discrimination. It is a story about a girl, Paikea, who wants to be the new leader of her tribe. Paikea Apirana is the female protagonist of the film. She is an 11 year old girl, who was born into the Whangara patriarchal tribe. But Maori tradition states that only a male can carry the knowledge and be the leader of the tribe. Because of this, her grandfather, Koro the current leader, does not allow her to join in the leader training. She never gives up. And finally, she becomes the first female leader of the Maori tribe.

These contradictory styles stem from the characters’ different perceptions of culture which impact their identity. This is evident in a scene involving the reoccurring motif of the rope. Koro is attempting to fix an engine with a piece of rope whilst discussing where the ancestors originated from with Paikea. Koro converses in the traditional Maori dialect, and no subtitles are provided for the audience, which emphasises the significance of language to traditional Maori values and culture. “Weave together the threads of Paikea, so our line remains strong. Each one of those threads are one of your ancestors all joined together and strong”. He exerts force and physical strength to fix the rope in an aggressive manner, but subsequently, it frays; typical of Koro’s personality, his leadership style and methods are traditional. The crucial principle of the Maori identity - strength - is what breaks the rope, literally and metaphorically which is foreshadowing the future decline of the culture. He leaves to retrieve a replacement, Paikea mends the engine by taking a modern, different approach and promptly repairing the frayed piece by gathering the remains and tying it together. She applies Koro’s same technique of strength, displaying how she maintains her traditional culture, yet integrates her modern mentality to accomplish the task. This shot presages Paikea’s future role of mending the broken tribe, joining the ends of the past and modern times. Paikea’s scenes are dynamic and changing, a visual depiction of her flexible mindset and approach. Paikea demonstrates her ingenuity as a leader, yet Koro reprimands her as she is female. He states “I don’t want you to do that again, it’s dangerous”, implies that the task is too dangerous for her, presenting his patriarchal views. However, her completion of the task defies his archaic

Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.

Niki Caro’s film, Whale Rider, beautifully captures the small village of Whangara, which is located in the northeast of New Zealand’s North Island. The film portrays a Maori tribe that tells the story of a long-held tradition. This film is rich in symbolism, which is easy for any viewer to understand. Whale Rider does a wonderful job of capturing the attention of the audience because of the intense and close relationships between the characters, the way Caro conveys the movie’s message, and the features the movie offers.

The story of Whale Rider takes place in a Maori village in New Zealand. The main character is a 12 year old girl name Paikea “Pai” Apirana and her ambition to become the next Chief of her village. Along with following on Pai’s story, the movie showed a great number of local Maori religion and culture. Some of the things I will explore is the Maori religion, gender roles, and a personal reflection on what was learned through the movie.

The original draft more generally based and less clear of what the exact thesis and argument was because I focused on other dynamics, such as patriarchy, in which I needed to narrow. Overall in the final prospectus, I argued that there are sexist themes portrayed in The Little Mermaid and the importance of analyzing and identifying these are because it is so prevalent and affective in real life society. Every argument has a purpose and a goal, and the goal with writing this paper is to bring awareness of this type of rhetoric in films in order to avoid falling or accepting its skewed

When choosing a film for this assignment, my original choice was Bend It Like Beckham because I had heard of it and I had a general idea what it was about. I then decided that I wanted to take on a more challenging film, one that I had never heard of, and one that I would really have to study to understand its full meaning. After looking into a few of the listed movies, I ended up choosing Whale Rider, a drama filmed in New Zealand in 2002. After watching the movie two times, I feel that I now understand some of the more drastic cultural and gender based problems that are occurring today.

Gabriela Cowperthwaite’s activist documentary, Blackfish, spurred a significant public dialogue following its 2013 premier. The film centers on the role of Tilikum, an orca whale at SeaWorld, in the deaths of three SeaWorld trainers, including, most recently, Dawn Brancheau. Cowperthwaite follows a suit brought against Sea World by the Occupational Safety and Health Administration (OSHA), weaving together testimony of scientists, former trainers, and family members of the deceased, among others, to make a compelling case against SeaWorld’s practice of holding and performing alongside orcas. Nevertheless, after its release, the film drew criticism from some of its participants as well as Sea World itself. Cowperthwaite claims not to have tried to vilify SeaWorld. However, this claim seems dubious given the film’s fairly evident anti-SeaWorld bias.

The Whale Rider by Niki Caro is a film about a young girl, Paikea’s journey to acceptance from her grandfather. This film explores many themes such as feminism, family and conflict. One of the main conflicts explored throughout this film is the conflict between Nanny Flowers and Koro, Paikea’s grandparents. Conflict is an important issue in this film because it causes rupture among an already fractured family.

In the film 'Whale Rider', by Niki Caro which follows the journey of a young girl named Paikea Apirana and her struggle for acceptance as a leader of her Māori iwi, and especially her grandfather. An important character in this film is Pai herself. This character has significant importance as she is used to portray numerous important ideas and themes throughout the film. Pai helps me to understand and appreciate that women can also be leaders that are equal to men if they have the right attributes. The director Niki Caro uses numerous different film techniques to convey this idea, such as; the camera shots and camera angles when Pai is giving her speech to Koro, the use of camera angles and props in relation to the dialogue when Pai if fixing the motorboat engine, and the use of props when Pai is teaching herself to use the Taiaha.

Throughout “Whale Rider” Paikea is expected to listen to what her grandpa tells her to do and say. Personally, Paikea feels conflicted and under pressure to stick to her grandpas rules, as she wants to go her own way. Her grandpa finds it hard to see Paikea as her own person and can’t accept modernity, which he is not used to. He also stops her from learning the ways of a Maori chief, which is something she still tries to do in secret with the help of the rest of her family. Koro sometimes fails to see what Paikea can do, as he feels very strongly about old traditions, but other times he sees what she can do and fails to appreciate it. Paikea just wants to be loved and accepted by her grandfather and her strong sense of leadership and determination to get that from him leaves her as a role model to others to be brave and to never stop until they get what they want.