Whale Rider Stereotypes

Many voyages that heroin’s encounter are regularly identified with the four mythical functions. In the film, Whale Rider, through mythical creation powers, the hero endeavors to save her dying culture. The creation myths power permits the courageous woman, Pai, to find her actual calling as a real leader of the Maori tribe. By utilizing the myths, she dynamically finds her legend 's adventure by breaking down the images throughout her life. "According to Campbell as discussed in Indick article, this model “The Monomyth” has different functions" as he clarifies the sociological, mysterious, cosmological, and mental elements of myth (pg, 2). Campbell depicts the vital capacities including myths as "legendary or traditional story, typically

Niki Caro’s film, Whale Rider, beautifully captures the small village of Whangara, which is located in the northeast of New Zealand’s North Island. The film portrays a Maori tribe that tells the story of a long-held tradition. This film is rich in symbolism, which is easy for any viewer to understand. Whale Rider does a wonderful job of capturing the attention of the audience because of the intense and close relationships between the characters, the way Caro conveys the movie’s message, and the features the movie offers.

When choosing a film for this assignment, my original choice was Bend It Like Beckham because I had heard of it and I had a general idea what it was about. I then decided that I wanted to take on a more challenging film, one that I had never heard of, and one that I would really have to study to understand its full meaning. After looking into a few of the listed movies, I ended up choosing Whale Rider, a drama filmed in New Zealand in 2002. After watching the movie two times, I feel that I now understand some of the more drastic cultural and gender based problems that are occurring today.

In the film 'Whale Rider', by Niki Caro which follows the journey of a young girl named Paikea Apirana and her struggle for acceptance as a leader of her Māori iwi, and especially her grandfather. An important character in this film is Pai herself. This character has significant importance as she is used to portray numerous important ideas and themes throughout the film. Pai helps me to understand and appreciate that women can also be leaders that are equal to men if they have the right attributes. The director Niki Caro uses numerous different film techniques to convey this idea, such as; the camera shots and camera angles when Pai is giving her speech to Koro, the use of camera angles and props in relation to the dialogue when Pai if fixing the motorboat engine, and the use of props when Pai is teaching herself to use the Taiaha.

John Longridge agrees to take care of his friend’s three pets, Luath, a young Labrador, Bodger, an old Bull Terrier, and Tao, a Siamese cat while the family is out of the country. Everything is fine until Longridge lives on a trip and the pets decide to find their way home on their own through the outback of the Canadian wilderness. Each of the pets faces an almost life ending peril during the trip. Bodger is attacked by a baby bear, Tao almost drowns in a river, and Luath suffers from severe infection from porcupine quills. Along the way the three friends encounter many different people, some are helpful and others are downright mean to them. But at the end of the story, they are reunited safe and sound with their family. The themes of

In contemporary film women's roles in films have varied quiet considerably between genres, geographical placement, and between

Many in the world struggle to keep sight of who they are in a society that pushes its expectations upon people. Everyone has different ideas and experiences dealing with the world around them, and depending on who one is, simply staying true to one’s core identity can be a challenge. As Ralph Waldo Emerson, an accomplished poet, wrote, “To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.” I agree, as constant exposure to a world that prefers a person in a different form gets exhausting, and it takes true strength to persevere in spite of that. Whale Rider, Things Fall Apart, and Danger of a Single Story all provide solid evidence that the environment around a person affects their

The film industry has created the conventional gender roles of society into their movies; A majority of films have supported some of the male and female stereotypes. In the history of the film industry, the role of men is primarilythat of the stereotypical working class man or hero, while the roles of women are primarily portrayed as being somewhat inferior to men. In the 1930s through the 1970s, men held the leading roles in films while women played smaller roles. Men were typically employed, successful gentlemen, while the woman’s only job was a housewife. The film industry was mostly dominated by men. In terms of jobs, women were given mostly family roles and rarely were shown outside of their homes, while men had

The film “Whale Rider” is an example of gender discrimination. It is a story about a girl, Paikea, who wants to be the new leader of her tribe. Paikea Apirana is the female protagonist of the film. She is an 11 year old girl, who was born into the Whangara patriarchal tribe. But Maori tradition states that only a male can carry the knowledge and be the leader of the tribe. Because of this, her grandfather, Koro the current leader, does not allow her to join in the leader training. She never gives up. And finally, she becomes the first female leader of the Maori tribe.

Throughout “Whale Rider” Paikea is expected to listen to what her grandpa tells her to do and say. Personally, Paikea feels conflicted and under pressure to stick to her grandpas rules, as she wants to go her own way. Her grandpa finds it hard to see Paikea as her own person and can’t accept modernity, which he is not used to. He also stops her from learning the ways of a Maori chief, which is something she still tries to do in secret with the help of the rest of her family. Koro sometimes fails to see what Paikea can do, as he feels very strongly about old traditions, but other times he sees what she can do and fails to appreciate it. Paikea just wants to be loved and accepted by her grandfather and her strong sense of leadership and determination to get that from him leaves her as a role model to others to be brave and to never stop until they get what they want.

Today’s filmmakers have three areas to focus on: the event or theme of the film, the audience who will be watching the film, and lastly, the individual characters and the roles they play and how they are portrayed and interpreted. Many of these films bottom line objectives are to focus on the “erotic needs of the male ego.” The focus on fetishistic scopophilia tend to slant the view such that we see the world as being dominated by men and that woman are

Since the 1940’s, movies have predominately portrayed women as sex symbols. Beginning in the 1940’s and continuing though the 1980’s, women did not have major roles in movies. When they did have a leading role the women was either pretreated as unintelligent and beautiful, or as conniving and beautiful: But she was always beautiful. Before the 1990’s, men alone, wrote and directed all the movies, and the movies were written for men. In comparison, movies of the 90’s are not only written and directed by women, but leading roles are also held by older and unattractive women. In this paper I will show the variations and growth of women’s roles in movies from the 1940’s though the 1990’s.

The film industry has created the conventional gender roles of society into their movies. A majority of films have supported some of the male and female stereotypes. In the history of the film industry, the role of men is primarily that of the stereotypical working class man or hero, while the roles of women are primarily portrayed as being somewhat inferior to men. In the 1930s through the 1970s, men held the leading roles in films while women played smaller roles. In terms of jobs, women were given mostly family roles and rarely were shown outside of their homes, while men had successful careers and did many activities outside of home. “Women were shown doing housework and men were the beneficiaries of their work” (“Women’s roles in the

“Listen...once there were many of our protectors, now there are few. Listen to how empty our sea has become”-Koro Apirana(Pg. 50). This comes from not real life, but in a novel/book called The Whale Rider by Witi Ihimaera. The story follows a young girl named Kahu Apirana and how she battles her tribe's cultural beliefs in order to prove to her father she is worthy to be chief because he strongly accepts only men can be a chieftain, Koro originally desired his son, Porourangi’s newborn baby to be next in line for chief but, unfortunately, he, as well as his wife, died shortly after the birth, leaving only Kahu the second child left.

The story of Whale Rider takes place in a Maori village in New Zealand. The main character is a 12 year old girl name Paikea “Pai” Apirana and her ambition to become the next Chief of her village. Along with following on Pai’s story, the movie showed a great number of local Maori religion and culture. Some of the things I will explore is the Maori religion, gender roles, and a personal reflection on what was learned through the movie.