What Ado About Nothing Research Paper

The play Much Ado About Nothing by William Shakespeare consists of many themes which grow out of the ‘game of love'. The two main themes consist of perception and deception. Through the plot complications, character development and dramatic techniques these themes can be explored. In the play deception is shown on both good and evil sides, the game of love between Beatrice and Benedick and the Don John plot to split up Hero and Claudio. Perception is a theme used in most of Shakespeare's plays. Perceptive views by the characters help portray the game of love. Hero is perceived as dead which then Claudio is sorry and feels for her. Beatrice and Benedick's loved is clouded by each other's perceptions and arguments.

Drama text, Much Ado About Nothing by William Shakespeare is a romantic comedy revolved around marriage, dishonesty and love. In 2007, the original play had been interpreted and adapted into a new film text; Much Ado About Nothing Shakespeare Retold. This new film version is an adaption for the modern audience who’s views around love and marriage have changed since Elizabethan times. Brian Percival ‘Retold’ the original play, first published in 1623 by reinterpreting it into his own understanding of modern society with the focus of women’s roles nowadays. Whilst doing this Percival has maintained many of Shakespeare’s intentions.

In these two movies, the right music and visuals had to be chosen in order to get the ambiance Hawke and Branagh tried to obtain. Each director chose different music and images that were very visual and auditive for an audience’s appeal. In Hawke’s version, visuals of New York and Times Square were appealing to an audience. Modern music at the beginning of the film caught the interest of the younger generation. As well, close ups of Hamlet were revealing to an audience and it was easy to feel infatuated by the character’s nihilistic despair. Branagh’s version used supernatural and dark visuals of ghosts, statues, and castles to produce feelings of awe and fear. The scene of the ghost was quick and staggering, and it created an automatic feeling of anxiety and fear. As well, the traditional use of classical music did a skillful job of creating suspense. Both directors appealed to an audience by using music and visuals that created an ambiance the directors desperately

In William Shakespeare’s play Much Ado About Nothing, love has played a major rule as theme in this play. Shakespeare discussed different kinds of loving relationships; romantic love, family support and loyal friendship, and he shows how different characters react to love in many different ways. The main plot of Much Ado About Nothing is that of the relationship between Claudio and Hero, and the hidden love between Benedick and Beatrice. Similarly, deception is a big concept to consider as a theme in this play. Each of the main characters being the victim of deception; Shakespeare in this play shows that deception is not inherently evil, but can also be pure.

Shakespeare’s fundamental understanding of language is, arguably, what makes the imaginative design of his various works so transcendent. With layer upon layer of meaning, his words leave an infinite amount of room for speculation and analysis. This legacy shines particularly bright within the Shakespearean comedy Much Ado About Nothing. The entire play is driven by witty banter and passionate speeches – even the play’s title is given dimension through Shakespeare’s choice of words! The words “nothing” and “noting” were pronounced in a similar way around the time Shakespeare wrote this play, so it is reasonable to assume that he was implying a connection between the driving force of the play (deceit) and “noting” when he chose the title. This connection is supported by multiple instances of “noting” throughout the play, though a particular passage from the final act and scene of this play in which Beatrice and Benedict become engaged (5.4.74-98) especially exemplifies this connection. This passage in Shakespeare’s Much Ado About Nothing plays on the concept of “noting” in a literal sense to exemplify the imaginative design of the title’s designation: the characters create a bizarre set of circumstances out of “noting.”

In this scene the music becomes eerier, darker, and more suspenseful. The music choice mirrors and helps emphasize the town's feelings towards

The musical features enhanced the plot and fit perfectly with the action in the play. For Cyrano’s fight with Valvert the music was quick and bouncy, which fit well with the fast pace of the fight, but kept it light-hearted. Also, the slow music amidst the storm on the night when Christian attempts to confess his love to Roxane added so much passion to the scene. These are only a few examples, but throughout the play the impact of the music was a perfect match.

William Shakespeare’s Much Ado About Nothing, a comedy filled with differences between genders, witty banter between memorable characters Benedick and Beatrice, a plot of revenge that involves one character faking her death and let’s not forget the masquerade marriage that comes to readers at the end. Much Ado About Nothing, court politics while still maintain a profound amount of humor and wit. However, it is the honor and shame that is prominent in Much Ado About Nothing that we reach the turning point in this playwright, the moment everything takes a dark turn at the altar when the audience believes Act four scene one of Much Ado About Nothing is important because it presents itself as the critical turning point of the playwright as it transitions from a lighthearted comedy to a tragedy. This transition allows Shakespeare to blend two of his most commonly known playwright experiences into one.

The actors and directors had the same purpose for the production, which was to show the importance of timing. Every time the bell rang it represented a different way the conversation between the man and woman could go, eventually ending with the perfect scenario. The bell going off represents time passing by, the sound symbolizes the different answers that the characters say to each another. In order to capture the timing properly it requires precise directing. The way the director chose to do this in the film was different than the way the director of the play did. The filmed version was more of a separate feel, until the end when they finally came together. In the play the whole thing felt connected, the actors were more interactive. I prefer

Fact or Fiction “Did you hear what she did? Isn’t that just awful!” Gossip has consequences. It provides people with false images and information. In Much Ado About Nothing, a play written by William Shakespeare, the characters continually spread rumors.

Maintaining a Good Reputation In Shakespearean Time A famous poet once said,”One can survive everything nowadays, except death, and live down anything except a good reputation.” In today’s world, keeping a good reputation, is very difficult because it seems like almost any and everybody know who you are, what you do, where you work, etc. However, it is not just today’s society that struggle with maintaining a good reputation. In Much Ado About Nothing a popular comedy made by the one and only William Shakespeare many themes and motifs were broadly shown; some very obvious, other very subconscious. William Shakespeare uses the motif deception not just to demonstrate the moral of the bad effects of deception; but to also subliminally elaborate also the good effects of deception and how it correlates with a person’s overall being.

People are dealing with same emotions that stay the same because their religion, race and convictions do not change over time. Shakespeare uses themes that exceed the time and situation. Individuals share many conflicts such as mistrust in friends and families, dealing with pains, and many more, which is considered as universal themes. Shakespeare is universal playwright because he appeals with themes that everyone can relate to and in his sixteenth play, Much Ado About Nothing and its BBC’s Shakespeare Retold adaption

In this play, Shakespeare pairs of Hero with Claudio and Beatrice with Benedick. Using quotes from the play, discuss why Beatrice would never marry Claudio and why Benedick would not find Hero to be as suitable as a wife for him as Beatrice.

During the Renaissance, it was common for women to behave in a certain manner in a patriarchal society. Women were subordinate to any man in their life, whether it was a husband or a father. However, Shakespeare creates female roles in his plays that often steer away from the common script. These women challenge, deceive, and steal from these men, including one’s closest to them in their lives. In Merchant of Venice, young Portia and Jessica are two examples of these strayed female characters. They feel trapped in the hands of their father’s and do their best to break free of that hold. In Much Ado About Nothing, Hero is a young woman who feels her relationship with

wit in a manner that is all too cosy. The irony is that, were it not