What Are Emma's Flaws

As stated in the book, “I sit on her lap, put my head on her chest and put my arms around her and we start rocking. She holds me tight like Mama used to” (Lester 36). This is being told by Sarah Pierce and just shows the kind of person Emma is. She cares for her young ‘masters’ and acts as a mother figure when their actual mother cannot. Although slaves are frowned upon when having a relationship with white masters, Emma takes it upon herself to love and make sure Frances and Sarah are in good hands. According to the novel, it also asserts, “(She hugs her father tight.) Tell Mama I won’t forget nothing she taught me. Tell her I’ll be alright. And I’ll be strong Papa. I’ll be strong” (Lester 94). This demonstrates the courage and perseverance Emma possesses, even when she is being ripped away from her loving family. When she’s being sold, she keeps her head up and tells herself not to look defeated. Emma is very strong and will not let anything show her (very few) weaknesses. As demonstrated, this protagonist has positive characteristics based on what thirteen years of ups and downs she has gone through. Emma Henry is simply an

The central argument that Emma uses to justified her actions is based on the fact that she has depression, but instead of communicating it immediately at the beginning of the play, she looks for an easy way to evade her problems manipulating Shelley and Oscar to get their affection at any price. In the scene 12, she confesses that she “was depressed” and for this reason deserves compassion (Schreck 96, 97). Nevertheless, this confession occurs until she is yet in problems due all the previous lies that she uses to evade all the problematic situations she must face. For instance, when Shelley starts scolding her, she spontaneously tries to avoid it by lying saying she has cancer (Schreck 18) and lies about her mother is driving her “like crazy” (31). So, Shelley takes a more compassioned attitude to her. Later, to redeem her lack of self-esteem, get Oscar´s attention leading Oscar to be unfaithful to his girlfriend. Then, when he has troubles with Rosa, Emma just evade the situation by lying again saying, “since I´ve been sick Everything feels so out of my control.” (Schreck 78) This way, Emma achieves to feel better about herself and fix

Emma and Grant. After learning to open back up to his friends and family, he still gives them disrespect. A few pages after Jefferson talks to Grant, Ms. Emma comes to have a conversation with him. After she asks Jefferson how he is feeling, he doesn’t even respond or act like she’s there (page 136), showing how much Jefferson in entrenched into the idea of not finding value in himself. Furthermore, on page 130, while Jefferson talks up to Grant, he tries to anger him by insulting his girlfriend and testing his patience. Both of these interactions take place in cases where Jefferson shows signs of opening up to others, but they are also instances of how little Jefferson loves or cares about those who care about him. On page 139, this is addressed when Jefferson has another conversation with Grant a couple of days later. When talking with Jefferson, Grant tells him, “no matter how bad off we are,’ I said, ‘we still owe something. You owe something, Jefferson. Not to me. But to your godmother. You must show her some understanding, some kind of love.” Then Jefferson tells him, “That’s for youman’s... I ain’t no youman.” Later in the book, Jefferson eventually starts to show love to his loved ones again after having a powerful, life-changing conversation with Grant. After this, he is able to eat Ms. Emma’s food and is able to

Jane Austen’s novel 'Emma' and Amy Heckerling’s Clueless, as significant and satirical reflections of Regency England and postmodern America respectively, indicate how the transformation process can shape and improve literacy, intertextual and logical importance. The transformation is evident in the compositions Jane Austen’s ‘Emma’ and Amy Heckerling’s ‘Clueless’ enabling us to investigate the assortment of logical subjects. Regarding ‘Emma’ the perspective throughout the Regency time frame examines the strict values of love and marriage inside the inflexible social hierarchy. Austen’s advances the significance of etiquette throughout the text. Austen reveals a neo-women’s activist perspective, shown in the female protagonist revealing the female protagonists’ scholarly capacity and social equity in an otherwise patriarchal society. However, the close resemblance of the story; ‘Clueless’, Heckerling composition conveys entirely transformed values, reflected through the actions of the current upper-working class of contemporary Los Angeles. The critical analysis of commercialism in the informal social class system of modern America reiterating social expectations of gender and social characterisation within the microcosm of the typical American educational system. The transformation in attitudes of Austen, reveals an exhaustive utilisation of setting, a close examination of dialect and various artistic procedure.

“Emma could not resist. Ah! Ma’am but there may be a difficulty. Pardon me- but you will be limited as to number- only three at once”; Emma insults Miss Bates, who is a dear friend, in order to quench her desire for social credit. When Mr Martin’s proposal arrives for Harriet, Emma shakes her head with disdain. Emma has the highest social status, apart from Knightley, and uses this to diminish those of lower class. Chapone asks us to “Observe her manner to servants and inferiors” and whether she treats “them always with affability”, but we know, Emma does not. Emma thinks Mr Martin is a “very inferior creature” and when Harriet asks for advice Emma says “the letter had much better be all your own” but sneaks in “You need not to be prompted to write the appearance of sorrow for his disappointment”. Harriet refuses Martin, and Emma proclaims that Harriet, if she accepted, would have been “confined to the society of the illiterate and vulgar” and “could not have visited Mrs. Robert Martin” since she deems the lower class as unsophisticated primitives. Emma would have lost her latest amusement and her chance to prove her intelligence. Emma’s subtle manipulations illustrates the absence of inner morality, and is thus, an ill-qualified mentor.

Cher is one of the most popular girls at her school with a father that is a litigation lawyer, a prestigious occupation in one of the most wealthiest cities in the world. Cher has everything a young lady dreamed off: money and a huge wardrobe (Clueless 1:00-1:30). However, both Emma and Cher shares the same situation where both mothers passed away. Emma and Cher's lack of maternal figure resulted from them to think highly of themselves. Emma's arrogance can be seen when she brags about being successful in matching couples. Emma believes that she has control over fate and must play matchmaker in order for couples to discover true love. Austen states that "The real evils indeed of Emma's situation were the power of having rather too much her own way, and a disposition to think a little well too of herself" (Austen 5). Emma and Cher seemed to have endless power and wealth, in which they acquire the idea that they are the perfect model for everyone in the

Emma Woodhouse, who begins the novel "handsome, clever, and rich, with a comfortable home and a happy disposition" (Austen 1), suffers from a dangerous propensity to play matchmaker, diving into other’s lives, for what she believes is their own good. Despite this, she is a sympathetic character. Her matchmaking leads only to near-disasters and her expressions of remorse following these mistakes are sincere and resolute. Jane Austen's Emma concerns the social milieu of a sympathetic, but flawed young woman whose self-delusion regarding her flaws is gradually erased through a series of comic and ironic events.

* Manipulating reality to suit perception of it * Resulting self-deception, confusion, misunderstanding * Dramatic irony empowering us to see through human flaws and social failings of Emma. This often has unexpected results:-Mr Elton’s proposal “she could have been so deceived...she supposed, and made everything bend to it.”-Frank Churchill is flirty and appears to society to be interested in Emma but in fact secretly making visits to the Bates to visit Jane. Also at Coles dinner party Chapter 26, Frank asks Emma for a

Of course it does. Propriety is valued in the Regency period, where it is gained through tension between others, allowing one to self actualize. We are able to see Emma’s lack of propriety, as well as maturity through her dialogue to Miss Bates, “”…but there may be a difficulty…you will be limited as to number – only three at once””. She is unable to sympathize with Miss Bates, reinforcing on her immaturity and lack of character. Due to the tension between Mr Knightley, Emma reflects through the third-person omniscient narrator of “How she have been so brutal, so cruel to Miss Bates!”. Now she understands that she should respect and be more mature to others. On the other hand, appearance and popularity are much more valued in the consumer-driven society in Clueless. In the numerous dolly shots we see Cher and Dionne wear expensive clothes strutting down the footpath in the school, centre screen and thus, the centre of attention. Irony is created with the voice-over of “but seriously I have a way normal life for a teenage girl”, which contradicts the panning shot of Cher picking her clothes from a computer. Hence, highlighting the significance of appearance and thus suggest how our society is

The fact that the letter showed “delicacy of feeling” is yet another eye opener for Emma. Could the lower class be capable of feeling? Could it be true that a 'crude' farmer such as Mr. Martin could actually have feelings of such a delicacy and not be part of the gentry? Emma first dismisses the fact that he even wrote the letter: “'so good a letter...that everything considered, I think one of his sisters must have helped him. I can hardly imagine the young man whom I saw talking with you the other day could express himself so well, if left quiet to his own powers...”(pg. 50) and yet she comes to the realisation that the letter is not written in “...the style of a woman.”(pg 50). Thus Emma comes to the conclusion that he may “...have a natural talent for... his thoughts naturally...”(pg. 50) finding the proper words to put into a letter.

Emma's personality is largely shaped by the nature of her upbringing. Emma had no motherly figure guiding her as she grew up, due to the fact that her

Though at first glance, Emma appears to be a generic romantic novel about virtue and ladyhood, Austen actually challenges what the meaning of “ladyhood” is to the reader. We view Emma’s follies, trials, and triumphs through the eyes of the omnipotent narrator who first describes Emma as a stereotypical, wealthy young lady who is “handsome, clever…with…a happy disposition” (1). Through the use of irony, Austen employs a series of situations in which Emma, a “lady” of high standing within her community, challenges conventional thinking of what it means to be a young woman in the early nineteenth century, particularly her ideas concerning marriage and

Emma Woodhouse lives comfortably with a happy disposition as most members of higher society do and she enjoys testing her match making skills on her new friend Harriet. Unlike most women of her time, Emma has no desire to get married and thinks a little too highly of herself. Being accepted into the higher social class depended on how distinguished the family was, owning large properties, education, and large incomes without labor (Palmer). Economics and social standing was taking into higher account than romantic attraction when it came to marriage during that time period. In the novel, Mr. Elton marries Augusta Hawkins because of her new found wealth, however because the Hawkins family is not well establsihed they're considered to be a "nobody", and the new couple is not accepted into high society (Palmer).

Emma Bovary allows herself to be destroyed by the people she encounters and her obsession with falling in love. Emma is not happy with herself and her relationship so she looks for other people to fill the void. Emma never really realizes that she is the root of all of the troubles in her life. If she were more in touch with reality, she would realize that she needs to work on herself before blaming her love interests for not being like the men that she has read about in the past. Emma has a very unrealistic perception of love. Emma is unable to fall in love with anyone because she will always be dissatisfied. She destroyed her own marriage before it even started because of her preconceived idea of love. Charles is absolutely in love with Emma and would do anything for her but she does not feel the same way about him due to her fairytale idea of love. It seems as if she is not capable of separating her real life romances from the romance novels that she read when during her time at the convent.

she does not long to have. Emma had fantasies of how she wanted her life to be so she