What Are The Conventions Of Black Swan

The classical version is set on a single level stage where the orchestra in not in view. The prima ballerina features the traditional tutu with the stiff material protruding from the waist. She is assisted with a male partner (pas de deux) as she eloquently floats on her toes (pointe) and easily raises her leg while twirling on the other (Pirouette). She is truly the star of the show as the other ballerinas in similar dress, support the story line from the background by performing low splits on the stage creating the sense of dawn into morning. As the ballet continues into twilight, the supporting ballerinas are then paired with male partners assisting them with their pointes and pirouette’s. The lighting of the stage does not seem to change much with a constant blue dimmed light in the background, particular members of the audience can be heard clapping while the majority of the audience does not.

‘Swan Lake' was re-choreographed by Marius Petipa and Lev Ivanov in1895, after initially being choreographed by Julius Reisinger in 1877. The musical score was composed by Pytor Tchaikovsky. ‘Swan Lake' was created towards the end of the romantic period, so the culture and style of romanticism was prominent, with glimpses of the beginning of the classical era. Because of this, it contains elements of both eras. Some of the romantic characteristics include the pursuit of the unattainable, romance, fantasy, focus on the female role, gas lighting and simple sets, pointe work, soft and feminine technique for females and the bell tutu. Some of the classical features include the length of the ballet, the classical tutu and more

From the beginning of this performance I recognize how celestial Whitney Houston’s magical, shimmery gold gown looks! It looks like a million bucks. Her gown really speaks for her role in this film, the Fairy Godmother. To me, the evil stepsisters look like they are trying to look as divine as the Fairy Godmother. Their costumes speak for their roles in the film as well. The colors in particular define who the characters are in the movie. The stepsisters and mother are dressed in un correspondent colors to illustrate how ugly they are on the inside. The prince seems to be very gentle and modest by his costume. He has on a red button down shirt and pants. He appears in very casual attire. Cinderella’s costume is natural colors as a servant. She does not really dress up because she spends most of her days doing hard labor. The wealthier people wear vibrant, meaningful

The costumes used in Luhrmann’s film are very modern as using the original Elizabethan style costumes would make the film more historical and therefore would not appeal to a younger audience. Luhrmann has used two distinctive costume styles to help the audience distinguish the difference between the two families. For the Montague family, Luhrmann has put the characters in unbuttoned, bright coloured Hawaiian shirts and given the males short blonde hair to link to these characters beachside lifestyles. For the Capulet family, Luhrmann has used stylish but sinister looking costumes such as vests, and silver heeled boots to show the audience how these men are similar to Mexican drug

As world has changed over the last century or so, the ballet world has been changing with it. There are many people who have helped shape that change. The changes in style were mainly influenced by George Balanchine. George Balanchine, a Russian choreographer and ballet dancer, also known as the father of American ballet, was the man who was said to have changed the style of ballet forever. Along with these changes in style came changes in visual design elements, inspirational figures, and changes in what the ballets themselves tend to rely on. Many of the features given to ballet in Russia in the 15th and 16th century still remain to this day, but many features have been altered to fit . Let’s take a closer look at what features truly

Juliet- Like her mother, Juliet often wore the colors of gold and silver. She did not wear any purple because she was of slightly lower class caused by her young age. Gowns, partlets, and kirtles were often worn by Juliet. Her high class was reflected in her clothing. Corsets and multiple petticoats helped achieve the small waist desired by the ladies at the time. Juliet

Additionally, the costumes that were selected for the wedding scene are also representative. In this scene, King Henry wears his brown garment along with a livery collar, to express the momentous occasion. His wife to be wears a pink gown that symbolizes

There are many layers to their clothes as the main color on top is the house colors blue and orange. For their pants, they are leggings. In Luhrmann's, the Montagues are wearing their tropical shirts with no under layers, and the Capulets are wearing all black, a bit more formal than the Montagues. The style costumes still represent who the two houses still are. Because of the different time settings, the outfits are anywhere near the same style.

Many elements most commonly associated with Giselle include white romantic tutus, the daunting Wilis, or light, captivating gracefulness of the dancing. This particular ballet has always been easy to identify because of the specific qualities it possesses. Watching Giselle, audiences are always drawn to the charming, gentle nature of Giselle, despite how technically difficult the steps are. In her famous variation from the first act, Giselle completes thirty ballonnés en pointe with great ease. Furthermore, the eery synchronicity and solemn countenance of the Wilis is

Many costumes went from dark to bright colors, depending on the mood of the current scene. Meanwhile, the scenes would alternate from clean to muddy and gray quite often. Branagh and the others that came together to make this film did a great job by changing the colors to show the moods that define the play and the main character accurately. This made it much easier for me to understand what was going to happen next seeing as though a ‘happy’ scene wouldn’t

The people who lived during the Elizabethan Era were not allowed to wear whatever they like or desired. Their Fashion choices had to be followed by a strict law! The English people chose to establish social classes by the colors they wore and this had an affect on costumes used in theatre. Queen Elizabeth I followed the sumptuary laws, which was only certain classes were consent to wear specific fabric and colors. Therefore in plays the actors could only wear certain colors for their costumes that displayed what role and class their character was in. The clothes worn during this era was a result of Queen Elizabeth’s sumptuary laws, which had an affect on costumes used in plays, and each color a person wore had a significant meaning.

Throughout the scene, Hamlet is wearing black, because he is still in mourning of the loss of his father, and wearing a stocking cap to be different from the rest of the Denmark organization. Throughout history, people have used dark colors to show mourning. In Act 1 Scene 2 the queen tells Hamlet to, “cast thy nighted color off,” (1.2. 68). This means the Hamlet is wearing black coloring, and his mother acknowledged it.

a. White was special for women of upper classes. However, today colors have become more dominant, and white is only worn by widows.

All the character were wearing normal clothing nothing special. In the first scene where Hamlet is approaching the press conference. He pulls up in a hat and loose fitting jeans he has this hipster type of look. A complete three sixty from the medieval clothing that he was in when Shakespeare wrote the play. Through the play he is wearing normal clothing that would have been popular in the 2000. For Ophelia she was dressed casual but her hair was in braids which is something that women would have worn in later years. I liked how they incorporated that in the movie. Claudius was far dressed from the typical king clothing he did not have a crown or anything like that. The entire movie he was dressed in a fancy suit and a suitcase which is the modern version of a

Because Siddons’s androgynous Rosalind costume was so strongly criticized, it is somewhat surprising that the actress chose to play a role as iconic as Hamlet in an outfit that at least one spectator found to be ambiguously gendered. Nonetheless, Siddons perhaps had reason to believe that her Hamlet would be better received than her performances as Rosalind. It was clearly a role that she performed with some frequency early in her career, and she may have felt that it was better suited for her talents as a primarily tragic actress than a comic breeches role in which Jordan could easily outshine her. Furthermore, while Siddons’s original Rosalind costume differed significantly from the standard set by other actresses, her Dublin Hamlet costume may not have been that different from what other actors wore to play Hamlet in the early Romantic era. In fact, the costume depicted in Hamilton’s sketch also resembles the costume shown in Sir Thomas Lawrence’s famous painting of Kemble as Hamlet. According to most stage histories of the play, Kemble was the first actor to wear ‘period dress’ while playing Hamlet rather than the ‘modern court dress’ that Garrick and other actors had worn before him. Alan R. Young explains,