What Are The Influence Of The Roman Bath And The Roman Baths

The Roman Empire is Europe’s great creation myth. The great Mediterranean empire has left a great legacy of culture, language, conquest, art, and science in Europe and beyond. But everything decays with time, especially memory. Our archeological and historical understanding of the Roman Empire is limited. These gaps in knowledge, combined with popular misconceptions relating to culture, politics, race, technology, politics, and religion from the period, mean that any “period” piece is bound to be historically inaccurate.

Although there had been increasing contact between the British Isles and the classical world during the Late Iron Age, the first real Roman presence here was that of Julius Caesar. In 55BC a Roman army of around ten thousand men crossed the channel and invaded Britain, yet were defeated and had to return to Gaul. Then in the following year; 54BC, Caesar came to Britain again. This time with a much larger army, although on this occasion he won the majority of battles and was victorious, he still returned to Gaul. It wasn’t until 43AD that the real invasion took place and the real ‘Romanisation’ of the British Isles began.

Acropolis of Athens, and more specifically the Parthenon is the most mysterious. It is thought to be the most characteristic monument in in Greek history. Symbolizing the beginning of Western civilization, it is also an icon of European history. The Parthenon was dedicated to Athena, Goddess of the city of Athens and the goddess of wisdom. In modern culture, more than half the sculptures are now located in the British Museum in London. Christianity was established in the 6th century. With this development, the temples were changed to Christian churches. Today the return of the Parthenon sculptures to their original home of Acropolis is highly anticipated.

The purpose of this research paper is to analyze the Roman Empire and the culture within that civilization from 43-306 C.E. Centrally located in the Mediterranean lies Italy, one of the three great peninsulas that can be seen from the south of Europe. The Roman Empire and its civilization has always been one to be admired by people and leaders all around the world. When the thought of this illustrious empire comes to an individual’s mind, one might assume that they may think of the great Julius Caesar and his tragic death, Marc Antony and Cleopatra, or even the great philosophers that flourished during this time. Thousands of years later the romans are still being praised for their advances in the sciences, philosophy, and government.

Greek and Roman architecture is truly amazing. They each had great ideas, and fabulous productions. It is said that the Pantheon is to Italy what the Parthenon is to Greece. Both are tremendous monuments that reek of culture and history. Each had a purpose which was displayed by the design and construction of each. There are such great meanings behind each of these architecural structures. The Romans and the Greeks alike worshipped and dedicated their structures and designs to the Gods and Goddess they believed in.

The scope of this report is to investigate how and why the Greeks influenced Roman culture. To achieve this, I will support my discussion with a set of specific examples. Lastly, as I have a personal interest in museum studies, I will briefly answer the question: 'Was it theft? Did the Romans really loot Greek art, and what for? '.

"Ancient Greece - War - The British Museum." Ancient Greece - War - The British Museum. British Museum, n.d. Web. 22 Feb. 2017.

Tiberius Claudius Nero Germanicus (b. 10 BC, d. 54 A.D.; emperor, 41-54 A.D.) was the third emperor of the Julio-Claudian dynasty. His reign represents a turning point in the history of the Principate for a number of reasons, not the least for the manner of his accession and the implications it carried for the nature of the office. During his reign he promoted administrators who did not belong to the senatorial or equestrian classes, and was later vilified by authors who did. He followed Caesar in carrying Roman arms across the English Channel into Britain but, unlike his predecessor, he initiated the full-scale annexation of Britain as a province, which remains today the most closely studied corner of the Roman Empire. His

1. Albert M. Craig, William A. Graham, Donald Kagan, Steven Ozment, Frank M. Turner. “Republic and Imperial Rome”. The Heritage of World Civilizations. 1: 124-156. (2007, 2005, 2002) Pearson Education, Inc. New Jersey.

Architecturally, societally and religiously, the Parthenon of Athens and the Pantheon of Rome share many similarities and some important differences. Fortunately, these wonders of the ancient world have survived to give us some idea of their construction and use.

One of the most well-known components of the Parthenon are the enormously beautiful and important marble sculptures that were placed in the pediment of the monument. These marbles are shrouded in controversy as to whom they belong: Greece or Britain. These marble sculptures were removed between 1801 and 1812 in order to protect them from possible destruction caused by the war between the Grecians and the Venetians, taken to Britain for refuge by the Earl of Elgin, and sold to the British Museum to be displayed. John Henry Merryman discusses his view on the issue of the ownership of marbles by presenting two main points and the validity of both sides. One aspect of his examination revolves around the legality of the removal of these sculptures.

There are many imitations, and reproductions of Greek and Roman forms in the modern society of today. Even though the times of the great Ancient Greek and Roman Empires have passed, people of today are still able to honor their legacy with their long-lasting influences on modern society today, especially in architecture. If one just looks at today’s style of buildings, they can see the similarities between the two different time spans.

In 27 BC Augustus began his political career with a “new policy which embodied a national and Roman spirit” (Galinksy, 1996, 225) and “represented new heights in creativity and sophistication” (Galinksy, 1996, 225). Augustus created a new political propaganda campaign that used art and architecture to promote and enhance his regime. The most fundamental message can be regarded as to establish the legitimacy of his rule and to portray him as the natural successor of Rome, as this is consistently presented throughout the visual programme. Yet factors such as the restoration of the Republic, reviving the old religion, nationalism and militaristic triumph can also be seen to be communicated prominently through art and architecture.

In contrast to what I believe, other individuals would counter my belief. One counter argument I could receive from other individuals would be that the Parthenon is missing the Elgin marbles which is a very significant piece for their culture, since it represents their goddess Athena. Others would argue that the sculpture looks incomplete without its Elgin marbles (Elgin), so therefore the British museum should return the Elgin marbles to Athens. According to the British Museum (2015),

Historians have always used great structures from the ancient world to find out information about the kind of lives they used to live. The Colosseum in Ancient Rome, Italy was one of the most famous structures. The Colosseum in Rome gives historians a number of insights to the type of civilization that existed during the time of the ancient empire, through the gory battles and violent games that took place. This can be proven by the purpose of the Colosseum and the context surrounding its construction, the political and economic benefit of the Colosseum to the empire, the types of games which were held in the arena and the values which the structure suggests were important to the civilization at the