What Are The Similarities Between Cubism And Futurism

The transition between the 19th and 20th century has brought further development of modernistic ideas, concepts and techniques in art. Inspired by Cezanne’s idea, saying that all nature objects can be illustrated with just three geometrical figures: cube, sphere and cone, Pablo Picasso created his first paintings, which became the icons of modern art and cubism movement in

In the early 20th century, the world was facing the destruction by World War 1. A modernist movement was beginning by Le Corbusier, Walter Gropius, Mies van der Rohe, to name the best known among them. By bringing in new material such as

Impressionism can be considered the first distinctly modern movement in painting. Developing in Paris in the 1860s, its influence spread throughout Europe and eventually the United States. Impressionism was a style of representational art that did not necessarily rely on realistic depictions. The Impressionists loosened their brushwork and lightened their palettes to include pure, intense colors.

Baxandall argues that the ways in which people perceive images have differed throughout history, in accordance with the culture of a given place and time. He begins by explaining the idea that, whilst one’s optical perception of the world is unique to oneself, it is the interpretive skills or ‘cognitive style’ one possesses that results in a particular understanding of an image. Baxandall defines cognitive style as being comprised of: one’s ability to infer the meaning of an artwork’s formal properties, one’s knowledge of representational conventions, and one’s understanding of pictorial illusion. In discussing cognitive style in relation to a fifteenth-century viewer, Baxandall describes how the interpretation of imagery at this time was concerned

Cubism, a short lived, though massively influential visual art movement began in the early 20th century created by Pablo Picasso and Geroges Barque in Paris. The term “cubism” was coined around by its styled and various viewpoints in its one chaotic composition that withheld simplistic geometric shapes and interlocking planes. The main purpose of cubistic art was to generically simplify nature and its representation in emphasis of the two dimensionality by reducing and fracturing objects into geometric forms and then realign these within shallow space. However, the Cubist painters rejected the inherited concept that art should replicate nature, or adopt traditional techniques of perspective, modeling, and even foreshortening. There is no doubt that the cubism movement held numerous artist alike Cezanne, Chagall, Klee and more; however, Rivera found unique sense into Cubism that provoked contextual messages through murals and canvases while powdering uniqueness within his work in a different place.

Expressionism, is an artistic style that originated in Germany at the end of the 19th century in

The sculptures created in the Renaissance era saw the use of new techniques and styles that were never used before. The artwork had a huge impact of humanism on the different artists in this era. Starting around the 14th century and ending around the beginning of the 17th century the Renaissance era art was all about realistic linear perspective where the artist would observe objects from close and far and then paint it. This enabled the artist to get a lot of depth in his or her sculptures. Also, the art changed to depicting joy of human emotions and pleasures of life. On the other hand, art of today, also known as contemporary art, started a few years after World War II up to present day. During this period, different art movements occurred that influenced artists all over the world. In the 1950 and 1960, contemporary art was influenced by movements like Abstract, Expressionism, Pop Art, Neo-Dada, Minimalism and New York School. Some of the famous artists of this era are Andy Warhol, Wassily Kandisky, Robert Lichtenstein and Jackson Pollock (Witcombe, 2005). The 1960s was a playground for modern art. In spite of this new movement in art, the innovation and technical skill was not of a near caliber as of the Renaissance era. This mainly because of the lack in detail and human spirit, these are not recognized in modern art sculptures, paintings and photographs today. This being a

Art in the nineteenth century can be described as very traditional, similar, romantic, and simple. Stepping into the twentieth century, artists turned to color, angles, and new incredibly unconventional styles. Major art forms such as cubism, futurism, fauvism, non-objective, and the international style were born. Artists became more creative and inspired by the new age. All three styles rejected the traditional ways of nineteenth century art and entered the new century with unconventional and revolutionary techniques and pieces that have changed the way artists think and create still to this day.

Futurism was a primarily Italian movement that expressed the ideals of industrialization, and strived to evoke all kinds of sensations through their paintings. The movement also wanted to demonstrate the beauty of modern life and developed an entire philosophy that extended to social and political beliefs. (Roth-Davies pg 10) Futurism was a movement born out of boredom with Romanticism, debauchery and sappiness.

He would deviate front he customary depiction of forms in linear perspective and he experimented with the loose handling of a brush, bold color and strikingly unconventional compositions. His interests shifted from that of figures to that of light and is well noted as a significant change in the way artists would render an image for years to come.

Marinetti addressed the “death” of traditional art in his Futurist Manifesto of 1909 when he stated “Why should we look back, when what we want is to break down the mysterious doors of the Impossible? Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed” (2001 21-2). Marinetti, among with artists of the Futurist, Vorticist and Constructivist movements of the 20th century, believed that mechanisation was fundamental to creating a new future where machines played a vital role in modern society. The traditional style of painting and sculpture — in accordance to Futurist principles — had no place in this new future.

Marinetti addressed the “death” of traditional art in his Futurist Manifesto of 1909 when he stated “Why should we look back, when what we want is to break down the mysterious doors of the Impossible? Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed” (2001 21-2). Marinetti, among with artists of the Futurist, Vorticist and Constructivist movements of the 20th century, believed that mechanisation was fundamental to creating a new future where machines played a vital role in modern society. The traditional style of painting and sculpture — in accordance to Futurist principles — had no place in this new future. In this adapt-or-die situation, artists Umberto Boccioni and Jacob Epstein responded to the world of machines by incorporating techniques learned from their past

The impressionist movement began in the 1870’s by a group of artists rejected and harshly criticized by the established art world and its critics in authority, particularly the Academie des Beaux-Arts. Several common characteristics encompassed this radical new artistic style. Images rendered from the artist’s everyday world strayed away from historical, religious or mythological subjects. Natural landscapes were painted without idealization and used vibrant light colors, which at times were mixed directly on the canvas contrary to the traditional darker palettes of their predecessors. The technique using quick, spontaneous brushstrokes enabled the artist to capture fleeting moments of light without concern for well-defined lines of a meticulous finish. Compositions were "unhampered by traditional rules" allowing for experimentation often framing and cropping subjects in shocking ways.

During the 20th cubism represented another way of representing art, cubist argued that there were other ways of looking at images, so they started painting only the shapes of the images instead of images that normal people could see. According to cubism all images seem distort from the original.

The 20th Century was a period of great changes in the world due to several events that happened during this period of time. Artist during this century created paintings which verge on the traditional techniques, to artwork that pushes the boundaries of postmodernism, 20th Century art had it all. Early experiments with movement in art began between 1913 and 1920, led by artists of the Dadaist and Constructivist traditions. As an example of these artistic movements are surrealism, expressionism, futurism, and Cubism; these movements emerged from and were used by artists in their work. These movements emerged due to a rebellion against the traditional rules of art that came from the 19th century. Artists of the 20th century showed the world through