What Did Music From Late Period Influence Composers Working After 1950?

The symphony is in four very powerful and entertaining movements. The first movement begins in the pianissimo tone with the strings section, but quickly enters the fortissimo tone with the introduction of the woodwind, brass and percussion sections. The dynamics of the musical melody varies throughout the movement moving from crescendo to decrescendo modes. The first movement reminds you of a raging storm from soft blowing winds to thunder and lighting. The audience is mesmerized by this first movement of the sonata.

The Classical period of music has also been called the “Rococo” period. The Classical time period was between the 18th and 19th centuries. Spanning the years of 1750-1820. The transition from the Baroque period to the Classical took the music from polyphonic to homophonic where even though it seems like that would make the music less complex we look at a whole different type of complexity. The music typically contained two different melodies and a contrast in sections. This made the chords in the music much more defined and the tonal part of the music became more defined. The Classical period had a significant influence on several aspects of music. Chamber music had a sonata form. This means it had an exposition, a transition, and a recapitulation. Composition in the Classical time was mainly dominated by eclecticism which made the music more diverse. Concerto was driven at first by the Italians. They started the idea of the solo concerto. Orchestration was mainly developed during this musical time period. This is partly due to some of the most talented musicians that lived during this time. They did a lot of work in making the orchestra mainly string instruments. Some of these being the violin, viola, cello, and the contrabass, just to name a few. All of these things had a great influence in the way the music made the transition from the Baroque period to the Classical period.

Composing works derived from styles already in existence, he created an extremely unique and unprecedented genre of works. Thus Mozart became a trailblazer of the classical age. Music from this period consists largely of a lighter and clearer texture than the preceding Baroque music and is less intricate. One trademark especially evident in Mozart’s contribution to the classical period is the use of homophony. Examples of the homophonic effect are displayed in his piano concerto No. 23 and sonata No 16 in C. In these, the distinct pattern of an indubitable melody can be distinctly and easily recognized above the adjunct chordal accompaniment. Although Mozart contributed primarily to the growth of the classical era, he was also influenced by the works of Handel and Bach. Both were prominent composers of the baroque era. In some of his later works, Mozart indulged more in the incorporation of the previous baroque

Music is present in every culture’s past, present, and future. It has been around since 500 B.C. and was especially important in the Elizabethan Era. There were reinventions of music as it was widespread and popular. Without this essential time in history, modern music may have been completely different from what we have today. This era brought new uses for music, styles of compositions, new instruments, and the uprising of popular composers.

In addition to asymmetrical rhythms the use of polytonality is vibrant throughout the piece especially in the introduction which begins with different clarinets playing polytonal. Stravinsky structured The Rite very differently, melody was not the only dominant feature of the piece, other features such as the fore mentioned polytonality and asymmetrical rhythms were also at the dominant features of the piece. By breaking from many common practices of his own and of the time, Stravinsky created a piece slated in modernism's history.

The third movement lead straight into the fourth, and that lead into the fifth movement without missing a beat. The fifth and last movement of this symphony is in sonata rondo form, which is a blend of the two. A rondo is when the first theme, A, repeats several times with other music (B, C). This form then also shares characteristics of the sonata, so it has a development section as well that is common in sonata

Wolfgang Amadeus Mozart was one of the archetypal classical composers, along with Franz Haydn. He composed over 600 works, including choral, symphonic,

Music has evolved too many different forms that we recognize today. We trace this development throughout time. Beginning in the middle ages, we have seen advancement from the Gregorian chant all the way to the Jazz of the 20th century. The current events, politics, religion, technology and composers can shape musical eras during time. Here I will look at the middle ages, renaissance, baroque, classical, romantic and twentieth century periods. I hope that a better understanding can be reached to why, when, where and who are the reasons for musical evolution.

Like the first movement of his Symphony No. 5 in C minor, op. 67, the first movement of Beethoven’s Symphony No. 8 in F major is composed in the sonata form, and this represents the most striking similarity between the two symphonies. A sonata consist of three sections: the exposition (wherein the themes are presented), the development (wherein the themes receive new treatment and the drama is heightened) and the recapitulation (in which resolution occurs because the themes return to the home key). Also, both of these include a coda.

Throughout history, music has evolved and branched off into many different categories, each of which have distinct styles and orchestrations; there is classical music that is centuries old and today there is modern contemporary music that is often synthesized or played with electronic instruments. There are also many ways that the two styles can cross over each other; this is seen in popular music and a lot of video game music. Though many people cannot see any similarities between modern and classical music, modern music is really an evolution of classical music; the roots of modern music go back to classical era.

One of the most important composers of the early Symphony, Johann Stamitz standardized the four movement plan of what would become the symphony. What Johann brought to the music that was innovative was that he played with different instrument timbres like flutes, oboes, brass instruments, and clarinet. Stamitz was the first composer to use it consistently: well over half his symphonies and nine of his ten orchestral trios are in four movements. He also contributed to the development of sonata form, most often used in symphonic first movements but occasionally in finales and even slow movements as well.

The 1st movement is in sonata form. The slow introduction to this symphony is unusual in that it begins in the subdominant key - E minor, solemnly introduced by the bassoons. It modulates into B minor and the tempo increases for the principal subject. This theme is elaborated and developed, and a march-like motif forms a bridge passage leading to a climax. The strings then introduce an amorous, song-like second subject in D major. The development section enters with a bang. This section brings no startling thematic growth or transformation, but is

Baroque music tends to be complex, but with a very organized system of forms and harmonies that is the basis for almost all music from what is called the “Common Era,” the period between 1700-1900. The Common Era developed throughout the nineteenth century, but after 1900 music entered an age of experimentation; music perhaps became a postmodern art genre very early on. Baroque music all sounds similar, although the educated listener can tell Bach from Handel without difficulty. In the realm of contemporary music, however, entirely atonal music from Schoenberg and Webern can easily exist alongside French Impressionism and Copland’s American neo-Romanticism. Today’s composers are similar only in that their styles, and entire musical languages, are radically different.

In terms of key and modulations, it should be noted that in its short span of 41 bars, the Classical Symphony seems to be more liberal in its degree of key changes. The neat characteristics of Prokofiev’s compositional style are illustrated though the chromatic hooks used to bring us back to the keys we expect. This is typical of Neo-Classicism. It should also be noted that Xinghai’s second movement seems largely

Furthermore, memorable melodies, richly expressive harmony, and broad expanded forms characterized Romantic music. The once Classical tradition became heavily influenced by emotional elements, reduced formalism, and the implementation of often non-musical