What Does Al Fuzai Use Pathos In The Criminal Use Of The Veil

Pathos is a Greek word that means suffering or experience. Pathos is a word that brings pity or sadness that represents an appeal to the audience's emotions.

Pathos appeals to the reader’s emotions by using emotional stories and imagery. Pathos strategies are often used to grab and hold the reader’s attention. Emotional or personal stories give the reader an opportunity to emotionally relate to the story, and allows them to be emotionally connected. An emotionally connected reader is more interested in the story that a reader who is not emotionally connected.

Pathos: emotion/value, a way of convincing an audience of an argument by an emotional response

In the exposition we meet our protagonist who is a young women of Islam who wears the traditional veil that muslim women are advised to wear under the law of the Quran were it says, “And tell the believing women to reduce some of their vision and guard their private parts and not expose their adornment except that which necessarily

One of these incidents occurs when Marjane is in art school. When the students were told that they needed to wear longer headscarves, Satrapi immediately responded that “as a student of art…I need to move freely to be able to draw.” She further questions “why is it that I, as a woman, am expected to feel nothing when watching these men with their clothes sculpted on but they, as men, can get excited by two-inches less of my head scarf?” here Marjane questions the restrictiveness of the veil and comments on the injustice in Muslim society and the gender inequality. The veil represent the repressions and the gender injustices in Iran. By revolting against the veil Marjane is able to protest the repressions. On hearing Marjanes complaint, the school administrators asked Satrapi to design her own veil. Marjane accepts this offer while still in the confines of the veil. Marjane designs the veil to suit the needs of the students and

One of the most controversial topics concerning Muslim women’s rights is the idea of the veil. It is believed by some Muslims that the veil is an Islamic obligation that all Muslim women must adhere to. But nowadays, the veil can have different meanings that are not necessarily religious. In her article “Reinventing the Veil,” Leila Ahmed addresses some of the different meanings that the veil can have. Marjane Satrapi explores one of those meanings in her animated autobiography Persepolis (2008). In Persepolis, Marjane tells the story of her rebellion against the Iranian Islamist regime that takes over Iran, oppresses women, and forces them to wear the veil. What was interesting to me was seeing Marjane wear the veil without being oppressed, although she does not believe in it, and is being forced to wear it. In Persepolis, Marjane Satrapi escapes being a subject to the Iranian Islamist ideology by establishing her individual identity through transforming the veil from a means of oppression into a means of feminist rebellion.

ii. Topic Sentence – Pathos is referred to as the literature’s emotional appeal to the audience’s senses or imagination.

Pathos consists in arousing the emotions of the listeners and directing those emotions in an action that should be taken. In order to use pathos in my speech, I could reference personal experiences. For example if I were having a conversation with someone who just lost a family member, I could make a connection with them by telling them about a similar loss in my

Great analyze of the article. "Veil of Ignorance” was one of the articles I read this week and I found this article to be very interesting. I agree that this article discuss our current situation in society. In his article, Ahmed Leila pointed out that there has been a decrease of veiling in Muslim women across the world. He claimed that in sometimes to come to the veil is likely to be dismissed amongst women in the society (Ahmed, 2011). This is accompanied by a change in women responsibilities in a society.

In the article “Do Muslim Women Need Saving,” by Lila Abu-Lughod an anthropologist, who has expounded on Middle Easterner women for many years. She questions whether Muslim women do actually need saving. One of the focuses is on the obligatory wearing of a covering of veil called burqa. Abu-Lughod discusses many groups that state that the Muslim women do need saving from the persecution that propels them to wear the burqa. She additionally proclaims that anthropologists, among others, ought not to be excessively culturally relativistic with the exception of that they ought to comprehend and regard cultural inequalities. Abu-Lughod has attempted to accommodate the public image of women exploited by Islam with the complex women she has known

Veiling is an extremely debated and controversial topic all over the world. From what has been revealed, it can be presumed that a substantial difference of veiling across the board, is enforcement. From Veiled Sentiments to Young and Defiant in Tehran, the differences in ideas regarding veiling are noticeably contrasting. The three anthropology texts involved, include further inside information and feelings regarding veiling.

Even though children are taught from the start to be religious and conservative, the government enforcement of separation of genders and veil requirement causes protesting and riots with more liberal thinking women (5). Marji is threatened by women who want her to wear a more conservative veil, and women turned against each other call each other demeaning names. This rift between fundamentalist and forward thinking created by the government’s extreme behavior also causes citizens to arrest, mistreat, and massacre each

Abstract : This paper aims to study the issue of the veil as a symbol of oppression or epitome of feminine modesty with reference to ‘Purdah And Other Poems’ written by a renowned female poet Imtiaz Dharker. Born in Lahore, she writes about women’s issues, communal conflicts, gender politics, and cultural displacement of people. She tries to show how the veil in a conservative Islamic society strictly imposed by patriarchy subjugates a woman in the name of security and she regards it as a symbol of enchainment but an attempt is made to show what in reality purdah is ? A distinction is made between what is told in Islam regarding purdah and how

First, Marji’s mother is presented to the audience as a revolutionary as she participated in political protests and “her photo was published in all the European newsletters” (Satrapi 15). Although Marji describes her mother’s actions in a proud register, her mother is scared of her individuality as women are encouraged to follow specific norms, and in consequence, result looking and acting similarly. This idea, in analysis, can be interpreted as an influence to Marji’s developing identity and her interaction with the world. Satrapi deploys visual rhetoric to convey meaning from her black and white images of the women population, most significantly, when wearing the veil. For example, Marji illustrates the veiled women in black to have similar properties as they are covered and only their faces are apparent, in contrast to the protesting women in white that have different hair lengths suggesting different identities (Satrapi 5). It can be analyzed that Satrapi’s use of graphic weight in contrast between the black veil and the white revolutionaries not only conveys Marji’s internal conflict, but also demonstrates her mother’s influence in Marji’s opinion on women; “the fundamentalist woman” versus “the modern woman” (Satrapi

With this we come to our subtopic for the research that is Behind the Veil: Inner Meanings of Women’s Islamic Dress Code.