What Does Antonio's Dream Symbolize In Bless Me Ultima

In the novel, Bless me Ultima by Rudolfo Anaya, a little boy named Antonio struggles with knowing what he wants . He’s protected and guided by a wise elder lady whose name is Ultima. But Antonio is the only person that can make a decision about who he wants to become. The book “Bless me Ultima”, Anaya uses strong connotation and symbolism to describe the dark and terrifying revelation in Antonio's dream about his internal beliefs being completely shattered in his mind.

Antonio automatically has a connection with Ultima in the book as soon as they meet. He gives her respect from the dream he had before they even meet, he see’s Ultima pull him out of his mother's womb and knows she’s a special person. A quote from the book says “Ultima says a man’s destiny must unfold itself like a flower.” She told this to Antonio and it shows that she respects him and is giving him good advice and knowledge about becoming older. Ultima cares about Antonio’s destiny and is guiding him towards the right

Throughout Rudolfo Anaya’s book, “Bless Me Ultima”, the main character Antonio has several vivid, detailed and sometimes graphic dreams. In one of these dreams (on pages 243-244), Antonio bears witness to blood, violence, and death. In this dream, Anaya uses imagery, symbolism, similes, and specific diction to indicate that Antonio is losing faith in his religion and god. Notes: Need to adjust the words used towards the end.

Furthermore, his dreams influence his belief of religion. In one of his dreams it shows God as unforgiving and punishing. God tells Antonio that “vengeance is mine” (173). Towards the end of the dream, the Golden Carp appears as “ such beautiful brilliance that he became a new sun in the heavens” (176). The Golden Carp seems much more positive than the Catholic God because of how the different God was described as in his dream. Antonio believes more of the Golden Carp rather than God because God punished people while the Golden Carp “swallows everything good and evil…and…becomes…a new sun to shine its good light upon the earth” (176). In the first dream, it mentions of another power, describing it as the presence of the river. Antonio asks to save his brothers but “…sparks flew when [he] spoke. It is the presence of the river” (26). This foretells that there is another great

This sets up the initial conflict for Antonio, he wants to believe in his mother's God, but at the same time he finds conviction and truth in what Samuel is telling him about the golden carp god. Furthermore, while Antonio is supposed to be praying to God he says, "There wasn't time to discover Him, like I could do when I sat on the creek bank and watched the golden carp swim in the sun-filtered waters" (233). I think this shows that Antonio feels a deeper connection to nature and the golden carp than he does to God and traditional values. He is more like Ultima, than like either one of his parents. The golden carp offer Antonio a way of thinking that is free and unstructured, unlike that of Catholicism.

Bright white light of the New Mexico sun bathes and protects the small town of Guadalupe. Like his parents and older brothers before him, young Antonio struggles to find his true inner self as his parents push two family names on him. In Anaya Rudolfo’s novel Bless Me, Ultima, Antonio is ultimately a mixture between a Marez and a Luna, as seen through the juxtaposition between the symbols of the moon and the sea, as well as God and the Golden Carp.

To find one's identity can be a struggle for many; however author Rudolfo Anaya takes on that struggle to explain what it means to find yourself in his Mexican-American literature, Bless Me, Ultima. Rudolfo Anaya uses the theme of Identity and enlightenment and many other themes through the young protagonist Antonio Marez. Anaya is able to illustrate the journey and hardships of finding out who you are through the eyes of a child. Using the personal development of character and plot, he is able to build connection with the reader and story of the main character's coming of age. The novel is also based on the Anaya's actual childhood. At the same time, the novel shows many elements of fantasy and magic, with the myth of the Golden Carp, the

A clear theme in Bless Me, Ultima is Antonio’s struggle to find who he is amidst two sides of himself: the Lunas and the vaqueros. He fears for his future, where he believes he will have to decide between the two parts of himself, and inevitably disappoint one half of the people in his life. He fears what his life will be. He fears the river. This all changes when Ultima arrives. She teaches him to love the presence of the river, and to love his life however it may come. She shows him that the river is the lifeblood of the herbs she uses to heal and save, and that he can use his life to help others as well. But her spirit, in the owl, also shows him that life, and the river, can be very dangerous (Anaya, 14).

In the book “Bless Me Ultima,” by Rodolfo Anaya, the role of duality goes very into depth with its many controversial topics. Some of these topics include the contrast between Catholicism and indigenous mysticism, good witchcraft and evil witchcraft, and men and women. Since Antonio must struggle to find his own identity and place he must battle between his family, beliefs, and self. This can be seen between his parents, who’s frequently conflicting views make it difficult for Antonio to accept either of their belief systems, his struggles between the English and Spanish language, and how evil and good affected his innocence.

An example of magical realism in the story is that of the Golden Carp. While many people would not consider it real, the concept is similar to the idea of god. The Golden Carp is something that Antonio considers magical and fascinating but is reluctant to believe in. At the bottom of page 113 Antonio says, “The Golden Carp came. Cico pointed and I turned to where the stream came out of the dark grotto of overhanging tree branches. At first I thought I must be dreaming.” (Anaya, Page #113). Even though he was enthusiastic to view the Golden Carp, once he saw it he had a hard time accepting its physical existence.

Ultima is an old curandera, which means healer in spanish, who comes to El Puerto to live with the Marez family after she is left alone in the town of Las Pasturas. When she arrives and turns to greet him, Antonio feels awestruck. According to Antonio, he “felt the power of a whirlwind sweep around me (Anaya 12).” A series of events occur throughout the story which makes Antonio overprotective of La Ultima. For instance, when Antonio and Ultima go to his grandfather’s house to cure his uncle, “Some women bowed their heads, other made the sign of the cross (Anaya 104).” Crossing your forehead in front of someone who is helping your family is a sign of disrespect. I feel that if I were Antonio, I would feel very offended because Ultima is my friend and nobody should be disrespected in front of the people you care for the most. As Antonio grows, he finds himself questioning his religion and comes to accept that everything is not what it seems. For example, Antonio realizes that the people of the town can be very judgemental and will blindly follow anyone because they fear the unknown. Antonio has to deal with is brothers who are led astray by the prostitutes of the town and their unrealistic dreams. After the war ended, his brothers came back, but with different plans for themselves. They leave because they want to be free, but I believe that they chain

Antonio learns about the golden carp from Cico, a friend of his. According to Cico, the golden carp was once a god who loved the people of Antonio's town, Guadalupe. The people were not allowed to fish for the brown carp that lived in the river that flowed around the town. These fish were sacred to the gods. However, because of a drought and no food, the people had to eat the carp to survive. This angered the gods. They wanted to punish all the people by death but "they relented from killing the people. Instead, they turned the people into carp and made them live forever in the waters of the river-". The god who loved the people wished to become a carp like them to protect them from the dangers of the river. The gods agreed and "because he was a god they made him very big and colored him the color gold". Antonio cannot believe there is a new god and seeks answers from Ultima. Ultima is pleased that he has learned so much, but says she cannot tell him what to believe for he must decide for himself. The Golden Carp represents all the questions Tony has about religion and morality. Tony’s confusion is due to conflicting forces in both these aspects of life. When Cico first introduces the Carp to Tony, he is forced to make a tough decision, “Do you believe the Golden Carp is a god?” which he skillfully evades until he has the information he wants to make his decision. After the emergence of the Carp, Tony begins to question his

Bless Me, Ultima is a Chicano novel written by Rudolfo Anaya in 1972, which includes a magical realism plot. Chicano literature is especially significant in this novel because it helps create a cultural identity for the main character and his community. The novel talks about a petite boy named Antonio; throughout the book Antonio makes his best efforts to try and find the path to which he belongs, he wants to find answers about who he is and wants to learn a lot more about his religion which included getting his questions answered about god. The novel talks about the importance in Chicano literature and what impacts it has on the characters. Although Bless Me, Ultima focuses on Chicano literature and the magical

Ultima teaches Antonio of this magical strength as she tries to help him understand the murder of Narciso. The townspeople do not seek justice because Narciso had been the town drunk and his life seemed worthless, “Because Narciso was the town drunk, nobody cared much”. Ultima explains that Narciso had died trying to help a friend and that was honorable. Once Narciso had been a respectable young man but hard times had fallen upon him after the death of his young wife. Narciso had turned to alcohol to ease the pain but had remained forever indebted to Ultima for trying to save his wife. Ultima uses the death of Narciso to teach Antonio the ways of his ancestors. She explains, “The old people…always helped each other; through good or bad they stuck together, and the friendships that were formed in that desolate llano were bonds for life”. It was through Ultima that Antonio discovers life is not what is always seems. Narciso had died trying to warn Ultima but few remembered anything good about him. Narciso had an inner goodness that had been hidden by his use of alcohol. Ultima taught Antonio to see the magic in Narciso, just as she had thought him to see the magic in the river and all that surrounded it.

Marez. Antonio or “Tony” is a young child who is six years old. Antonio currently lives in New