What Does The Nobleman Mean

As the English Nonconformist minister, Matthew Henry, once said, “Eve was not taken out of Adam's head to top him, neither out of his feet to be trampled on by him, but out of his side to be equal with him, under his arm to be protected by him, and near his heart to be loved by him.” Henry portrays a presence of equality between male and female in which Their Eyes Were Watching God does not possess. Furthermore, life isn’t intended to always be fair, and the novel validates that to say the least, yet we see people such as Matthew Henry who recognize the importance of gender equality. In this novel however, women are portrayed as inferior in comparison to men. Their Eyes Were Watching God provides a

According to Perry’s Scheme, Joan moved through the following positions while developing her way of making choices more intellectually, critically, and morally.

During the course of Joan’s childhood life, she is forced to deal with just about everything in terms of hardships-

The book pointed out that Joan was what many would consider special because she believed that she had seen and heard saints. She believed that St. Michael was her first spiritual experience, but her revelations continued to become more vivid and frequent, as her life continued. She was convinced they came from God. People either thought she was special because she heard voices from god or because they thought she was mentally ill. Joan had realized that her voices were telling her that she was chosen by God to rescue Dauphin Charles and the country of France. Joan was directed to a town called Vaucouleurs to get help from the governor and prepare to rescue Orleans and the Dauphin.

The Oxford dictionary’s meaning of noble is, “belonging to a hereditary class with high social or political status; aristocratic.” This definition fits the description of noblemen in medieval society from 1000-1300 C.E. Nobles were one of the many traditional medieval social groups (Kagan, Ozment, and Turner, 202). There were quite a few words that described the life of a nobleman: knights, warriors, sportsmen, courtly love, and wealth.

Another instance in which the author represents the shift in women’s expectations is when Jane comforts Helen after she is unjustly punished by Miss Scatcherd for innocent behaviors, such as resting her head and scratching her chin. Jane suggests to Helen that she not stand for such unfair treatment, stating, “I feel this, Helen. I must dislike those who, whatever I do to please them, persist in disliking me; I must resist those who punish me unjustly” (58), to which Helen responds, “Read the New Testament, and observe what Christ says… Love your enemies; bless them that curse you; do good to them that hate you and despitefully use you” (58). In this conversation, the author incorporates two distinct responses which reflect the differing realworld

When Joan’s dad finally moves out, the house is at peace and Joan probably wouldn’t have been able to cope with all of it if she hadn’t moved, met Fox, started writing and asking questions. Joan used writing as a coping method, making fictional universes and using her

Women in history have long been oppressed, with their maltreatment ranging from the denial of basic human rights to more subtle maltreatment such as the subjugation to gender roles. The wife “wanted to know, and be of the fighting host”, mirroring the desire of women in history to break free of the chains of society (p. 3). In like manner, the hyperbolic description of the vicar reveals how vital it is to women to be able to be free. Though he is not as physically strong, he is emotionally and intellectually superior to any man. He “moved in worlds beyond where her own menfolk existed” and the wife desperately wanted to know why (p. 3). She decided it was not anything on the physical realm that would satisfy her- it was transcendence. This self-realization would free women and allow them to raise above the men that have pushed them to be below them in society.

From Joan’s character, first “I” letter, in beginning movie, Mr. Clark introduces myself and feeling like dominant. Joan’s seem dislike him but don’t action anything that denote she think first and

Griselda will “submit to the masculine dominance of the Church and patriarchal system of belief” (Gomes, 71). Gomes evidently notes how Griselda does not sway from her expected role in society. Griselda represents isolated women in the fourteenth century. “The Clerk’s Tale” demonstrates how women do not challenge even the most ridiculous notions requested by men. Griselda obediently follows the requests of Walter.

At the beginning of the book the author appears to try and stick to the true story as much as possible by depicting Joan’s Part of Joan’s early childhood, of which there was no real record. While at the same time, telling the story through

If I had a dollar for every time I heard God referred to as “he” or “him,” my college tuition might be paid for. I’m guilty of this myself, in moments, though more conscious of it now. No argument can be made against it, the church is traditionally patriarchal, and dangerously so. In fact, Rosemary Radford Ruether claims in her book Sexism and God Talk, “Male monotheism has been so taken for granted in Judeo-Christian culture that the peculiarity of imaging God solely through one gender has not been recognized” (53). We can easily address where some of these issues that arise from this might lie- the lack of inclusion in practice, specifically in the Catholic Church with their opposition to the ordination of women modeled after this God, the lack of a sense of afterlife that is attainable by women, and a lack of accessibility to other figures and symbols in the church. More than that, we can point to the issues of their being directly related to sin, as well as the shunning and lack of acknowledgement that spills into shaming of their bodies. Often, however, we ignore the results of these issues. As a direct result of the damage done by patriarchal traditions and patriarchal views of God, women are ill equipped to deal with difficult aspects of their lives. In order to adequately address issues of sadness, suffering, trauma, and other theodical roots, everyone, and women in particular, must be shown a reimagined view of God.

To enable us understand the aristocrat women, it is necessary at this point to consider the way in which they were raised. Mademoiselle de Chartres continues to serve as our model here. As a young girl, she is educated in the use of her wit and beauty, and to be subservient to her future husband. Her mother teaches her that, “…the only thing which constitutes a woman’s happiness is to love and to be loved by her husband” (Lafayette 9). From an early age, she is being mold into the perfect aristocrat woman; able to use her charm and cunning to control men, while securing a husband that would benefit herself and her family. The ultimate goal achievable to her was marriage. While this marriage would give her the happiness her mother envisions,

Jane’s life strays from standard social expectations of her time, daring her to be different, to make choices based on what she wants, and not what is expected from her. Women are not given the freedom men have, though Jane refuses to fall under anything that hinders her strive for being her own person. For

Matthew Lewis’ The Monk differs from Ann Radcliffe’s The Italian in its portrayal of women. Since both The Monk and The Italian feature prominent female religious leaders, comparing the different ways The Monk and The Italian portray this specific group of women sheds light on each author’s attitude toward female agency. The latter refers to the ability to exercise control in pursuing individual goals. Both The Monk and The Italian depict tyrannical head nuns abusing their agency. However, the horrific descriptions and exclusive focus on diabolical nuns in The Monk exudes a pessimistic attitude towards female agency as invariably leading to catastrophes. By contrast, The Italian reveals a more optimistic attitude towards female agency through its more subtle depiction of the cruel nuns and its acknowledgement of benevolent nuns, proposing that female agency can be channeled to good causes.