What Does To His Coy Mistress Mean

Within To His Coy Mistress we see the manipulation in which the speaker uses for his own benefit through the personification of time, ‘Had we but World enough and Time’ expressing, through the personification of ‘Time’, how he would love the potential lover and wouldn’t mind her initial rejection if time was an endless matter. This attempt of flattery, seen

The poet’s tone changes as we move throughout the poem. The poem starts out with the poet declaring that his love for his mistress is limitless and will stand the test of time. “My vegetable love should grow / Vaster than empires and more slow.” Suddenly, the poet’s tone seems to takes on a sense of urgency. He contradicts his previous beliefs about time, as he now believes time is running out and will prohibit him from loving his mistress forever or ever loving her at all. “Times winged chariot hurrying near; / And yonder all before us lie / Deserts of vast eternity.” He now sees time as a looming death that will prohibit him from loving his mistress indefinitely. Considering that time is of the essence, the author’s attitude suggest

In section two the man is expressing that human life is to short and that no one can embrace and love in the grave. The second section is known as the antithesis and that is the reaction to his original ideas. The first word in the second section is ‘but’ which is a Volta and that means there’s a change in what the man is talking about. The tone gets darker and bleaker because he starts to use imagery of death which is a consequence of not acting on his impulses and his desires. Personification is used when the man says he always hears time’s winged chariot hurrying near which a personification of life is closing in on time. Hurrying is also is a verb. The man says ‘Deserts’ which is insinuating that his sex life is

To his Coy Mistress, I would say they are all tragic poems as The Lady

The speaker in Andrew Marvell's 'To His Coy Mistress'; is a man who is addressing a silent listener, who happens to be his mistress. In this dramatic monologue the speaker tries to explain his feelings to his mistress. The speaker uses many allusions to empires and other objects, events and ideas that are not directly related to his feelings, in order to explain how he feels. He uses these allusions to exaggerate his feelings in order to clearly show them. After reading over the poem once, you get a sense of what the speaker is feeling. Upon further analysis of the poem you realize that the allusions used in the poem, are in fact, what makes this poem so interesting.

The man aims not only to smooth talk but also to impress her. To confront the concept of time, he uses biblical references to mark the permanent nature of reality. By using a story out of the Old Testament the image of the great flood that purged the earth as a start point and then used the image that Armageddon will ultimately occur at the conversion of the Jews as an end point, the man tries to show the vastness of predicted human existence. At the same time however he subtly hints toward the second more nihilistic section of the poem. This imagery it is interesting in two respects; first it suggests that physical human life has been ended by God and will be ended by him again. Thus, providing a backdrop for the speaker's argument that in reality life is temperamental and therefore procreation should not be delayed at the expense of morality. The image is interesting in a second way as it may be

Herrick’s poem is a warning to young, beautiful, unmarried women to make the most of their time and marry young. He does not address it to any particular woman, other than young virgins. He uses to metaphor to compare the women's youthful beauty to flowers that will begin to die as they age. Meanwhile, Marvell's poem is a bit more personal. It's actually a seduction poem and the narrator is speaking directly to his coy (shy) mistress. He is basically

In both poems there is the recurrent theme of irony. In “To His Coy Mistress” the poem’s entire first section is ironic in the sense that the speaker knows he isn’t being genuine. The speaker uses words to his advantage and we can take little of what he says to be truthful. In Line 1, “Had we but world enough, and time”. The first section of the poem is a series of hyperbolic statements meant to impress and flatter the reader but the

He goes on to suggest that, when she has killed the flea that holds blood, which in this case is considered as ?life?, from both him and her, that the blood lost had not weakened them (?Find?st not thyself, nor me the weaker now?) and she had not lost any honour. Therefore, with these points considered, the blood she would lose to him would not make her weaker and she would not lose any honour, ?Just so much honour, when thou yield?st to me/ Will waste, as this flea?s death took life from thee?. To some extent, both poets express a way in which they will consummate or have consummated their mistress. Marvell suggests that they should ?roll all their strength and all/ Their sweetness into one ball? and ?tear? their pleasures ?with rough strife/ Through the iron gates of life.? Whereas Marvell explains the consummation as aggressive, sensual and romantic, Donne uses the flea, a very insignificant, unromantic creature, to imply sexual intercourse, ?and in this flee, our two bloods mingled be.?

The title "To His Coy Mistress" implies a certain falseness as the word coy is almost an insincere form of modest, it indicates that this mistress were indeed not coy rather falsely coy in order to gain assurance of his feelings towards her for her own validation. The first line "Had we but world enough, and time, This coyness lady were no crime." introduces the theme of time and lack of a crucial theme in the poem, the lover also accuses this coyness of being criminal by saying "HAD we but world enough and time, this coyness lady were no crime" implying that they do not have time therefore this coyness is a crime, this is clever use of irony which is also a constant theme throughout the poem. Marvell also uses soft alliteration such as "long loves" to lull the reader into believing his intentions honourable, he uses flattery all throughout the first section of the poem though he changes his tactics throughout the poem. The lover tries to create the image of himself as a committed patient lover with promises of waiting for her if she should travel to the "Indian Ganges" without complaint and

Even though both of the Cavalier poems were about having sex, Marvell’s poem was more of a romance poem than Herrick’s poem. Marvell wrote, “Thy beauty shall no more be found, / Nor , in thy marble vault, shall sound/ My echoing says” (Marvell, ln. 25-27). Marvell was saying that beauty will no longer be there one day. Herrick said, “For having lost but once your prime,/ You may forever tarry” (Herrick, ln. 15-16). Herrick was saying that your youth will not always be there so best use it to their advantage.

The speaker in this poem seems frustrated; he delicately tries to inform his coy mistress that their death is near, and they still have not had sexual intercourse. In lines 17-33 the poem seems to lose the exaggeration sense and suddenly becomes serious. He (the speaker) reinsures his coy mistress that ³you deserve this state?(state of praise and high acknowledgment), ³But at my back I always hear, Time¹s winged chariot hurrying near? Andrew Marvell uses and interesting image in line 22 (the line mentioned above) when suggesting to his coy mistress that death is near. He substitutes the word ³death?for a more gentle, delicate term of ³Time¹s winged chariot? This term was probably used to prevent from frightening such a coy mistress. Marvell continues to involve the reader¹s imagination through unimaginable images. What do ³Deserts of vast eternity?look like? In fact, Marvell probably used such abstract images to suggest to his coy mistress that their future is indeterminable, and ³Thy beauty shall no more be found? Perhaps, beauty is what the coy mistress is so concerned with and the speaker in this case is trying to frighten her to have sex with him quicker. He continues to use intense imagery when describing to his coy mistress that even after death the ³worms shall try That long preserved virginity? The speaker now abstractly describes that holding on to your virginity for

happens to one of them or if one of them dies. He says he wants them

‘To His Coy Mistress’ Is a love poem by Andrew Marvel. The poem is ‘carpe diem’ which translates to seize the day, this means the poem does not take its time its blunt and straight to the point. The poem contains a thesis, antithesis and synthesis, the main argument points of the poem. The poem is split into three stanza’s which are used to persuade the woman to give up her virginity before her beauty dies. It is a conventional poem for its time in the 17th century.

On the same place where he is, he wrote the poem “To his Coy Mistress”. This poem focuses on the attitude of a man in seducing a woman. The man in the poem use metaphorical words to make his lover tempted to him. Marvell sees himself in the male character. That