What If Shakespeare Had Sister

Woolf speaks of the “religious importance” (p. 51) of chastity in women’s lives in the excerpt from A Room of One’s Own. She cites the work of Charlotte Brontë, Jane Austen, and George Eliot as evidence that women themselves have accepted the convention of anonymity for women and sought to “veil themselves” (p. 52) when writing, and that the act of writing produces “inner strife” (p. 52). This is also in the character of ophelia when Polonius, too, speaks of how the rules of chastity are different for men than for women: “For Lord Hamlet, / Believe so much in him that he is young, / And with a larger tether may he walk / Than may be given you” (Act 1.3, lines 132–135), in other words, Hamlet by his birth as a prince and a man has a longer “tether” (line 134) or rope to roam in the world of love; whereas Ophelia’s rope of societal norms is short; she cannot move beyond the rules of chastity for women. This further shows the similarities between woolf’s text and the character of ophelia and how the relationship between the two have great central ideas.

In a critical essay, Judith

Woolf starts of by mentioning “Society concerned with the employment of women” (1). Woolf uses anaphora in the beginning of her speech. Using the phrase “it is true” (1) to emphasize that she is a women that is employed. In the time period Woolf wrote this speech was during the 1930’s, which is mostly associated with the Women’s Suffrage movement. This meant that women back were expected by society to fit into a specific role. Woolf’s self-employment as a writer did not fit into the role of women of the 1930’s. Woolf makes an understatement mentioning that “It is true I am a woman” (1). This understatement was made in order for the reader to comprehend the significance of Woolf being a female during the era of the 1930’s. Woolf not only includes herself to be a recognized female writer but enumerates names of recognized writers such as Fanny Burney to Jane Austen. Stating that these exclusive writes are responsible for “cutting the rode” (1) for the future female authors. To make her point valid, Woolf implements imagery of how her “scratching of a pen” (1) does not negatively impact the “family peace” nor the “family purse” (1). In addition with the specific phrase “the cheapness of writing paper is, of course, the reason women have succeeded as writers before they succeeded in other professions” (1). This specific phrase adds a sense of irony of how something considered cheap can prosper with a work of a woman.

  In eighteenth century novels, a common means of discussing the role of women in society is through the characterization of two good sisters. The heroine of such a novel is a pure, kind young woman who also has a streak of spunkiness. Her sister may be more good and kind, but she is more submissive and reserved. I would like to look at these sisters (and their mothers) in Ann Radcliffe’s A Sicilian Romance , and The Castle of Otranto by Horace Walpole.

Woolf demonstrates how women writers have often failed in this because of our frustration and bitterness with a world that presented to us and our writing not welcome, or even indifference, but hostility (41). She makes it clear that if there is ever going to be a “Shakespeare’s sister,” we must---at least while we are writing---swallow that sense of having been wronged, for it stands as an impediment to our creativity. This is the mental freedom that women writers must attain.

Virginia Woolf saw it the same way; in how women of a time before the eighteenth century had little to no history of prominent women as literary artists or in general. In her essay, Woolf states that there is very little mention in history of women, and if mentioned they usually happen to be a royal lady such as an Elizabeth or Mary. A middle-class woman could never participate in such a movement of acknowledgment, even if she had brains and character to dispense. No average Elizabethan woman ever just wrote her story, regardless of the circumstance of the era, because she would have been “snubbed, slapped, lectured, and exhorted”(Jacobus 702). It was proven that there are just few exceptions in evidence, such as women’s letters (Jacobus 695-696).

Throughout history, female artists have not been strangers to harsh criticism regarding their artistic works. Some female artists are fortunate to even receive such criticism; many have not achieved success in sharing their works with the world. In Virgina Woolf’s third chapter of her essay “A Room of One’s Own,” Woolf addresses the plight of the woman writer, specifically during the Elizabethan time period of England. Woolf helps the reader appreciate her view on how stifling and difficult this time period was for women and how what little creativity emerged would have been distorted in some way. Through a number of claims, examples and other literary techniques, Woolf is able to

Anne Bradstreet, a well-educated woman, strong in her Puritan beliefs, captured her thoughts by writing poetry, which included works such as “Contemplations” which was preceded by “The Prologue”. Written in the mid 1600’s as the colonies were beginning to form, Bradstreet’s poem included themes of religion, nature, and family. Although she claims to have written them without the intent of publication, a collection of her poetry was printed in 1650. She identifies her struggles with faith, yet writes from the view of a faithful woman who recognizes the superior role of men in her society. Although appearing to be modest and undermining her talents, it seems evident that Bradstreet was, in reality, confident that as a well educated women she was capable of writing just as well as a man. Although it is claimed that Anne Bradstreet did not intend for her writing to be published, her poetry utilizes a feminist tone and theme of higher education conveying her hidden desires to prove herself as a female author.

  . for it was she who earned them the right to speak their minds." (Woolf 91)

Virginia Woolf is a married woman who had public affairs with women and who shares a chaste kiss with her sister during her narrative. Woolf is also the author of Mrs. Dalloway, a novel that centers on Clarissa Dalloway, a woman who feels the same way "as men feel" (Woolf 36) about women, yet marries a man as society dictates.

“Thinking about Shakespeare’s sister,” resonated how women were treated and how their opportunities differ from that of a man. Virginia Woolf tries to boil down the main cause of why there are not any great women authors. Is it because women do not have the ability to be or raw talent great writers? Woolf’s essay examines the life of William Shakespeare’s sister to answer this question: What kind of life would have Judith lead? Judith is a fictional character created from Virginia Woolf’s imagination.

“For most of history, Anonymous was a woman,” Virginia Woolf once boldly stated. Though she was from a privileged background and was well educated, Woolf still felt she was faced with the oppression that women have been treated with for as far as history goes back. Her education allowed her to explore the works of the most celebrated authors, but one who she had a long and complicated relationship with was the Bard of Avon himself, William Shakespeare. As one of the most highly regarded and well studied authors of all time, Shakespeare has been elevated from mere playwright to a pillar of the British Empire, instrumental to the institutions that boasted British superiority. It is evident throughout Woolf’s writing that Shakespeare’s works were highly influential. Her novels frequently allude to his plays, most notably Orlando, Mrs. Dalloway, and also in her famous essay, A Room of One’s Own. Though Woolf admires Shakespeare’s androgyny (specifically in A Room of One’s Own), she also makes the case that his treatment of female characters does not allow for the women to be three-dimensional, therefore leaving them flat and lacking in depth. Even though for the most part Woolf’s assertion is correct, there are several examples in Shakespeare’s plays that suggest otherwise, namely in the play Othello. Additionally, in a similar vain, one could explore Shakespeare’s treatment of other minority groups in his works, such as Jews and anyone who is not English. Though it is easy to

While Woolf makes very good points throughout her essay based many interesting points, one cannot help

From Enheduanna to Jane Austen to Charlotte Bronte to J.K. Rowling. Woman have proved over and over again that the role of author and/or writer can suit females just as much as any man. Mansfield encouraged women to write and used herself as an example with her own writing to try to attract more female authors. Often, women are pictures as just people who birth babies, cook, clean, shopped and stayed around as house wives. Sometimes, they did not have a wide span of education. Even in the early 1900’s women didn’t often go to college, it wasn’t until the 1980’s that women began to attend college in equal numbers to men. Poet laureate Robert Southey said “Literature cannot be the business of a women’s life.” One of the key assumptions that Mansfield and other women modernists faced was the habit of presenting narrative fiction through male eyes and according to male values. Mansfield herself strived for everyone (not limited to just women) to do whatever they wanted. She encouraged people to break rules and branch out.

For centuries women have been forced into a role which denied them equal opportunities. Virginia Woolf expresses her frustration on why women were denied privacy in her novel, A Room of One’s Own. Woolf compares the traditional lifestyle tailored made for the opposite sex and the sacrifices that came with it. Women are limited intellectually as to not interfere with their domesticated duties. Even having the same desires for activities and education as men, a women’s place was not allowed in the man’s world.