What Is Artistic Creativity?

In today’s society, we are constantly being bombarded with visual art forms. Whether they be classical paintings from the Renaissance, a towering and modern skyscraper, or even a cheesy 90’s R&B music video, they all have one thing in common. According to Carolyn Dean’s definition, these would all fall under the category of “art by intention.” In her essay “The Trouble with (The Term) Art” she advocates a distinction between art by intention and what she deems “art by appropriation.” The difference is that one work was created with the intention of being consumed for visual pleasure, while the other was not. However having been educated in the Western school of thought, many art historians cannot help but project their rigid definition of art onto civilizations that may have

While art does have its advantages, it will not solve everyone’s problems. It is true that not everyone enjoys the thrill of creating a beautiful masterpiece because they might have been forced to take that class. However, those who love these classes show that there is a relationship between creativity and

When we look at carefully at any work of art we notice that it shows an expression of creativity, intelligence and originality. In reality, creativity is the fruit of a sort of communication between our thought and our heart. Then the shape appears in our mind and we start producing the object.

Marcel Duchamp’s Fountain People often ask what constitutes good art. Who decides whether or not a piece is art and whether it is good art or not? Marcel Duchamp challenged popular notions of his day about what art actually is. Duchamp, a French artist living in New York at the turn of the century, believed that it was up to the artist to determine what art is. Duchamp is most famous for a type of sculpture he created called “readymades”1. Readymades are ordinary functional household objects that have either been joined to other objects, or chosen to stand alone as sculpture. Examples of his readymades include a coat hanger nailed to the floor of his studio, a hat

If the image is no longer unique and exclusive, the art object, the thing, must be made mysteriously so,” (Berger 44). Therefore, the final step in the exploitation of power is mystification of its origins. Over time a concept will build its image and solidify its strength through results, showing the public its value until it becomes integrated and thus, hidden within society. There are several examples of power that has become formally accepted or internalized by the public and it is difficult to see how they exploit power because their origins are mystified. For the concept of originality in art, we can see how its status may have risen because of the definition we give to “originality” rules that have commercial purposes or vice versa. Some examples include companies that have copyright issues to protect names and identities that belong to them, or schools that incorporate rules about plagiarism. The idea of originality has already become internalized within our society that assigning a market meaning with it, just seems natural. If our judicial system has already incorporated ideas of “originality”, then not many people will see any problems with it. However, it is important to look at the origins and realize how a power came to be to prevent it from being exploited. Another covert concept integrated within society

Throughout human history people used to capture the reality of their time, express their feelings and share their impressions by copying both literally or figurative the mundane. The so-called artists have had different impacts in society all along the centuries. Only a few are currently taught in school, although the reverberation of their work is still impregnated in XXI Century. Nowadays, the term ‘artist’ can be used in reference of painters, sculptors, writers, singers, choreographers and other professions whose production are considered valuable culturally speaking. One of the main problems is that their work produce such a magnificent impact on the audience the artist is set aside and usually forgotten as a person, so they feel their rights to be violated.

Since the beginning of art, typical mediums have consisted of oil paints, marble, pastels, and charcoals. As time has progressed, and aesthetics have changed, so has the extensive list of mediums found in art. One medium in particular, known as the use of “found objects” has become increasingly more popular since the days of the Renaissance. Found object art can be as straightforward as Marcel Duchamp’s “Fountain,” which is a urinal fountain that is simply orientated sideways and signed; this, bordering the line between art and an object from everyday life, brings forth many questions and lots of public controversy. Art has always caused this same controversy, but one main argument frequently surrounding found objects is the extent unto which the piece must be abstracted or reincorporated in order to be considered “art.”

When you hear the word urinal what comes to mind? A dirty, smelly men’s bathroom with shiny porcelain contraption on the wall? What if I told you a urinal was art, and a replica is on display at The Philadelphia Museum of Art(). You see, Marcel Duchamp used a urinal to create his artwork "Fountain", which is simply a urinal with the words "R. Mutt 1917" inscribed on it in. Duchamp was part of a movement called Dada which questioned all the contemporary structures and rules of art (). What is art and how is Duchamp's "Fountain" any less art than da Vinci's "Mona Lisa"? To appreciate art, it is important to explain concepts of artistic form, content and participation.

Marcel Duchamp’s, ‘Fountain’ {1917}, is a readymade installation which undermines the conventional practices of art making and display, challenging notions and rejecting the classical aesthetic. Marcel Duchamp {1887-1968}, was a French artist who broke down the boundaries between works of art and everyday objects. His mockery for conventional aesthetic standards led him to devise his famous ready-mades, proclaiming an artistic revolution. The term “ready-made” came to label mass- produced everyday objects taken out of their usual context and then becomes a work of art through the choice or assistance of the artist. ‘Fountain’, is the most infamous example of Duchamp’s ready-mades and was widely seen as an icon of twentieth-century art. The

To start with, it seems important for me to define the concept “artistic genius”, which sheds the light upon the mission any craftsman is going to manage. As far as I understood, the genius is the natural talent or the outstanding skill, which allows the individual to perceive the objects and phenomena of the everyday reality in the unconventional way. At the same time, the word “artistic” implies the connection to any form of art: drawing, painting, sculpture and so on. All together, the artistic genius is viewed by me as the complex of the intrinsic qualities, which finds its obvious embodiment in the creative work. Therefore, by creating the particular piece of art, the maker is intended to transmit the specific idea to the general public, which presupposes both the instruction and entertainment.

Art is all around us. There are many different forms of art. It can be something created, captured, or it can be already existent. Not a single person is to say what makes something art because there is a different definition for everyone. However, there are a couple factors that come into mind whenever someone decides to declare something as art. In this essay I will be comparing and contrasting four different pieces of art. I will be discussing each art piece’s form, time period of creation, intention or purpose, and value. These four pieces of art are Michelangelo’s Pieta, Fountain by Marcel Duchamp, Mark Rothko’s No.61, and the “Oyster Dress” by Alexander McQueen. These works of art come in all different shapes and sizes but they are valued

Art can have several meanings which complicate this claim. Art can be considered “work that is produced by human creative skill and imagination”. This definition of art does not fit with what the passage is trying to achieve. Therefore it is likely that in this context, the author is referring to “art” as a skill at doing a specified thing, typically one acquired through practice.

In 1915 the concept of “readymade” art was introduced by Marcel Duchamp when he took an ordinary snow shovel and painted the title In advance of the broken arm. He had previously turned a wheel up-side down and attached it to a stool, creating a piece he called Bicycle wheel. This was also considered a “readymade.” A “readymade” by Duchamp is “an ordinary object elevated to the dignity of a work of art by the mere choice of an artist.” Duchamp produced many of these “readymades,” but it his readymade entitled Fountain that we will be discussing here. Duchamp’s Fountain originated from a urinal that he with two other friends purchased from a plumber, took to his studio, and turned it on its backside. He painted the pseudonym “R. Mutt” on

When trying to define art, humankind runs in to many difficulties. Traditional concepts of art include painting, sculpture, drawing, and photography. Art can also be one

Art is the conscious creation of something beautiful or meaningful using skill and imagination, it is the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power: