The first is the stigmatisation of sexual assault victims,. In the documentary we see how Audrie Pott was sexually assaulted, and how pictures of the crime were were circulated on social media. She committed suicide after being harassed, and even blamed for her own assault. Victim-blaming is shockingly common in modern society and its impacts are exacerbated by the capabilities of social media. Within our piece we explore this through a video of Sierra being raped being circulated online, receiving over 100,000 views on Facebook. Comments on the video also depict a culture of character assassination by viewers, ‘look at this slut, she’s probably got an STD’. One audience member reflected on the portrayal of social media within our piece, ‘it was amusing at times and also realistic, especially the victim-blaming comments.’ Overall, we were happy with how the social media scene reflected the realities of stigmatisation, however we also reflected on how to
In reference to the media’s role, they have been highlighted for playing a part in maintaining these views by portraying victims in a certain way according to the newsworthiness of each story
Moral panic is seen as the “shorthand way of describing the complex process by which certain forms of behaviour or certain groups of people are highlighted and presented as a major threat to society” (Bradley & Walters, 2011, p. 76). These behaviours are highlighted by specific types of people including experts, editors, politicians, the police and most importantly, the media (Bradley & Walters, 2011). Moral panics are influencing the way the public views crime, for example, if someone was murdered, it would be in the news and newspapers nationwide. Then the media would typically bring up other homocides from the past and ones that have happened recently but didn’t make the front page news. The media are therefore hindering the absence of the issue and are leading the public to believe that homocides
Walkowitz's investigation of this chapter primarily highlights the influential role of the press in the form of subjectivities and behaviors. She argues about the media coverage of these murders presented a discourse
For the purpose of this essay I will be considering Nils Christie’s (1986) concept of the ‘ideal victim’. In considering this concept, I will discuss what is meant by an ‘ideal victim’ and will also be focusing on the high profile Australian criminal case of Anita Cobby in Blacktown on 2nd of February 1986. Anita Cobby was only 26 years old when she was abducted, brutally raped and murdered by four ‘ideal offenders’. This essay will also consider, the ways in which the media and criminal justice system have constructed Anita Cobby as an ‘ideal victim’.
Dissociative identity disorder (DID) is a severe condition in which two or more distinct identities or personality states are present in, and alternately take control of an individual. People who suffer from DID often have no recollection of what they have done or said while under the influence of the alternate personalities. Friends, family, and the person with the disorder often have a hard time dealing with DID, because of the sporadic nature of the personalities. DID is a serious disorder that affects a person’s long-term and short-term memory, their own identity, and their self-control.
This can be seen in the case of Aileen Wuornos where in which the media delved into her sexual history working as a prostitute, claiming that she had slept with over 250,000 men. By doing so, the media was able to create a deviant persona about Wuornus, which therefore goes against the expected gendered norms of a female of not being sexually promiscuous, deeming her criminal.
The media today, is highly selective in their constructions of offences, offenders and victims. Media representations of crime are moulded and women are portrayed in a way that is entertainment driven and is appealing to the audience. Despite the fact that women seldom stalk, murder outsiders or commit sequential murders- in fact they are rarely vehement, “accounting for only ten percent of convicted violent offenders- those who do so are highly newsworthy because of their novelty” (Jewkes 2011, p. 123) Present day media admits that because fierce women are comparatively uncommon, they are all the more appealing and diabolical to the audience as a result. The essay shall discuss the reason and presentation in the media of female offenders, female victims and women specific crimes.
A serial killer is traditional defined as the separate killings of three or more people by an individual over a certain period of time, usually with breaks between the murders. (Angela Pilson, p. 2, 2011) This definition has been accepted by both the police and academics and therefore provides a useful frame of reference (Kevin Haggerty, p.1, 2009). The paper will seek to provide the readers with an explanation of how serial killers came to be and how they are portrayed in the media.
Holmes ST, Hickey E, Holmes RM. Female Serial Murderesses: Constructing Differentiating Typologies. Journal of Contemporary Criminal Justice. 1991 [accessed 2017 Feb 17];7(4):245–256.
The media plays a massive role in the construction of crime, this includes the reporting of crime, the sensationalisation of stories, over-representation of different social groups and age of offenders. Construction of crime is also through stereotyping both ethnicity and gender. It is sometimes argued that the media is an ideological tool that is used to distort reality from its viewers. Female killers are often considered as ‘oxymoronic’, as they are seen as contradictory. Females are generally seen as caring beings but once they commit violent crimes, they are judged based individual circumstances and it is not taken into consideration that they could just as violent as male offenders in their own right. In this essay, I will be focusing on the gender stereotypes in media, specifically focusing on female killers.
The writer speaks on past experiences where class, gender, race and sexuality have possibly affected the awareness of the news media. Christie (1986: 18) describes an ‘ideal victim’ as someone who looks vulnerable, defenceless, worthy of sympathy and compassion, this would probably be upper class people, elderly women and young children, whereas young men, the homeless and those of lower class suffer from victimization more deeply, they also may find it much more problematic to attain a legitimate victim status even if their case was more severe than others (Carrabine et al, 2004). This shows that the media select stories which involve sensitive and vulnerable people because this is most likely going to intrigue the audience. The issue with
Serial murder, which is defined as “the unlawful killing of two or more victims, by the same offenders, in separate events”(Lubaszka & Shon, 2013, p. 1), is a term that American society has become quite familiar with. At a ripe age, parents begin teaching their children not to talk to strangers in hopes of shielding them from the potential evil our world has to offer, but what if I told you the serial killer may not always be the scary man driving a van and offering candy? Our society, like it does most things, has placed a stigma upon serial killers. Although not all implied labels are untrue, this stigma makes us vulnerable to the hidden deviance lurking behind us, dressed in sheep’s clothing. Over the course of this analysis, I will
Dating back to the 1920’s mass communication mediums of film, television and print have all been means that act as powerful tools of propaganda and thus play an integral role in the lives of individuals. It is for this reason that it is often widely accepted that the media is to be used as a tool, which represents a common public interest. Men and women are represented through forms of media in different ways, which create images depicting stereotypical traits and characteristics. The problem brought fourth by this is concerned with the issue of gender or the ‘discourse’ of gender and how individuals perceive themselves (Gauntlett, 2008) As the media is such a big part of everybody’s lives, there is not doubt that when this powerful function is synthesized with the medium’s capacity to accentuate present day realities on our screens the result tends to elicit a dominant ideology; which in turn presents an argument for major ethical implications in regard to public stigma and subsequent prejudice. This essay shall critically consider gender representation in Sex and the City (HBO, 1998-2004) and the extent to which these characters challenge the patriarchal privilege.