What Is Edna Pontellier's Symbolism In The Awakening By Kate Chopin

Edna reassesses her spirit more and more as the novel proceeds, with her finally reaching the maxim when committing suicide. At the beginning of the novel she is completely

The final reason for Edna’s escape from her troublesome life is the failure of her relationship with Robert. Edna was able to find some form of escape through her desire and hope of being with Robert, but when those plans fell through Edna feels as if she has nothing to look forward to, nothing to live for in life. Robert realizes that he and Edna will never be able to have a true

This is the point in the story where Edna starts listening to her voices inside her gives into her inner desires. She continues to struggle with the fact that she married out of convenience and she has two sons that she really does not want to mother as well as the fact that she loves being an artist. In chapter x, Edna goes to the sea only to realize that all her swimming lesson had finally paid off that summer and she was swimming. Chopin describes this even like a baby finally getting enough confidence to walk and the baby walks realizing its own strength and power. While swimming, she soon gets tired and has quick feeling overcome her of the possibility of drowning but quickly swims back to shore. She has conquered her greatest fear and now feels like a new woman that is no longer afraid of her true feelings. Edna’s affair with Robert continues and he eventually leaves Grand Isle and her and her family returns home.

Deeper into Edna’s alternate personality, she begins to realize how much positive has come from the new Edna. When the Doctor and Edna finally get to meet, the Doctor talks with Edna in hopes of changing her back to the stereotypical wife Mr. Pontellier wants her to be. In the conversation between the two, Edna says, "The years that are gone seem like dreams--if one might go on sleeping and dreaming--but to wake up and find--oh! well! Perhaps it is better to wake up after all, even to suffer, rather than to remain a dupe to illusions all one's life" (Choppin 38). Edna is praising herself for being one of the few women who have been able to be a realist, and for not letting illusions pull her into a fantasy life. She believes it is better for one to live aware and conscious to the world around one’s self. This being a new way of looking at life at the time, especially for a woman. While there are many positive changes that are present in Edna’s life due to her recent awakening, there are some negatives as well. There are days where Edna feels as if she understands the world and everything within it. But then there are days where Edna feels utterly alone. Edna’s thoughts are expressed, in which she says, “There were days when she was unhappy, she did not know why—when it did not seem worthwhile to be glad or sorry, to be alive or dead...She could not work on such a day, nor weave fancies to stir her pulses and warm her blood” (Choppin 19). Edna expresses that she feels what appears to be a depressed mood at time, due to the life she has become awakened to. It is a confusing sadness that she does not know how to explain, completely countering the days of pure happiness that she often feels. Thus showing the change in Edna’s psychological views are apparent, and bring both happy, understandable thoughts, as well as

Whether coerced or through self realizations, there were many awakenings in the book. The first was that Edna was not the traditional mother like Adèle, the second was that she enjoyed doing things for herself instead of for her children and husband. This second awakening is shown when Edna takes time to talk

Edna’s awakening was the beginning to her suicide. As Edna realized her capacity to be honest with herself, the old Edna began to die. Edna slowly started to realize she did not want to be like other women, whom “idolized their children, worshiped their

In Kate Chopin's The Awakening, the main character, Edna leaves her husband to find place in the world. Edna believes her new sexually independent power will make her master of her own life. But, as Martin points out, she has overestimated her strength and is still hampered by her "limited ability to direct her energy and to master her emotions" (22). Unfortunately, Edna has been educated too much in the traditions of society and not enough in reason and independent survival, admitting to Robert that "we women learn so little of life on the whole" (990). She has internalized society's conception of woman as guided by her emotions and not her mind and, therefore, in the search for another man to fill the void of love in her

But they need not have thought that they could possess her, body and soul" (504).  Although Edna did perform her duties as a wife for some time, she is not the typical housewife.  She does not worship her husband or idolize her children, which makes both Edna and Leonce begin to sense that Edna is different from the other mother-women (Lin 1).  Edna never realized the reasons she neglected her duties as a wife until she fell in love with Robert and acknowledged that her desires and needs exist outside of her marriage.  Thus, after her experiences with Robert, Edna is ready to neglect her husband even more, because she now realizes that her husband is holding her back from her needs.  When Leonce tries to make Edna act like the other women that obey their husbands, his attempts to control Edna further instigate Edna's desire for independence from him.  For example, the scene when Edna is lying in the hammock, Leonce says: "I can't permit you to stay out there all night.  You must come in the house instantly," Edna replies: "I mean to stay out here.  I don't wish to go in, and I don't intend to.  Don't speak to me like that again; I shall not answer you" (492).  Edna is carefree and spirited, and she refuses to conform to her husband because she does not want to lose herself.  Becoming the perfect, obedient wife would mean losing her individuality, and Edna realizes she can gain no fulfillment

Edna’s awakening allows the two distinct female models of society to become clear, and her awakening causes her to feel unable to conform to either model. Edna’s arousal is that which opens her eyes to see her potential apart from her current life. Spending time in Grand Isle unveils a new

She is moved by music. During that summer Edna sketches to find an artistic side to herself. She needs an outlet to express who she is. Edna feels that art is important and adds meaning to her life. After the summer is over and they are back to the city and Edna is a changed woman. She makes many steps towards independence. She stops holding "Tuesday socials", she sends her children to live in the country with their grandparents, she refuses to travel abroad with her husband, she moves out of the Lebrun house on Esplanade Street, and to earn money, she starts selling her sketches and betting the horses. She also starts a relationship with another man Alcee Arobin. He meant nothing to her emotionally but she used him for sexual pleasure. Edna evolved above her peers she did not believe that sexuality and motherhood had to be linked. The last step of her "awakening" is the realization that she can not fulfill her life in a society that will not allow her to be a person and a mother. Edna commits suicide in the ocean at Grand Isle.

She was pressured to marry Leonce by her father and older sister. Along with marriage came the pressure to have children. She is forced into these roles but never actually succumbs to them. Edna not only has Madame Ratignolle's friendship and her marriage to wake her up to her dreams and emotions, her affairs wake up to her desires. The way the different male characters treat her reminds her that she will never happily fit into the role of a wife and mother, therefore awakening her.

Finally, her decision to commit suicide can also be interpreted in several ways which come to my assistance to reaffirm the thesis statement that Edna does not reject her children but rejects her mother image. Her decision to commit suicide can be an act of cowardice, because, she finds herself all alone opposed in every way not to be what she wants to be. This proves that she hates the society that binds her in an unrealistic world that does not befit her nature. She does not want to be confined to the society and that she sees death as an escape from the society which is accompanied by the repercussion that she has to leave her children too (The Awakening: Themes, Motifs, & Symbols, n.d.).

She raises her children with a distance between them. This void shows Edna’s lack of open wings, which is considered the norm of the 19th century expectations of women. Her newfound acceptance of neglecting her maternal responsibly ignited a much larger awakening within her. A sense of individuality and the “…realiz[ation of] her position in the universe as a human being, and ... her relations as an individual to the world within and about her” grew stronger (Chopin 15). She dislikes her role being entirely centered on domestic responsibilities so she begins to stretch the bindings of society.

Throughout “The Awakening”, Edna is immersed in a constant clash with society over the significance of the difference between her life and her self. To Edna, the question of whether or not she would die for her children is somewhat simple. Edna attempts to explain this concept to her good friend, Adele Ratignolle, but to no avail, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself” (Chopin 62). Not only does Edna consider her life unessential, she categorizes it as equal with material objects such as money. The idea of self, on the other hand, lies on a completely different level in Edna’s mind. The most important goal to Edna in her life is the journey to discover her true character. The idea that her inner self is more essential than life or even her children causes Edna to stray farther from the social constraints of the typical domestic woman. Kathleen M. Streater weighs in on Edna’s situation and placement in

Still the societal obligations she once held haunt Edna as those around her still admonish her decision to leave her family behind. Edna explains her decision to leave to Doctor Mandalet saying, “The years that are gone seem like dreams—if one might go on sleeping and dreaming—but to wake up and find—oh! well! Perhaps it is better to wake up after all, even to suffer, rather than to remain a dupe to illusions all one’s life ” (624) Edna’s explanation of her awakening shows her logical conclusion to end her life because she believes that a temporary awakened life worth more than a long life lived mindlessly. Edna accepts herself selfishness and does not look to retreat back to her former life but to continue to live her life in a radical manner, even if that means a radical and early ending to her life.