What Is Eminem?

Music and society have always been closely related. For years now music has been apart of people’s everyday lives all around the world. Having so many different genres out there, it makes it easy to be appealing to so many different ethnic backgrounds. However, one type of genre in particular has seemed to grab the attention of a younger generation. Rap music has undoubtedly had its utmost impact on African American youth, since many of the performers themselves are African American. An overtly masculine culture dominates rap music and creates gender stereotypes that become abundantly popular to the youthful audience. Three constant themes that are found within the rap culture are encouragement of violence, the misogynistic representation of women, an extreme hatred of homophobia. Each theme plays a detrimental role in the process of defining black masculinity as well as shaping the values, morals, and beliefs that its younger audience adopts after tuning into this “gangster lifestyle”.

The film starts with a black screen before Eminem’s white face appears. Jimmy lives on the opposite side of 8 Mile Road, which separates him from the urban blacks, and makes him a privileged suburban white. His mission in this movie to cross that literal and psychological border (8 Mile Road) and become accepted as a rapper despite his skin color. It is argued that Rabbit’s character is a tourist who ventures into black culture, and on the way, masters their art and dominates their industry (Jennings 2008). Therefore, Eminem, and the director Curtis Hutton, white people writing about an African-American dominated industry, have now commodified the culture (Jennings 2008). This translates to Eminem’s career and his success in the industry. But Eminem’s success is ultimately due to his ability to encompass the characteristics of black culture while maintaining his position as a white male: “affiliations with black masculinity provide cultural acceptance and authenticity, which fuel his entry into hip-hop culture. White masculinity provides mobility, ambivalence from white audiences, and commercial success” (Dawkins 465). Therefore by “walking” the spaces between black and white masculinity and never committing to one, he masters the industry. Somehow he uses both racial characterizations as privileges (Dawkins 464-465).

Millions of people in the world listen to music for all different reasons. Most people all over the world listen to different genres of music in order to relax, but not too many people pay attention to the actual lyrics of a song. If you listen to the lyrics of a song you will realize that many songs have important messages or themes to them. An example of this is the lyrics of the song “Changes” by Tupac Shakur. If you listen to this song, you will realize that Tupac raps about not only the problems that African Americans face from society, but also the struggles that poor people in society have to endure and overcome. Many

Long before the 90s, race and ethnicity have been a controversial issue all over the world, particularly in the United States. In sociology, the concepts of race and ethnicity is connected to the concept of minority and majority groups, with the social structures of stratification, power, and of course inequality. Race is a term that describes the physical differences that are considered socially critical to cultures and groups, while ethnicity is a term that describes the shared culture, like beliefs, language, practices, and ancestry. Agitation for equality has been seen in the music world, particularly among the blacks in the United States, the majority of black musical artistes have written songs relating to how black lives matter. This paper will analyze an old rap lyrics of the 90s titled as “Erase Racism” in relation to race and ethnicity.

Cobb, Michael D., and William A. Boettcher. “Ambivalent Sexism and Misogynistic Rap Music: Does Exposure to Eminem Increase Sexism?” Journal of Applied Social Psychology, vol. 37, no. 12, 20 Nov. 2007, pp. 3025–3042., doi:10.1111/j.1559-1816.2007.00292.x.

As long as we’re examining race, how is the success of a white rapper such as

If my rap is intelligent, it’s because I listened to black artists like KRS-One and Chuck D. Nearly everything that my white fans now celebrate about my craft and skill, I adapted and learned from black artists early on. Because I’m white, white fans are more likely to identify with me and my music. White rappers are more likely to find themselves in rooms full of white fans, who have come to listen to rap music with varied understandings of its black origins. Those white fans are also likely to represent and experience the entire spectrum of white privilege, white frailty, and white supremacist ideas.

During the 1970’s, The Bronx in New York City was an incredibly poor, deteriorating, poverty-stricken area that was comprised of primarily Black and Latino residents. As a response to the systemic racism that these communities faced, young black men became vocal about their communities’ issues through the use of hip hop music. Thus, it was during this time that hip hop became a rising platform; and was predominantly influenced by the Black power movements which promoted black nationalism, liberation and empowerment as a response to systemic anti-black racism. This platform allowed many young black men to address and vocalize the issues that affected their communities due to systemic oppressions upheld by white hegemonic ideologies and institutions. Throughout this time, artist’s addressed issues of poverty, unemployment, wealth inequality -- essentially used as a critique of neoliberalism. It was not until the corporate profitization of hip-hop during the late 90’s/00’s that these issues became less frequent in the forefront of the lyrics.

Throughout his career rapper Kanye West, has been portrayed as many different things in the media based on his public appearance and the subject matter of his music. The message he relates in his music is ever changing and often showcases different ideals or stances on issues echoed among different parts of the African American community. Two such instances of this come from very different periods of Kanye’s career, and show two polar opposite opinions of how to deal with arguably the most important social issue in American history. This change in Kanye’s way of dealing with racism reflects two differing schools of thought in the African American community. Although early in Kanye’s career his music identified the racial inequality

We can surmise, then, that Obama’s image is directly related to the notion of the “post-racial” through his failure to explicitly discuss racism, which in turn, affects how notions of race and raciality are conceived and discussed in the American socio-political landscape as a whole; in contrast, hip hop is in a position to deal more explicitly with race and racism. As Jeffries argues, “Poverty, disorder, and ghetto culture are central to analyses of hip-hop meaning, thanks to the symbolic importance of the ghetto as an element of hip-hop authenticity and the historical importance of neglected urban space as the birthplace of hip-hop culture” (Thug Life 28). Thus, hip hop remains firmly rooted in traditionally Black spaces and experiences which lends hip hop and rap artists the

“The music industry seems to allow very minimal Black cultural contribution to even do that, as opposed to the history of American music has told the same story over many times whereas African Americans creates a musical style or genre, only to later be replaced by white artists with more “mainstream” appeal. This trend can be seen in everything from Rock n Roll, Country music, Pop music to more recently Hip-Hop and RnB where white artists like Iggy Azalea, Macklemore, Robin Thicke and Justin Timberlake dominates today’s Hip-Hop/R&B charts. White people may be able to participate in or appropriate “Black” styles, but they rarely innovate or enhance them, so the genre slowly withers away ( Clutch, 1).” This act all ties in with commercialization and the “Whites” using Hip Hop as a source of income to stay on top, and this goes back to back in the early eras when Euro- Americans came to the Americas and took control of everything driving the Native Indians, using Africans as slaves, and cultivating everyone to their

Eminem’s net worth reached an astounding number of $190 million in 2015 (Bonaventura). He has paved a legacy that many white rappers have tried following. Some famous rappers who have tried to reach the same level of success have yet to achieve everything Eminem has achieved. One of his most famous songs called “Rap God” is said to be his legacy because that is what he has become (“Eminem Biography” RollingStone). The now 43 year-old Eminem who spends most of his time in Michigan, started out with little and achieved much victory, despite all the odds against

From it's inception, rap indured a lot of hostility from listeners--many, but not all, White--who found the music too harsh, monotonous, and lacking in traditional melodic values. However, millions of others--often, though not always, young African-Americans from underprivileged inner city backgrounds--found and immediate connection with the style. Here was poetry of the

This paper will open by first and foremost, explaining the different sociological meanings of the term power, so as the reader has an understanding of the arguments being made. This will allow anybody reading this paper to follow the arguments being made. Music can provide a means of resistance for challenging the power relations of racism, class and gender in a number of ways. The first way that this paper will approach this is the racial aspect and as a means of doing this, the main focus point will be Eminem and his break-through in to the Rap/ Hip-hop genre. This is relevant because he was the first white person to ever successfully break into this specific genre of predominantly Black artists. This will lead neatly onto the next element to answering the question of music providing a means of resistance for challenging power relations, It will move on to look at the class element of resisting and challenging power. This section will start off by continuing with regard to Eminem and how he used his “underclass” background as a means of connecting with his black counterparts, But still gaining acceptance from his peers and even forming a working relationship with an already massively established artist that aided him in his entrance to the hip-hop music industry and his credibility their after. Whilst still staying with subject matter of class, this

Marshall Mathers, better known as Eminem, is recognized for his work as a rap artist who is able to connect with his audience through humor and rhythmically dicey lyrics. Eminem’s “My Name Is” music video is able signify whiteness and rearticulate race with the use intertextual editing techniques that parody common representations of whiteness. Eminem is using his “My Name Is” video as an approach to solidify his style of rapping and thus create new political and cultural authenticities that entice questions of race representation in the 1990’s and beyond. (Kajikawa).