What Is Jim Morin's Political Cartoon?

Thomas Nast is known as the "Father of the American Cartoon," having created satirical art during the 19th century that critiqued slavery and crime. In this political cartoon, Thomas Nast as an artist reflects on the differences between the Republican and Democratic parties. The political parties now are different from when the cartoon was published. The Republican Party was the party of the people, mostly supported by the North. The Democratic Party, on the other hand, was the party of the South, of business, and was noted for being supported by former Confederate soldiers and sympathizers.

The cartoon below by depicts a courtroom set-up to debate U.S. gun control laws but the courtroom is

The title of the cartoon that I have chosen is “Fire,” by Herblock . In the cartoon there is a man with the words “hysteria” written on the side of his leg. The man is climbing a ladder that leads to the Statue of Liberty’s torch with the a bucket, filled with water. The man seems to be trying to put the fire that is on the Statue of Liberty’s torch out. My interpretation of this cartoon is that in the midst of all the craziness with Mccarthyism, The anti-communist are crushing many freedoms and liberties that the Americans had. In my opinion, this cartoon is effective because when Americans understand the meaning of the cartoon, they will realize anti-communist are threatening their liberties. After World War II Russians forced communist control

Originating in the 19th century, political cartoons are created and drawn as a means to deliver a message. Whether it be about politics, events or social concerns, the artist is able to express themselves creatively. The cartoons are not only meant to express the view of the creator, but are also open to interpretation. Most political cartoons have a biased point of view and uses rhetoric to persuade its audience.

Political cartoons are an illustrative technique that political cartoonist use to display a message to the viewers about government, world affairs, and politics. In 1754, publishers of the Pennsylvania Gazette published the first political cartoon illustrated by Benjamin Franklin (West, par. 1). Benjamin Franklin used his first political cartoon, titled Join or Die, to gain support from the colonies for the Crown’s war against the French (West, par. 1). Since the 1700s, illustrators use political cartoons as a medium to display political messages to its viewers (West, par. 1). On March 10, 2015, publishers of the Columbia Daily Tribune published a political cartoon, illustrated by John Darkow, titled Hillary Has A Primary Opponent (Darkow,

The early 19th century in America saw the rise of industry and a booming economy, however, with industry came businessmen who saw an opportunity for power and profit. Even with help from the government, it would be a long time before the American people saw an improvement in the condition of the laborers and the regulation of corporations. Fast forward to the 21st century; two hundred years have passed and people are still struggling at the hands of a corporation-run economy. Throughout history, American laborers have been at the mercy of an industry controlled by a small few that did not have the best interest of the people in mind.

In the cartoon it shows a little boy knocking on the door of the National Rifle Association, the man at the door hands the little boy two–twenty three caliber guns, as he smiles. The man has wrapped the guns in what is supposed to be the 2nd amendment. This paper will focus on gun control and kids.

In the first source, The picture depicts the same boy before and after his enrolment in one of the many residential schools in Canada. Right off the bat, we can see the drastic change in appearance. Although not noticeable The boy’s personality, knowledge and culture have also probably changed. At the time residential schools were made mandatory for kids, with the motivation of assimilating the natives and hopes of “killing the Indian within them.” These schools were constructed because the Indian Act (Act government used to encourage assimilation) made federal government responsible for education. Children were taken away from their families, sometimes by force striping them from their identity forever. Digging deeper we can infer that the cause of residential schools stems back to the cultural contact between the two nations. The clashing social values of the two cultures is what created the foundation of residential schools.

The house of representatives makes and passes federal laws. They are one of two chambers that creates the U.S legislative branch. The house may even be referred to as “the people house” because it’s representative’s are viewed and based upon the population or amount of people in each state. In this political cartoon, there are two sides one side is labeled “the people's house” which is the outside view of the Capitol building, while the other side shows citizens inside the Capitol building scared. The Capitol building holds meeting's and debates with the electives, however, the scared citizens show a negative connotation because they are not providing respect to the building and what's surrounding them. The ironic part of this cartoon is

The political cartoon first shown above presents a military general painting on a fence writing “Truth About Vietnam”. What this political cartoon is trying to tell the reader is that the during the Vietnam War, the U.S. Government had tried to cover up the real reason of them interfering in the war. As the picture shows, the military general is covering up the truth behind the Vietnam. The second cartoon shows an American soldier, slipping over trucks and a wagon saying “General’s Coup” and “Government Upsets”. This meaning that coming from an American soldier's POV, this is causing military disruption and hurting the U.S. Army. These political cartoons were effective in their own way because they set off a negative tone on the U.S. entering

This political cartoon ties into my theme since it shows how the man is stressing over the news and thoughts and how he must relieve himself from it all. Not only that, but it also ties into the passage Why I Went to the Woods by Henry David Thoreau. This can be proven as it is seen in the passage when the author says that the character would mine and burrow their way through the hills in front of them. With this being a metaphor, the author uses figurative language as he explains how the character in the passage is trying to get away from all of their bad thoughts, trying to leave all of his stress behind but the stress just continues to pile up, just like a hill. This also ties in with my Theme and my political cartoon since they all show

This political cartoon refers tot he Boston massacre. The building int he back is the state house. The right side of the political cartoon shows Boston soldiers in uniform holding rifles with bayonets that re firing at the crowd. One of the men is a commander who is hiding a sword and giving the orders. The soldiers and the commander all have determined and fierce looks on their faces.

“The Right to Bear Clubs” Analysis Satire is a way of mocking something through a crazy comparison. One funny example of satire is Dave Barry’s “The Right to Bear Clubs”. In this satirical essay Barry compares a golf club to a gun and mocks gun rights. The reader sees how the golf clubs represent guns and the people using them are just like the people using guns. Barry is trying to prove that not everyone deserves the right to a highly technologically advanced weapon, just like how not everyone is meant to golf.

Cartoons have been a prominent and interesting apparatus for politics throughout the ages. Political movements, parties, and groups using propaganda to further their beliefs dates back to the eighteenth and nineteenth century. Though America faces an austere history, lighthearted propaganda colors its decades and gives them life. Political cartoons are so widely used in America that they have become a significant piece of pop culture. Moreover, because of their ability to capture the reader’s attention, propaganda is exploited throughout politics.The cartoons are wonders of the human imagination; illustrators create comical images and intertwine profound political opinions to influence their viewer’s mind. For example, one movement that abundantly grew from propaganda was the women’s rights movement. The artists of the seemingly despised cause drew controversial cartoons that set a fire in the hearts of women all over the world. Consequently, the same cartoons ignited a passionate war between women who wanted freedom, and those who believed that women could not handle that freedom. Through the use of colorful concepts and daring expressions, political cartoons display the influence of the women’s rights movement throughout history, while the cartoons of Anti-Feminists demonstrates the world’s reaction to the movement.

Two political cartoons, “School Begins” by Puck and “Uncle Sam’s Thanksgiving Dinner” by G.F Keller, both published in the late nineteenth century, avail of distinct examples in order to reveal America's attempt to civilize immigrants and non-white groups as a means of granting them social acceptance throughout the nineteenth century. “School Begins” exhibits Uncle Sam, a popular U.S. cartoon figure throughout history, as the dominant white American male in the center. In the cartoon, the class is made up of well-disciplined students studying books labeled with their state’s name, juxtaposed with the disorderly class seated in the front made up of the “Philippines, Hawaii, Porto Rico, and Cuba.” The territories are depicted as uncivilized, serving the racist and denigrating image that justified the right to govern the new territories gained after the Spanish-American War of 1898. In “Uncle Sam’s Thanksgiving Dinner”, immigrants and Americans of different backgrounds sit around a table, prepared for the feast . The groups represented at the dinner reveal unruly characteristics and stereotypical representations of each group’s food to highlight their conflicting differences in American society. By looking at how the artists utilize the exaggeration of non-white and immigrant groups, we can see the dominant civilizing narrative the U.S. secured through imperialism and assimilation, and this is salient because it exhibits a racist hierarchy that justified Western civilization