Toward the beginning of the film in one of the flashback sequences, Kane’s parents talk to Mr. Thatcher about handing Kane over to the bank. Inside the house, his parents discuss his uncertain future while Kane plays outside in the background. Through the window, Kane can be seen running around in the snow and yelling rambunctiously, distracting the audience from the conversation occurring nearest to them. The contrast between the darkness inside the house and the white of the snow through the window further serves to focus attention on a young Kane in the background. This scene clearly centers around Kane’s childhood even though there is more pertinent dialogue occurring simultaneously.
This focus on Kane’s childhood innocence and playfulness
Hayden uses the juxtaposition of the cold of the outdoors to the warmth of the home that the writer creates to present the father’s love for his child. Although the father did not demonstrate conventional love for the narrator but proved his unconditional love by putting a roof over the child’s head. The winter night is metaphor for the absence of love. Though the child did not comprehend the love the father had for them, they reminiscence upon how the would be left in the cold if the father did not meet the provisions. So the father’s love was not evident in displays of affection but meeting the needs of the child. Most fathers demonstrate their love in what seems like a harsh manner, working most of the time and not spending quality time to fulfil their first role as a father - the provider. Nevertheless as a transformation take place the role of the father or parent become replicated in the adult child. Through understanding the contribution of the caregiver; once empathic response to the parent increases. Hence it closes the gap of differences that exist within the child parent
One of the most famous scenes in film is the beginning where Charles Foster Kane dies after saying rosebud. What makes this scene so great was the camera angle. The snow globe that Kane drops after his death created an angle never before seen. This angle allowed for the intensity of the scene to increase as it emphasizes the nurse running in the room and the broken globe to show Kane’s world as comes crashing down on him. Another interesting camera angle is when Kane is being taken away from his mother where both her and Kane are visible and in full focus. Along with this angle it also has a smooth transition from the angle of the mother and sliding through the window to allow for the new scene. These
While he was throwing things down, he saw a snow globe that caught his attention. He took it up and whispered the words the journalist has been searching for “rosebuds” with tears in his eyes. As Kane walks out of the room he just trashed, he walk passed a number of mirrors. This shot symbolizes a reflection of Kane’s life. This is the only time Kane reflected on himself literally. You could see that there was a change in character for Kane. To me, finding that snow globe reminded him of his childhood, when he was happy and loved before he became hungry for money and power. At that moment, Kane realized that eventually everyone leaves him and he will forever remain lonely. At the beginning of the movie, when Kane died and the snow globe fell from his hand and broke; you could see the nurse entering the room to find him all alone. That is parallel to Kane finding the snow globe for the first time and walking past the mirrors. Another scene that is parallel to this is when young Kane was playing in the snow before the banker came to take him away. That reminded him of the only time he was ever really happy. He didn’t have much, as his parents were poor but he had happiness. Now he is rich, but his money cannot buy him
To see what they see, and compare our own thoughts with the evolution of the characters and the story. The dexterity of the images, and the impact that each scene has in portraying this theme, guide the viewer throughout the film with little use of dialogue and action. Our central character “Jeff,” is struggling with his casted imprisonment, his need for adventure is apparent as he watches outside his window. Conflicted with his girlfriend and conflicted with his theories, his character becomes more palpable, we begin to realize what is going on not only on the outside of him, but the inside of him as well. The aspects of the outside courtyard and the visual isolation of each apartment, help depict the humanity of each individual and sympathy for even the darkest characters. Hitchcock uses his camera, just as our protagonist does, to focus with him. The camera angles are depicted in a way to which we react with the character, rather than at the character, and eventually expose the minor elements of the story that bring to fruition the suspense of the movie and the thrills of discovery.
An example of deep focus appears in this sequence. A young Mr. Kane is visible in the background by the window in the middle ground while Mrs. Kane signs over custody of him to Mr. Thatcher in the foreground of the shot. There is a great significance to Kane appearing at the background of the frame. The narrative perspective captures Kane being present, but almost pushed to the literal and symbolic background as decisions are made to determine his future in the foreground. The use of deep focus turns what would’ve been a flat cinema screen into a three-dimensional world with a strong sense of realism. Although our attention is not immediately forced to any specific aspect of the mise-en-scene, a certain important moment is noted just as Mrs. Kane signs the paperwork. Young Kane while playing a childish game of “civil war” screams “Union forever;”
William Butler Yeats a writer and irish poet once said, “The innocent and the beautiful have no enemy but time.” In the book, “The Catcher in the Rye,” by J. D. Salinger, a boy named “Holden” is dealing with the consequences of growing up and losing innocence. The story details the importance of being a kid and going through maturity. It also shares the knowledge of learning from mistakes and growing up. Holden experiences all of these elements through loneliness and innocence throughout the book.
Holden’s view of life is that it can be very cruel and unfair. The origin of this thinking is from his younger brother Allie. He feels guilty that he is essentially wasting his life away, while Allie died so very young of Leukemia. This is a huge part of his entire journey. Holden always describes Allie as a very smart and kind person that he looked up to, which is why he feels life is so cruel.
There is only one experience that unites every single person in the world. Many people in the world can agree that it isn’t always the greatest experience, and many people have an extremely hard time getting through it, but every single adult goes through the act of ‘growing up’. For many, the transition can be very depressing, and confusing. When a child is young becoming an adult seems to be enjoyable and exciting, but it isn’t until that child is forced into the cruel, harsh world where the innocence of childhood can be appreciated and missed. The novel Catcher in the Rye explores how teenagers who are nearing adulthood see the adult world to be incomprehensible. J.D Salinger illustrates the confusion of a teenager when faced with the challenge of transitioning into adulthood using Holden Caulfield.
The scene we’re analyzing starts off with a shot of the New York Daily Inquirer. It’s a close shot, taking up the entire screen. I feel this close up is to show the viewer that the newspaper company is going to be the primary focal point for Kane, and his two partners at this point in the film. After the close up, the camera pans down to show Kane and Leland sitting in a car looking up at the building. Kane says “Take a good look at it Jedidiah, it’s going to look a lot different one of these days.” Despite the look on Kane’s face being one of optimism and promise, this statement gives leeway to all of the bad things to follow. Kane specifically says, “look a lot different” as opposed to anything else (i.e.
At the end the film we are visually told a strong message that a man isn’t necessarily the sum of his achievements, possessions, or actions, but that something deeper must drive him. Kane was more than his public accomplishments is the last word Kane uttered: “Rosebud.” Kane’s life story unfolds in layers through the reporter Thompson's investigation and is told by a succession of people who were close to him. Kane never gets to tell his own life story, and we must wonder how much his telling of it would differ from the reminiscences of his associates. None of these people ever really knew what drove Kane to do the things he did. Only Thatcher would have had the chance to fully understand Kane, but he was too concerned with making money to have any compassion for a lonely child. He viewed Kane through a distant, mature lens of acquisition and conservatism. The differing perspectives on Kane’s life, especially in the absence of Kane’s own point of view, force us to question what was truly important in the life of Charles Foster Kane as well as to ponder what constitutes a life in general. Judging by Kane's last word, the most important pieces of his life were not the things that made him newsworthy, such as his newspaper successes and political ambitions, nor his friendships and associations. Instead, as Kane's life comes to an end, he grasps at a memory from his
There are three main characters and divided into two lines. One is the car salesman troubled with money, the other is two criminals. The car salesman employing them to kidnap his wife in order to get money from his wealthy father-in–law. Between three person conversation, full of front shot and a little tracking shot, look natually. It doesn’t show the reason why his family happiness, but he need so much money at first and this gives the first suspense angle. Fargo uses a highly directional environment to expand the method, which is the most of the way in begin. At the beginning of the film, with the silence of pure white kicked off, difficult to advance two cars in the snow on the road. There is nothing except snowstorm, this is a clue telling the audience the whole film full of cold. Suggesting that there will be bad things happen. The snowy environment shows the place where the story takes place. When the woman was kidnapped, the car was stopped by police. At night in the snow, they killed three persons. The police, and two witnesses. The reason why the car salesman needs money tells us as well. The character’s father-in-law doesn’t let him sit idle and enjoy the fruits of others’ work, so he refuses to lend money to his son-in-law. They were unhappy. After they had parted in discord, it strengthened the confidence of the character’s guilt and directly led to the tragedy as
To help create his debut film Citizen Kane, Orson Welles assembled a talented group of artists and technicians who together produced a film that redefined cinema forever. During the film’s production process, Welles himself stated that making a film “is the biggest electric train set any boy ever had.” By this he meant that the production studio was his playground and he intended to use every tool at his disposal. Starting from the film’s very first shot; he proves this to be true. As the film begins, the camera silently cranes up over the fences that surround Charles Foster Kane’s mansion and then slowly transitions to a montage of palatial estate. In this unique sequence the viewer understands that they are watching no ordinary film! Since its release in 1941, Citizen Kane consistently is called one of the greatest films ever made. It also is one of the most analyzed films ever created as well. In watching the film, a person can select from a countless number of famous scenes on which to review, comment, admire, and draw conclusions. For this assignment, I chose my personal favorite scene from the film to analyze in depth. The scene occurs near the end of the film just as Kane’s second wife Susan Alexander leaves him for good. The scene lasts about 3 and a half minutes in length, consists of 12 shots, contains almost no music, and just one word of dialogue is spoken. However, even with these limitations, the scene has more impact and film techniques packed into it
In the beginning tragedy hits the family as the Ryder’s youngest child Bradley falls from their second story apartment and dies. Now that Margaret is the only hearing child she feels obligated to always be available for her parents when they need her. When she goes with her parents to a Mortuary she has to help them purchase a wood box instead of a coffin for her brother
One thing I noticed throughout the film was the use of reflections. The movie starts off with a montage of images of Xanadu, Charles Kane’s personal estate. One of the shots includes a beautiful reflection of the building in the water. When Kane dies and drops the snow globe, you see the nurse’s reflection in the glass as she walks into the room. After Kane convinces the men from the Chronicle to come work for him at the Inquirer, he throws a party; we can see him dancing in a reflection of a window. When Kane is in Xanadu, he walks through
I believe that the author portrays Charles Kane as sort of an evil man through the things he does, but shows that Kane doesn’t realize how he is behaving is wrong. One example of this would be how he ran his newspaper company the New York Inquirer (Citizen Kane). He presented the news in the best way possible to get as many people as he could to read it. Even if he had to lie a little bit in the title or in the actual stories, all he cared about was being everyone’s main source of news. This however was the opposite of what he originally wanted to do which was to present only honest and true news. One time he lied about the news was in relation to his second wife Susan Alexander. She was not a very skilled opera singer as told by the