What Is Kate's Transformation In The Taming Of The Shrew

In essence, all Petruchio did was teach Kate not to be so brash and rebellious. He showed her how awful her actions looked, and on her own, she made the decision to change her demeanor. She could have remained bitter and feisty, but it would have been in vain, and I believe that she realized that her actions had been no worse than the vanity and shallowness she witnessed in the people of Padua.

Petruchio wears the psychological mask of a guy who only has eyes for money. He makes his mask clear to the reader when he tells Hortensio to “wife wealthily” adding “you don’t know the power of gold.” after being told about Katherina’s bad behavior, not to mention her temper. It appears that Petruchio marries Kate for her money, but immediately starts to “kill her with kindness”. He begins going so by depriving her of food and sleep because he claims that neither the food from the kitchen nor the bed is good enough for her. Petruchio puts on a show of bad temper towards his servants for every fault, showing Kate what it is like to live with a bad-tempered person. For the first time in her life, Kate finds herself trying to get someone else to control their anger. Petruchio also shows Kate that she will get the things she wants when she learns to agree with what her husband says. By treating Kate in this manner, Petruchio seems cruel, but there is a reason for it. If he were truly interested only in money, he could have left Kate at home and gone out on his own. In the end, his efforts to improve his wife have worked. He improves Kate’s life, so that she does not continue to live an unhappy life. Because of Petruchio, Katherina the shrew is happily married in the end, and comes to be a good example to

Her innocence was stolen by her having to lie and use her advantages on Miro. Furthermore, she also saw the dead child and heard Raymond get shot. On page 74 Cormier wrote, “ The child was a kind of a sacrifice, kate realized,” showing one of the many thing kate went through, which changed her. Right before Kate got shot she was trying to convince Miro he had been lied to, so she can escape. She knew she was doomed so she was trying anything to get

Katherina may be a shrew, but Shakespeare’s The Taming of the Shrew does not truly show a study of how a selfish, spoilt individual is made to conform to society’s expectations, or be tamed into a ‘proper’ woman. At the end of the play, Katherina is not, necessarily, tamed - she just realizes what she must to do in order to get the things she wants. Two main examples of her submitting to Petruchio in order to achieve her desires are in Act 4, scene 5, (the sun versus moon scene) as well as Act 5, scene 2 (the kiss me kate scene and her final monologue).

Ironically, they prove to be perfect for one another. Though Katharina seems heartless and unemotional, her one true fear is losing Petruchio. " It is surely worth remarking that Kate has only one true moment of agony, when Petruchio's deliberately tardy arrival for their wedding makes her feel jilted" (Bloom 30-31). Their mutual roughness seems to be their way of flirtation. Though Katharina feels that Petruchio is "a mad rudesby full of spleen," she realizes that she is truly in love and is lucky to have any husband at all, and will not, as the villagers say, "lead apes to hell" (Draper 95). The ironic counterpoint of their relationship is that while Katharina is easily tamed, Bianca, who needs no taming, is difficult for Lucentio to tolerate.

Petruchio also manipulates Kate psychologically by pivoting her thoughts in the direction of them being suited to each other for marriage. When he says “I am too young for you” (Act 2 Scene 1, 250), he starts making her feel old and unwanted. This comment makes her mad, and causes her to feel the need to prove that he is old, which she accomplishes in the next line by saying “Yet you are withered” (II, 1; 251). Thus she unconsciously admits that he is at least suited to her in age for marriage, if nothing else. By complimenting her, Petruchio is also able to play with her psychologically. He begins by saying she is beautiful, nice, and modest. Even though he may not mean it, and Kate probably suspects he is lying, it still has a positive effect on her. Complements boost her confidence and make her feel wanted, which is a new experience for her. Such complements eventually lead her to believe that he may actually love her, or that there is a possibility of love between them in the future. This method of manipulation does have its effects, because she only opposes their marriage once in front of her father, and after Petruchio announces that they have decided that she should “still be curst [to him] in company” (II, 1; 324), but they really love each other, she offers no counterarguments.

Petruchio may have been mean to her in order to tame her but by the end; he shows how he truly loves her. “Come, my sweet Kate/Better once than never, for never too late” (Shakespeare Vi 149-150). Kat’s sonnet about her feelings towards Patrick show that she has accepted that she can be in love. This is her version of being “tamed” because she can rely on someone other than herself. Patrick uses the money he made dating her to buy her a guitar and beg for her forgiveness. He has fallen for her though that was no his original intention. “I thought you could use it. You know, when you start your band. Besides, I had some extra cash, you know. Some asshole paid me to take out a really great girl but I screwed up. I fell for her” (10 Things I Hate About You). Besides the story, the filmmakers have used several exact lines from the play in the movie. Cameron echoes Lucentio’s line, “I burn, I pine, I perish”(Shakespeare Ii 155) when he sees Bianca for the first time. Kat, like Kate, tells her sister “You don't always have to be who they want you to be” (10 Things I Hate About You). The filmmakers kept Shakespeare’s story of love and deceit intact in the modernization.

Women in the era of Queen Elizabeth I were often portrayed through stereotypes such as, “The Good and the Badde” by Nicholas Breton. In this work women have desired traits such as loyalty, obedience, and innocence. Undesirable traits would be just the opposite, disobedience, raunchiness, treachery, loudness, and being outspoken. The play, “The Taming of the Shrew” by William Shakespeare, plays heavily to these stereotypes with the two female main characters; Bianca and Kate. Whereas Kate plays the Un-quiet one in the beginning, but transitions to more of a quiet one or the good wife while Bianca plays The Virgin.

In Taming of the Shrew many of these events were particularly significant in terms understanding Kate’s disposition throughout the story. Kate’s character, being dynamic, goes through a very important inner change toward the end of story. At first, Kate was described as rude, sharp tongued, and stubborn. Kate was an envious woman who would punish her sister so she could get answers out of her. She would also yell at her father for not cherishing her as he did to her sister. This, however, changes when Kate meets Petruchio who, unlike others, has a tolerance for Kate. Petruchio successfully tames her to behave properly. His taming methods consisted of starving her, having her wear the clothes he likes and making her do things that were

In contrast to this, Kate is very angry and frustrated by the Petruchio, and immediately becomes "shrewish," resorting to insults, 'A joint stool,' and violence. This gives the effect of Kate being much less in control of what is going on, and perhaps reflects the direction their relationship is going to take, that Petruchio will be the one in charge, and Kate will not have any control. This could however also demonstrate Kate's intelligence and wit, that she is able to keep up and match Petruchio's wordplay. However Kate feels the need to resort to violence, again demonstrating Petruchio's intelligent wordplay and calm attitude, as he does not react violently towards Kate, but simply

Petruchio is not an awful husband, because he is not forceful. Many things have changed since 1500’s, including how husbands treat their wives. Throughout the story, readers will undergo pity for Kate and it is difficult not to. Her spouse married her for her dowry, and he does not rightly love her. However, most 1500’s marriages were this way. The husband was forceful and married for personal advancement. “Most marriages of the time were of necessity, not love” (Pearson 2). Some may claim that

As mentioned above, Katherine was the elderly daughter of a wealthy merchant, who was known throughout the city of Padua for her scolding tongue and her fiery tempered attitude. Most men had excluded her when suggestions arrived in terms of marriage. Due to this situation, Katherine had set her mind to not getting married at all. “Good, Morning Kate, said Petruchio, as the haughty lady swept in. ‘my name is Katherine’, she pouted. ‘No is isn’t, you are called plain Kate and Bonny Kate and sometimes Kate the wild cat . . . . But I think you are the prettiest Kate in Christendom- gentle, beautiful, modest and kind. Yes I’ve heard all about you, and I’ve come to ask you to be my wife’. She slapped his face” (page 3) .This quote gives details in how arrogant Kate is towards Petruchio. It is known to be very disrespectful manners to answer back to an opposite gender, but slapping someone who has come to ask for your hand is revolting. But poor Katherine doesn’t remain in this high position throughout the novel. As soon as she and Petruchio are wedded she experiences many changes within her and around her.” All her life she had had everything she wanted. Now,

The relationship between Kate and Petruchio is completely different from the love of Bianca and Lucentio. "Kate is a neglected, hurt, and humiliated daughter who disguises her grief from herself as well as others with a noisy shrewish temper" (Craig 342). She has a fiery disposition and a reputation for reacting violently to people. The challenge of capturing her is Petruchio's real attraction to her. He can be seen as a rough, unfeeling, greedy, "swash-buckler" who cares nothing for Kate's feelings (so long as she has money). "

Also, Katherine herself apprehended the error of her ways, making the women feel sheltered and making the men feel self-assured about their dominant position in society. The audience presumably went home contented, because such a shrew was tamed, and could be tamed so well. Katherine’s soliloquy reinforced the moral values of the Elizabethan era, making the conclusion of the play more enjoyable and entertaining. The final scene of The Taming of the Shrew shows ”the triumph of the unconventional over the conventional”, it shows that Katherina and Petruchio’s marriage, which has started rather unconventionally, seems to have better chances of being a happy. Shakespeare speaks out in clearly favors of the unconventional concept of love present in the relationship between Petruchio and

In Shakespeare's comedy, The Taming of the Shrew, Shakespeare has a woman as one of the story's main characters. Katherine Minola (Kate) is off the wall, and kinda crazy. Because of her actions, the “male centered world” around her doesn't know what to do with her.