What Is Marginalization In Tourism

Trask is able to use logos to prove how tourism has affected the Hawaiian culture. Trask refers to Hawaii as a “She” who “Rubs off” on the visitor with her magical presence. The beauty of Hawaii is used as an escape from “Rawness and violence” for most Americans though, Trask mentions that the land has a “Western sexual sickness” (Trask 1993). “Of course, all this hype is necessary to hide the truth about tourism, the awful exploitative truth that the industry is the major cause of environmental degradation, low wages, land dispossession, and the highest cost of living in the United States” (Trask 1993). Trask says that the areas of Hawaii which were “sacred” to the Hawaiian’s have now been turned into top of the line hotels. The beaches that were once full of fishermen and their nets are used for recreational activities like surfing getting a tan and jet skiing. On most of the beaches owned by resorts, the beaches are reserved for hotel residences only. In the essay, Trask gives the readers logos as to how tourism is changing the land. For example, thirty years ago the ratio of Hawaiians outnumbered the tourist 2:1. Today,

A Small Place by Jamaica Kincaid presents the hypothetical story of a tourist visiting Antigua, the author’s hometown. Kincaid places the reader in the shoes of the tourist, and tells the tourist what he/she would see through his/her travels on the island. She paints a picturesque scene of the tourist’s view of Antigua, but stains the image with details of issues that most tourists overlook: the bad roads, the origin of the so-called native food, the inefficiency of the plumbing systems in resorts, and the glitches in the health care system. Kincaid was an established writer for The New Yorker when she wrote this book, and it can be safely assumed that majority of her readers had, at some point in their lives, been tourists. I have been a

There is a country that can be found by plane just thirty minutes off the coast of Florida. Made up of seven hundred islands and cays, scattered over five thousand square miles. It’s people? - Indigenous, and known as some of the worlds friendliest. It’s motto? “It’s better in The Bahamas.”

A Small Place, a novel written by Jamaica Kincaid, is a story relating to the small country of Antigua and its dilemmas from Jamaica Kincaid’s point of view. In this novel Kincaid is trying to inform her audience that Antigua is in a poor state due to British imperial, government corruption, and tourism. Kincaid exposes her audience to the effect of these very problems in Antigua by using persuasive visual language. In the third part of Jamaica Kincaid’s A Small Place, Kincaid does an exceptional job in arguing that, her country Antigua has corrupt government officials due to British influence by appealing effectively to pathos, logos, and ethos.

Daily, hundreds of thousands of people are traveling, whether it’s by plane, car, bus, boat, or foot, people are traveling to new locations and being immersed in different cultures. Many fail to realize how ignorant of a tourist they are. Kincaid explains that tourists are morally “ugly” and use other, less fortunate people, for their own amusement. She tries to enlighten those who are privileged to be more considerate when they are visiting new places. Published author Jamaica Kincaid wrote “The Ugly Tourist,” originally written in her book, A Small Place, where she tries to convince readers that tourists are, “a piece of rubbish” (207). Kincaid’s attempt to convey to the audience that tourists are ignorant and morally “ugly” is partially successful, due to her satisfactory emotional appeal, yet inability to produce a less angry tone, along with minimal logical appeal.

Hawaii is a beautiful island and it didn’t take long for people to realize it could be a lucrative business venture. Hawaii’s tourism began, as “bourgeois desires for contact with the rejuvenating "primitive"” became something that interested

It’s hard to imagine someone’s personal experience without actually being the one enduring it; however, Jamaica Kincaid’s use of language contests other wise.Through intense imagery and emotional response, Jamaica Kincaid utilizes rhetorical appeals such as logos, pathos, and ethos, which successfully convinces her audience by creating a conversation between herself and the reader. Jamaica Kincaid’s A Small Place is an expression of her inner feelings on the transformation her hometown, Antigua, and the everlasting postcolonial impact that occurs. Kincaid reacts to the feelings she had as a young girl and compares that mindset to the opinions she holds today as an adult. Kincaid’s piece evaluates the foreignness, race, and power that consumes Antigua. While she descriptively explains the circumstances she faced in Antigua, Kincaid incorporates historical background which provides logical support to her purpose. Notably, the author’s first hand experiences gives her credibility, ethos, and allows the audience to clearly understand the context from her perspective. Not only does Kincaid effectively describe her experiences, but she also makes her audience feel as though they are looking through her eyes. Her purpose demonstrates the difficulty and impossibility of returning to origin after crucial influences. A Small Place proves that the effects of racism and racial inequality are long term and culture cannot simply return exactly how it once was in that specific culture,

Jamaica Kincaid successfully convinces her audience that post colonial impact still remains. Through the use of rhetorical appeals such as pathos, logos and imagery she successfully explains her claim. Through this novel she gives an insightful explanation of what antigua is like from a person who comes from that area. Kincaid being born in antigua, she gives us a view from her eyes on what antigua is really like while going through post colonial impact. Kincaid incorporates historical background in text to convince her audience that this impact is holding back antigua from the good and enjoyable place it can really be. She develops a connection with the audience when she makes them feel like the tourist that is figuring out what's going on in the background of antigua. This connection serves as pathos as it makes the audience feel the emotion of anger and disappointment for not knowing what mess is really going on in this small island. This demonstration shows how cultures everywhere are affected by postcolonialism and how there is a negative global commonality between tourist and natives.

If you were forced to pick your paradise, where do you think your thoughts would take you? Would you go to the quaint wooden cabin in Michigan that has been in the family for years? Or would you think of your cozy apartment a top a skyscraper in your favorite concrete jungle? Without a second thought, my mind rushes to Pawley’s Island, South Carolina. As locals describe it best, the “elegantly shabby” beachside town 40 minutes from Charleston has been my chosen vacation spot since childhood. Between the hammock shops, crabbing in the creeks and ghost stories, there is always something to entertain you on the island. With only the best memories there, never did I think that there would be something to hold me back from indulging in the lazy

This is the message Kincaid, conveyed, when she expresses how tourist “marveled” at how in tune the Antiguans are with nature and how they are able to take simple things and create useful things and she tells the tourist that what you surprised at, the only reason why we are left in this state serving you because we don’t have the resource to escape our realities is because your ancenstors enslave us and left us poor that they benefited from. So you the tourist come, leaving your luxurious life to enjoy a pleasureable vacation all at the hands of the poor

To the above point, one of the reasons that Antigua is a destination for tourists is because of its aforementioned aesthetic beauty. Antigua’s beauty belies the reality of the situation that the people have, but it is not something that tourists should feel any responsibility to change. More to the point, Antigua’s beauty is one of the reasons that tourists should not be challenged. Indeed, tourists have no reason to believe that the people of Antigua are miserable because of the beauty of the land and the hard work that the people of Antigua put in to make sure that the tourists have a good time (even if the tourists acknowledge that the workers may be poor). One example of how Kincaid’s argument is flawed is when she says that tourists appreciate the fact that Antigua has no rain, when the lack of rain actually leads to droughts which negatively affect the natives in the long-term. Kincaid’s discussion of rain is representative of the difference between her perspective and the perspective of the tourist. The tourist has no stake in Antigua beyond how it profiles as a vacation

When I close my eyes and imagine, I can still clearly hear the gentle splash of the waves lapping the shoreline, and feel the slight ocean breeze whizz through my hair, sending it flying in every direction. During the frigid and dreary months of Missouri’s winter, there is one place in particular that my heart longs to be. Marco Island, Florida. When most people think of a luxurious vacation, they imagine crystal clear water, snowy white sands, and a miraculous five star hotel. Marco Island is no Bora Bora, but to me it’s the most enchanting small town that values simplicity and offers pure bliss to anyone coming to visit.

Antigua is a possibly one of the most beautiful places to visit in the world, let alone the Caribbean. In “A Small Place” by Jamaica Kincaid, she describes Antigua as place of prioritizing the foreigners and the “white” people. Regrettably, the country has been designed to become a tourist attraction over the years, causing the author’s sense of Antigua to dissipate over time (p.23). Kincaid’s perception of Antigua can be summed up by the unrepaired library, the past social and cultural interaction of the Antiguans (p. 42 – 43). To the tourist, the ruin library is possibly just another damage structure; however, to the locals and Kincaid, it has meaning, a place, a locale, and more importantly, a sense of place.

To examine Cynthia Enloe 's argument that the "personal is political", we must first define what "personal is political" means in regards to feminist international politics. In order to demonstrate how the personal is political, or the political is personal, we look at the obstacles women encounter in their everyday lives and how they are actually a part of a larger social construction of male dominance. Women need to see their personal struggles in the bigger picture of societal gender inequality. This idea is explored by Enloe in terms of international tourism by looking at how gendered the industry is, the types of employment women find or are forced into in the tourism industry, and the role they play in representing their country to the white, male tourist.

During a recent visit to Jamaica, I observed a number of resorts that themed their golf courses and pools after the old sugar plantations of the island. As the sun-burnt American and British children splashed among the recreation of the 'old mill', local Jamaicans in floral uniforms served drinks to the adults lounging by the pool. The association between the plantation and the modern resort did not appear to disturb the tourists relaxing in the sun. And why should it? This is