What Is Metallica's One?

In the poem “Song of Napalm,” it is a straight narrative of what it is like to live with memories from such a horrible war. “Song of Napalm” follows a Viet Nam soldiers' memories of a scene he once saw. His mind tries to distort the image of a girl getting bombed and burning in front of his eyes into a pleasant scene. The effort to make the scene pleasurable is the mind's way of trying to protect itself from the horrific incident that actually happened.

Metallica (also known as the black album) is the eponymously titled fifth studio album by American heavy metal band Metallica. It was released on August 12, 1991, through Elektra Records. It is a subtle marriage between Thrash Metal's sheer heaviness and Glam Metal movement clean guitars and slowed rhythms, Black Album is, to quote the band, "The Thing That Should Not Be": not because it's bad, but because is contradictory. Could a metal band like Metallica write lines mocking like "Something's wrong, shut the light Heavy thoughts tonight/ And they aren't of Snow White" or confessional like "What I felt, what I've known/ Never shined through what I've shown/ Never be, never see/ Won't see what I've might been" and even ambiguous love declarations

The first song I will examine is the folk-rock hit, “The Universal Soldier.” Carrying a somber yet avant-garde timber carried by a charismatic rhythm, Buffy wrote this song with the intent of creating a dialogue surrounding the absurdity of war and to deepen the responsibility of conflicts which we too often hide from, “It’s about individual responsibility for war and how the old feudal thinking kills us all” - Buffy St Marie. During the 1960’s “Universal Soldier” became an anthem for the activist movement against the Vietnam war. As the title suggests, the song declines to commend a particular group. Rather, it applies to all the soldiers worldwide– to the universal soldier. Because, no matter the time or place he is the one who will risk his life and subject himself to the ubiquitous barbarism of war. The soldier can be of any religion, of

    The music video of the song both plays a role in relating to the audience and showing the style of the song. The music video starts off giving background details of before he left to become a soldier. It shows them sharing an intimate moment about how they will begin their family once he returns. In the song alone it does not give that background knowledge. This introduction to the music video builds a narrative to start the beginning of their love story before the song even starts. As it starts you see the soldier becoming nervous due to the fact he hasn’t been home in a long time. This amplifies reaching the audience because it many soldiers or loved ones of soldiers can relate to how life can change dramatically when their loved ones leave and come back from war. Another way the

In the memoir A Long Way Gone, author Ishmael Beah describes his survival journey as a lost child in his country, because of the civil war in Sierra Leone, then becoming a child soldier facing war daily, afterward the process that Beah went through during rehabilitation and finally in fear escaping the civil war. Ishmael Beah emotional journey has three stages of development in which Beah utilized music. In the first stage, Beah uses music as a survival mechanism to keep sane and safe. In the second stage, begins when he loses his brother and friends, Beah reaches the lowest point with the loss of his entire family again, some friends, music, and being forced to join the war. In the final stage, is the process of rehabilitation where Beah connects with music once again. Ishmael Beah exposure to music at a young age stayed with him throughout his life. (Beah, 2007, p. 5-218)

When people talk about war it tends to be a sore subject. Although I stated what I thought on the outlook of how the war tells the story of those whose lives were lost in it the outlook on war can vary an unlimited amount. My first reasoning on my argument is that war consumes those involved. By involved I mean anyone who has been directly

The speaker's life before war is left far below and even feels like an illusion. Like a "dream," it is gone. When the speaker “woke to black flak and the nightmare fighters”, he woke up to his worst nightmare, enemy fighters approaching the bomber. If we take a close look at lines three and four together, there is a stark contrast. Line three is very peaceful and serene, the words “dream”, “life”, and “earth” usually have positive connotations; while line four is certain death, with words like “nightmare” and “black flak”. The last line of the poem is very straightforward, and is almost prose. It tells us exactly what we need to know. When the bomber got back to the base, they cleaned the speakers remains out of the turret with a hose. If we continue the metaphor of the bomber being the mother, we can conclude that the speaker is being born into death through the womb of “the State”.

There is no doubt that war is evil in every way. It is full of hatred and conflict and nothing comes out of it. It brings death, destruction, and the worst out of people. In a pacifistic yet desperate tone, Dalton Trumbo promotes anti-war ideals by explaining the life of a young soldier after he got affected by war in his novel Johnny Got His Gun. While some individuals’ point of view match with Trumbo’s, others may disagree with his reasoning. The controversial issue of the acceptance of war is talked about everybody, even popular artists. Some singers express their opinions on war via their songs, like George H. Cohan in his song “Over There (Johnny, Get Your Gun)”, and the band Metallica with their song “One”. Each sends different messages depending on the setting, their music’s genre, and diction used in the making of the lyrics.

In 1984, the British synth-pop act, Frankie Goes to Hollywood, produced an elongated version of "War" on their album "Welcome to the Pleasuredome”.[25] Frankie Goes to Hollywood contemporized the song by using the background of the Cold War. Later in 1985 Bruce Springsteen and the E Street Band revitalized “War” for their world tour. Their version of “War” condemned American intervention in El Salvador and Nicaragua during the 1980s.[26] Springsteen transformed the song to widescreen with his “War” music video which showed the separation of families and footage of Vietnam. [27] Over the years, “War” conveyed the ongoing struggle peace through the perspectives of various artists.

Death is something that everyone has to look forward to at some point in life, but one is temporarily alive by this idea of the “American dream” they are handed throughout a lifetime. It is not until many are faced with adversity that life is truly noticed. For the gunner this moment comes when he is “six miles from earth” facing enemies that he wakes up for the first time. He is awake due to this being the first time in his life that he is truly separated from that dream. Jarrell uses the second half of line three to describe this idea of the detachment from the normality of everyday life. Jarrell is saying that everyday life is just a dream and one is a zombie, dazed going through the motions of typical life. What Jarrell is saying here is that Americans are born dead due to the life they are brought up in and since they are dead do not get to experience real life. The ball turret gunner only truly “lives” for a little bit due to the changing consequences of war around him. Last line of the poem describes his actual death and how

The majority of characters from war-time novels often resort to substance abuse as a way to cope with the horrors of war. In Joseph Boyden's Three Day Road, the young Cree soldier, Xavier, uses excessive amounts of morphine to forget the bloodshed he witnessed on the battlefield. Similarly, Mrs. Ross, the mother of the young Canadian soldier Robert from The Wars becomes an alcoholic as a way to deal with the departure of her son to war. However, in Steven Galloway's “The Cellist of Sarajevo,” the primary characters, although affected by war, employ a different strategy to come to terms with and survive the war, and to regain their moral values and identity. In this novel, music is employed as a tool of healing and rebirth. Specifically, Arrow, Kenan, and Dragan use the music of the anonymous cellist to reclaim their sense of humanity, compassion, and self-identity and move forward despite the ongoing war, much like the mythical Phoenix rises from the ashes in rebirth.

Inman eventually, by happenstance, meets back up with the preacher named Veasey who decides to travel with Inman. Veasey is somewhat likable but not what one would say a 'holy man', he constantly causes trouble for Inman by drawing his gun and then Inman must diffuse the situation. Back home a soldier tells a story about Teague the leader of the Home Guard near cold Mountain and of their savage nature. It seems Inman is not the only disillusioned by the war, while other think the war is “heroic”. The soundtrack blazing in my head as I read this story is a song called “Rank Stranger” by Ralph Stanley, which is a bluegrass song about a man who returns home after many years only to be forgotten by people he had once known. Lamenting is a strong theme in Appalachian literature and song.

One of the things that stood out for me in the movie is, as mentioned in the article, the great combination of sound to accompany visually compelling images of war. A notable example is when the troops play cards in their underground bunker and the bombs keep coming down, creating a disturbing exploding sound. Within this discourse, one can tell that the soldiers have been made used to such sound and proceed to

One World: This keen song is all about the Kellogg-Briand Pact. It explains that we are all in this together and that kindness is very important after the tragic World War. It surely will make you

Charlie’s battle with chronic PTSD is a difficult journey as he drowns himself in music in order to prevent himself from thinking about the things which he fears most. Director Mike Binder incredibly enables the viewer to enter the mind of a person suffering from PTSD and successfully stays true to the not only the symptoms of the disorder, but also its effects of loved ones and the individual themself.