What Is The Classic War A Theme In Literature

Anne Sexton was a junior-college dropout who, inspired by emotional distress, became a poet. She won the Pulitzer Prize as well as three honorary doctorates. Her poems usually dealt with intensely personal, often feminist, subject matter due to her tortured relationships with gender roles and the place of women in society. The movies, women’s magazines and even some women’s schools supported the notion that decent women took naturally to homemaking and mothering (Schulman). Like others of her generation, Sexton was frustrated by this fixed feminine role society was encouraging. Her poem “Cinderella” is an example of her views, and it also introduces a new topic of how out of touch with reality fairy tales often are. In “Cinderella”, Anne Sexton uses tone and symbolism to portray her attitude towards traditional gender roles and the unrealistic life of fairy tales.

This marks a new stage in the narrator's emotions, as she is glum upon his exit. It is clearly evident that the speaker is worried about her husband's journey because of line sixteen, which states, "Through the Gorges of Ch'u-t'ang, of rock and whirling water." This line shows that the husband is travelling through dangerous terrain. Throughout the third stanza, the narrator is said to slowly transition into a depression phase, as she dearly misses her husband. In lines twenty-three to twenty-five, the narrator sees butterflies flying "two by two" in the garden, and she feels very depressed upon seeing this because the butterflies are all together with their spouses, while she isn't. In line twenty-six, the speaker uses imagery to describe her emotion. She fears that she might start to look pale because of her

The word sadness immediately stands out in the title indicating opposite feelings normally associated with wedding dresses. To continue, the words “sad story” are repeated in lines 27 and 28 (Galvin). Galvin also repeats the word closet in line 4, 11, 14, 20, and 29; alone and forgotten in the darkness of a closet emphasizes the unique perspective of abandonment as opposed to a treasured item. From there, Galvin repetitively makes additional word choices that emphasize the sad, lonely, and abandoned feelings used wedding dresses experience. Galvin makes word choices such as starless, hopeless, darkness, hollow, dump, gone, and disappear. These words all connotate a dark, lonely, and abandoned feeling. Moreover, Galvin incorporates the words yellow, smoke, and flames. Packed away wedding dresses turn an ugly yellow while the lucky wedding dresses go up in smoke and flames; neither scenario are connected to the traditional view of a keepsake. To further the unique tone Galvin associates with wedding dresses, he integrates words such as weeping, longing, and waiting. The connotation of Galvin’s word choices elicit a deep yearning for a better outcome that will unfortunately never come for his abandoned wedding

The following passage is an excerpt from Katherine Anne Porter’s short story “The Jilting of Granny Weatherall.” Read the passage carefully. Then write an essay in which you analyze how such choices as figurative language, imagery, and dialogue develop the complex emotions the character is feeling.

In Faulkner’s “A Rose for Emily”, and Zora Neale Hurston’s “Sweat”, the main characters in both of these short stories are the making of male influence, in this case negative influence, and much of their anger and hatred is intermixed with occasional feelings of adoration8. For these two female characters in "A Rose for Emily" and "Sweat", their troubles are the outcome of male control, and even though their anger is showed and solved in different ways, these two characters delve into despair and isolation because of the male influence and control in their lives; the affect it has on them is their anger and hate towards these male influences.

Anne Sexton was a junior-college dropout who, inspired by emotional distress, became a poet. She won the Pulitzer Prize as well as three honorary doctorates. Her poems usually dealt with intensely personal, often feminist, subject matter due to her tortured relationships with gender roles and the place of women in society. The movies, women’s magazines and even some women’s schools supported the notion that decent women took naturally to homemaking and mothering (Schulman). Like others of her generation, Sexton was frustrated by this fixed feminine role society was encouraging. Her poem “Cinderella” is an example of her views, and it also introduces a new topic of how out of touch with reality fairy tales often are. In “Cinderella”, Anne Sexton uses tone and symbolism to portray her attitude towards traditional gender roles and the unrealistic life of fairy tales.

carted out and the new wounded would be brought in all around me ". Kovic gives us a picture of how terrible the war is, he begins to tells us about his roommate the vegetable who has a half a brain also he begins talking about him waking up to screams every morning and how he see victims of the war burn, blinded shocked and brain damaged. After coming home crippled Ron question himself about the war. Ever since the Kent state shooting he began to question his belief about the war. He went to high school giving speeches about his life in the war and what harm it did to him. In 1972, he was at Nixon’s acceptance speech protesting the war.

The tides of love roll in and out, suiting each shore they meet, painting a picture of beautiful sparkling, although sometimes turbulent waters. For Janie, in Their Eyes Were Watching God, she grasps her life by the ropes and lets it take her on the adventure of a lifetime, never regretting the love she felt and the hardships she endured to find that true and untarnished love. Janie marries thrice, each time drawing nearer to the distant and seemingly unreachable horizon while gaining bits and pieces of self-actualization. The diction, imagery, and figurative language in Zora Neal Hurston’s (ADJ) novel produces a profound effect: allowing the reader to delve into the lives of her characters and walk with them through their trials and their

The stanza lengths also suggest the relationship between the beloved fabrics and time, experience, and imagination. Waniek divides her poem into three stanzas of varying lengths, each stanza focusing on particular points in the speaker’s experience. Set in the past, the twelve line first stanza finds the speaker reflecting on her childhood and her experiential connection to blankets in the possession of both her “Meema” and her “Daddy.” The eight line second stanza touches briefly on the present, and the speaker’s acquisition of a quilt so beloved she’d “like to die under [it].” Longer than the first two stanzas combined, the twenty-five line final stanza finds the speaker blending past, present, and future. She imagines a future where the quilt “caress[es]” her, prompting her to visualize having “good dreams/for a hundred years.” This reverie leads immediately into the speaker contemplating a past where her grandmother, “under her [own] blanket” has dreams of a yet-to-be-bom daughter. Time and imagination shift yet again, with the speaker’s reflection on her “childhood of miracles” followed by final imaginings of her own “as yet unconceived”

From a reader’s standpoint, how a character develops throughout a story is one of the most intriguing parts of reading. In Susan Glaspell's A Jury of her Peers, the narrator, Mrs. Hale, obsesses over how Minnie Wright changes since she was a girl. Similarly, in Everyday Use by Alice Walker, the narrator awaits her daughter’s arrival, to find that she is radically different from before. One of the core reasons for these changes in the characters are the relationships they are a part of. The two characters’ significant others each have a unique influence on the returning characters (Wangero and Minnie).

Katherine Anne Porter’s The Jilting of Granny Weatherall centers around the story of an old woman who lies sick and dying and feels her life flashing before her eyes. She experiences a wide range of emotions over the course of the story before death comes upon her. These emotions are developed in the passage due to the use of literary choices like figurative language, imagery and dialogue made by the author.

Plot, theme, and suspense are three elements that stand out in this short story. They each come together to unfold a thrilling, yet meaningful tale. Among this elements, the theme is the component that primarily affects this account. The author, Richard Connell, proposes strength and skill, the effects of war, the loss of civilization, and that pride may lead to an inept consequences are crucial themes of this story.

Additionally, in “A Jury of Her Peers,” women and men have distinctly different gender roles and the story demonstrates the different opportunities available to both men and women in terms of the division of labor and in society. The men control this world because social rules restrict women’s ability to move about, to choose their own interests, or to exist as separate beings from their husbands. Minnie Wright and Martha Hale are continuously defined as housekeepers. The responsibilities of caring for a house, and a kitchen, are in line with women. Martha Hale still thinks of Minnie Wright as Minnie Foster, underlining the identity change each woman experiences when she marries and takes her husband’s name as her own, when she becomes distinct from her husband’s identity and her own separate personality is lost. One aspect of this social subjugation of women in the story is the loneliness that results from being stuck in their homes. Men have each other’s company, but women must remain at the house by themselves. The women don’t often get out much. “Women are used to worrying over trifles.” (572) A childless woman, like Minnie Wright, would’ve felt this loneliness even more emotionally. The subjugation of women in the story is not confining to the economic and the social. The male characters contribute to these social rules and expectations with a more personal form of oppression: by belittling

The implications of the war in Ian McEwan's ‘Atonement' and Wilfred Owen's poetry go far beyond putting their work into a historical perspective. The war's true importance in ‘Atonement' is to help delve deeper into the psyche of a character that has lost all consciousness of reality in this way Owen uses war as a symbol of the tragedy of human life. Both texts reflect on the idea that suffering, waste, violence and evil are the necessary conditions of human life and more importantly they shed light on the unspoken soldier's experiences that could not have their story told in any other way.

When it comes to a novel that defines human struggles in the most realistic way possible, which one comes to mind? For me, it would be War and Peace, by Leo Tolstoy. This novel is set in an early 19th century Russia, highlighting the interactions of several aristocratic Russian families against the backdrop of Napoleon Bonaparte’s invasion of Russia and the burning of Moscow. There are several themes interwoven in the plot that speak to the dynamics of human life. The main themes of War and Peace are the irrational nature of human behaviour, family, and the search for a purpose.