What Is The Extraordinary And Inspirational Beauty Of A Thangka

Our lives are closely connected with an art. People easily regard an artwork as something that is far from our lives, but it is always around us. Now, I would like to introduce one of Buddhist artworks of Korea. The title is Pensive Bodhisattva. The artist is unknown. However, it was made in mid-7th century during the Three Kingdom Period. The dimension of this artwork is 8 7/8-inch and the medium is gilt bronze. It is located in Gallery 233 among other Korean artworks at the Metropolitan Museum of Art now.

Tawaraya Sotatsu popularized the ‘Tarashikomi’ style of painting meaning “Dripping in” which means applying a second layer of paint before the first is dry, it was mainly used for creating fine detail on water surfaces or flowers.

In comparing The Tibetan Mandala and the Navajo Sand painting the sand drawings are from different cultures, yet their purpose is the same. A better understanding and appreciation comes with looking at these works.

Located at the Horyu-ji temple, the Shaka Triad, also known as the Shaka Trinity, stands 3.82 meters high from the base of the pedestal to the tip of the mandorla. The stature was created out of gilded bronze in several pieces before being put together, and consists of the historical Buddha, Shakyamuni, bordered by two bodhisattvas. Each bodhisattva is 0.91 m high, while the central figure, measures out to be 0.86 m. The three figures are situated on a wooden pedestal, backed by a bronze mandorla, decorated with smaller seated Buddha’s cast in relief. The sculpture has been beautifully preserved, although the gilding on the bodhisattvas has become slightly blackened.

Thesis: Dinh Q Le incorporates his past experiences and culture into his art to convey his cultural heritage in western society.

Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to

roughly a foot and a half tall, nearly two feet long, and ten inches in depth. Used for

Shahzia Skinder, a critically praise Asian American artists, whose contemporary paintings and murals combine the traditional art of Indo-Persian Miniature painting, and her own life experience into the rich and colorful layers of her works. I have found her art to be breathtakingly beautiful and meticulously stylized. Her elaborate and vivid compositions, using miniature art and symbols from India and Pakistan help me connect with aspects of Hindu and Miuslim mythology and the history between the two countries that I had not thought of for a long while now.

C111, the left side one, with a headdress, is the main sculpture that I want to discuss in this paper. Being purchased from C. T. Loo , who’s been considers as the leading Chinese artifacts dealer in the twentieth century , the statue, combines a bodhisattva image with a lotus base, is in excellent condition, although

Both Dai Jin, a professional Chinese painter,and Sesshu, a Zen Monk painter, painted the story about Huike and Bodhidharma. The story,“Huike Presenting His Severed Arm to Bodhidharma”, begins with a monk named Huike who desires to learn from Bodhidharma about enlightenment. Bodhidharma is found within a cave but in deep meditation but once awakened Huike pleads and he thus tests his readiness. To show his huge desire to become a disciple, Huike cuts off his arm to show he is ready mentally and spiritually. Surely enough he followed behind Bodhidharma’s footsteps and also becomes an important figure in Zen. Overall, the main theme shown in Dai Jin and Sesshu’s paintings is the psychological and spiritual tension upon an unenlightened monk who wants become the disciple of a master who answers Bodhidharma’s test by unhesitantly sacrificing a part of body. Although both artist utilizes the formal elements; composition, space, volume, line, texture and tone to depict their own visual version of the story, the artist who best depicts the theme between the two figures and highlights the story better is Sesshu rather than Dai Jin.

This work is a 33-foot-long, 10-panel painting which features an assortment of cartoon -like Buddhist figures. This piece is incredibly detailed and holds a lot of information within its imagery. Arhats are considered to be Buddha’s devotees, so this work relates more to religious themes. The theme of multi-coloured acrylic carries on into this work with rainbow eyes, tongues and more. The title “100 Arhats” states exactly how many arhats are present in this piece – one hundred – believe me, I counted. The Arhats vary in size and type, some being more humanoid than others which appear to be more akin to animalistic creatures, the piece is also accompanied by figures that may not be arhats, and instead are dragon or feline-like creatures. Each figure, however, relates to one another in that all have somewhat gruesome facial expressions, frowning and wrinkled, some even with an array of

At first glance, the 17th century paintings of the Baroque period, India, and China may not have much in common, but upon closer inspection there are relationships and divergences to consider beyond the surface. These details can be seen between Bichitr’s Jahangir Preferring a Sufi Shaykh to Kings, Wang Hui’s A Thousand Peaks and Myriad Ravines, and Diego Velázquez’s Las Meninas (The Maids of Honor). While each carries the style of its own location of origin, they all showcase influence and subject matter similarities and differences worth making note of, most specifically the presence of duality in focus within the paintings.

The group of objects chosen for this paper comes from the collection of the Saint Louis Art Museum. The title of both pieces is called Seated Bodhisattva Avalokitesvara (Guanyin). Both these pieces which are statues were sculpted in china. The earliest statue was made during the Tang dynasty. While, the later statue was made during the Northern Song dynasty. These statues were chosen because the same deity is depicted and were made in a similar geographic and cultural location. This allows for the comparison of the different styles between the 2 periods. The statue made during the Northern Song dynasty depicts the Bodhisattva Avalokitesvara sitting in a pose called the relaxed pose or easy pose. This statue also depicts the Bodhisattva adorned in lavish silk garments while a jeweled crown sits atop his head. The statue is carved from wood and painted with gesso, pigments, and gilding. The statue made during the Tang Dynasty depicts the Bodhisattva sitting in the easy pose as well. It also depicts the Bodhisattva in flowing robes while wearing a string of jewels.

The San Diego Museum of Art has remained a must-see stop for tourists and locals alike due to the informative nature of the displayed artwork pieces and its relation to world history. The centuries of artwork pieces can perhaps broaden one’s perspective of art cultures from around the world, as I have become more informed about Asian cultures and traditions through pieces, such as Brush and Ink. As Hans Hofmann stated, “through a painting, we can see the whole

Milarepa’s captivating life story depicts a man willing to commit sins on behalf of his mother’s command to one that decides to leave his family, in order to achieve enlightenment. This autobiography allows him to remain to be a beloved yogin because of his drastic and fulfilling spiritual transformation, thus encouraging Tibetans to seek a similar path to nirvana in their lifetime. However, Milarepa proves that one’s journey to liberation and enlightenment has to be earned and fought for spiritually and psychologically.