What Is The Fashions Political Gap

There have been and still are hundreds of fashion designers in the world. But only a few of them have had any major impact on fashion industry today. And even fewer have revolutionised the fashion industry completely. One of these revolutionaries is the renowned Christian Dior. He reestablished Paris as the centre of the fashion world, and created his name as a symbol of elegance, quality, and modernity. I will be looking into how Dior’s context informed his practice, by using three of his most iconic and popular designs; The Bar Suit, Venus Dress and the Cygne Noir dress. And how these were a direct representation of 1945-1950 France.

Let’s take a look at the women’s of the 1920’s, the changes that took place in fashion and the roles of women in society. Women’s fashion will be compared from early days up until the 1930’s, with a brief comparison of the roles of women before and after the 1920’s. A discussion of the different avenues that opened up for women after 1920 and the impact that it has had on modern day women will also be covered within this paper. you need a stronger introduction

Fashion has been a prominent aspect of a woman’s life throughout time. Women of different times and cultures have turned the routine of picking out clothes and putting together different ensembles into a sort of art, or a way to express and promote themselves. Many women also see fashion as part of their identity, or a way to manipulate the way people see them. What a woman wears can drastically change the way society views her - it can increase her chances of getting a job, or make her gain respect (or rejection) from her peers (Sika n.p.).

A thorough and broadened knowledge of American clothing’s history opens wide, the opportunity to explore the American identity. Helen Sheumaker’s “American Fashion” discusses the relationship between political values and their influence on different clothing styles. The Reader’s Companion to U.S. Women’s History provides insight about how the clothing fashion was indicative of a person’s class. Certain clothing styles distinguished specific communities like the wealthy and the working class yet simultaneously gave a clear distinction of the liberal American style from the proper and trim of the

My decision to peruse Hannah Berry’s “The Fashion Industry: Free to Be an Individual”, was due in part to my curiosity since my fiancé’ minored in Fashion prior to our meeting. I decided to write on the gender-based topic analysis, a view from a male’s perspective I suppose. During the thesis introduction paragraph, it was blatantly obvious, even in my male experiences thus far; women in our society are bombarded with images and opinions convincing them to beautify themselves for potential dates or suitors from back in the days. In retrospect, thinking of conversation recently of whalebone corsets … comfort appeared last of importance, beauty on the outside, was to behold! The aforementioned shoe companies Clarks and Sorel (which I’m familiar

Fashion is everything to society and the media. The fashion industry has transformed into a necessity in the life of people. Everyone wants to look good, feel fabulous and feel as if we belong with everyone else. The envy and desire to wear certain things and look a certain way all come, from wearing the latest fashion handbags, accessories, dresses, shoes, and the list goes on. But, when is considering fashion into an individual’s life going too far to the extreme? Many do not consider the whereabouts of fashion materials and how the environment is affected by the mere existence of certain garments. Some may believe these objects grow on trees. But that is clearly not the case. Even though it would be nice. The fashion industry as a

Tory Burch is important in the fashion industry because she is also a business woman and a philanthropist. People around the world needs someone to look up to, and Tory Burch is very passionate about her career, she served on the board of Council of Fashion Designers of America, the Breast Cancer Research Foundation, and Memorial Sloan-Kettering Cancer Center. She received several awards of her accomplishments in those societies, as well as “Accessory Brand Launch of the Year from Accessories Council of Excellence; and Rising Star award from Fashion Group International. Tory was named on of Forbes’s Most Powerful Women in the World” (Carrera, 2011). She was actually rated as the 73rd most powerful women.

The fashion industry is rapidly growing and constantly generating new fashion trends almost weekly. Fashion for some may seem ridiculous and unnecessary; but fashion is not just a meaningless usage of article of clothing or farcical materials sew together for coverage. There is more to fashion than meets the eyes, fashion is precious and significant. It is a reflection of self-image, it speak the ream about who we are and how we review ourselves. Not only is fashion the reflection of self-image but also the reflection of our history as Coco Channel have said, “Fashion is not something that exist in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” Fashion

This is best illustrated in her ability to make fashion timeless” (“Six of America’s Leading Designers Create One-Of-A-Kind Gowns Inspired by Grace, Princess of Monaco to Celebrate her Iconic Style and Legacy to the Fashion World 1). People from all around the world still copy her looks today because they never go out of style. Six of America’s top designers are taking an iconic outfit and creating a one of a kind look all from inspiration from her looks in honor of her legacy. Grace Kelly obtained a classic college girl style; she wore basic pieces but made sure they all fit perfectly “her style was defined mostly by what she didn’t wear-- ‘too blatant curves, too-tight dresses, too-lavish furs, or jewelry noteworthy only for its abundance” (Ball 1). Her simple pieces were out of the ordinary at this time; the fact that she was a Hollywood it-girl and Princess of Monaco who did not wear outrageous articles of clothing made her different-and the public loved it. Furthermore, the press ate up everything about her, when she wore something plain and simple to meet the first lady, the world could not get enough of her simple style. She single handedly changed the fashion trends of her era “...her rigorous fashion restraint frequently sent the newsprint world into a tizzy. When she wore a plain green dress to the white house in 1961, it was headline news, the headline being THE GODDESSES MEET” (Ball 1). Kelly inspired others because her elegance and poise radiated through her style. Her signature white gloves and oversized saucer hat made her modest and classic. One of Kelly’s largest fashion accomplishments is when one of the most well known designers in the world-Hermes-named a bag after her. Her iconic large bag she used to conceal her baby bump was named the ‘Kelly’. Besides from her stunning appearance Grace

Change is a theme that is ever-present in our culture and society. Often this change is reflected in the dress of its people. From the fashionable silhouettes of the 1920’s to the colorful 60’s, hip-hop look of 90’s up to the modern twist of today, social change and change in fashion has, in theory and practice, been linked. According to ask.com, Fashion can be defined as a prevalent style by a particular group at a particular time, and, therefore, may be linked to a specific cultural and historical context in which there is general acceptance of a given style or look

Fashion is a form of expression and with its ever changing ideas and trends it explores and creates an array of identities. As Bennett, A. (2005) states “Fashion…provides individuals with a key means through which to manage their identities in the context of everyday life”. I wish to explore how fashion has developed to which identities can be created by oneself and what is around in everyday life and culture that may influence choice in dress. Is fashion a form of agency or structure? I will continue these ideas around gender and in particular fashion photography and how in which gender is represented within the popular mainstream media. Looking at if fashion photography plays a role in challenging gender roles, and therefore creating new ideologies of identity. Or, does fashion photography intertwine with the rest of media in its representation and stereotyping of both genders? Helmut Newton will be used as a case study and the interpretation of his work. This study will also look at the theory behind androgyny and continuing by also looking at dandyism and if these concepts are being constantly played with in the fashion media.

The 1920’s, also called the roaring 20’s, was a time of change. During this time period the fashion for both men and women was changing immensely. The aftermath of WWI caused America to enter a vigorous era. As a result of the role of women during the war, many customs and morals were changing. The Stock Market started booming, many new dances and music came about, and women got the right to vote and enter the workforce. There was an uprise in almost every activity, and fashion was definitely one (Tirocchi, Anna and Laura). Although fashion varied throughout the decade, one could notice a drastic change from the prior fashion.

This essay will be considering the historical development of haute couture by analysing Charles Frederick Worth’s (father of haute couture) key factors in the success of haute Couture. I will then discuss Coco Chanel’s thriving impact on haute couture as well as ready-to-wear caused by the second world war. Saint Laurent’s drift to ready-to-wear and the high street fashion system will also be discussed in order to answer if haute couture is relevant in fashion today. The books I will be analysing and referencing are ‘A Cultural History of Fashion in the 20th Century’ by Bonnie English, ‘Couture’ by Ruth Lynam, ‘How Fashion Works’ by Gavin Waddell. Which will thoroughly breakdown the evolution and historical development of fashion by cultural, economic, environmental and social changes to finally come into a conclusion.

Although celebrity culture is typically associated with actors and actress, consumers may also rely on the trustfulness and credibility of politicians and first wives when deciding fashion trends. In the 1960s, fashion icon Jackie Kennedy took over the fashion industry (Joel 1). She appealed to many stay-at-home women because she was commonly known to have a “sophisticated simplicity” (Joel 1) approach to fashion. Her successor, First Lady Michelle Obama has instantly become a fashion icon herself as well. She is commonly seen wearing American designers therefore pushing “the American fashion industry into the international spotlight” (Givhan 1). People are often so draw to her style because it gives a glance into her personal life. As Givhan states, “Obama’s clothes have connected with the public in contemporary terms, in the language of Hollywood’s glamour, Seventh Avenue’s bold entrepreneurship and the democracy of the mass market” (Givhan 1). In March 2009, Michelle Obama appeared on the cover of US Vogue which showcased her “dress, style, and poise” (Gibson 40). Brett Schenck, president of Hart Schaffner Marx states, “It’s usually the frenzy behind the first lady” (Jones), but in the some instances, President Obama has also made an impact on the fashion industry. In the summer of 2009, designer Donatella Versace created a runway show that was designed and dedicated to him. The clothes she created where inspired by President Obama because it showcased “a relaxed man

August 19, 1883, Saumur, France (“Coco Chanel”): this is the date of when Gabrielle Bonheur Chanel was born. While Chanel’s aesthetic in her later years was glamour, glitz, and glam, her early years were not the same. Chanel's mother died when she was twelve, and due to her peddling father, she and her two other sisters went into foster care (Collage). There she was raised by nuns who taught her how to sew (“Coco Chanel”), a skill that will benefit her later in life. Before Chanel entered the fashion world, she was briefly a nightclub singer. This is where she coined the nickname “Coco” and met a very important man to her career (“Coco Chanel”). This man was the wealthy business man Arthur “boy” Cape, and