What Is The Flapper Persuasive Essay

In the documentary “Blackfish”, directed by Gabriela Cowperthwaite, she discussed the harmful events that have occurred when keeping killer whales contained for show and entertainment purposes. Cowperthwaite argued the fact that the killer whales become aggressive when held captive in an area too small for them and separated from their families. Throughout the documentary there were many horrifying stories about the attacks told by people who had saw the tragedies first-hand.

Any little child is able to connect the name Shamu to the massive black and white creatures that dwell in the ocean waters, termed orcas or killer whales. However, the recent release of the film “Blackfish” has aimed to revise the common opinion of killer whales who are known by the title Shamu. As the film strikes marine life parks such as SeaWorld with apparent reasons as to why these orcas should not be in captivity, the question of “Blackfish”’s validity arises. How truthful can a film be that was created to persuade its viewers to ceases visiting attractions such as the killer whale shows? Since the release of “Blackfish,” animal rights activist, writers, and amusement park aficionados have been expressing their speculations on the “Blackfish”

Gabriela Cowperthwaite’s activist documentary, Blackfish, spurred a significant public dialogue following its 2013 premier. The film centers on the role of Tilikum, an orca whale at SeaWorld, in the deaths of three SeaWorld trainers, including, most recently, Dawn Brancheau. Cowperthwaite follows a suit brought against Sea World by the Occupational Safety and Health Administration (OSHA), weaving together testimony of scientists, former trainers, and family members of the deceased, among others, to make a compelling case against SeaWorld’s practice of holding and performing alongside orcas. Nevertheless, after its release, the film drew criticism from some of its participants as well as Sea World itself. Cowperthwaite claims not to have tried to vilify SeaWorld. However, this claim seems dubious given the film’s fairly evident anti-SeaWorld bias.

Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.

In the documentary “Blackfish”, directed by Gabriela Cowperthawaite in 2013, is asking the audience to take up a position on the inhumane treatment of whales in captivity. In particular, she invites us to feel sympathy for the whales and anger toward SeaWorld cruelty and denial of culpability. Cowperthawaite makes choices of visual image, language, sound and structure achieve her outstanding outcomes.

Captivity Kills The documentary Blackfish reveals the horrifying story of the capture and torture of orca whales at the well-known amusement park, SeaWorld. Blackfish revealed the heartless treatment of the orca whales to the public eye. Tilikum, a featured whale in the documentary, was taken from his family at a young age and forced to live in a small concrete pool for most of his life. His experiences revealed a large part of the problem of placing whales in confinement.

Blackfish (2013), a mesmerizing, psychological documentary with 7 film awards and 38 nominations, presents an extensive look into the negative effects captivity has on Orca whales. The director and writer Gabriela Cowperthwaite calls her audience to action, similar to documentaries such as Food, Inc., The Cove, and Super Size Me. In all of these documentaries, the director and writers reach out to an audience that is not fully knowledgeable on a certain topic, in order to persuade them into taking a stance on a certain topic. In Gabriela’s film, she illustrates the story of Tilikum, a performing Orca who killed many people while at SeaWorld, Orlando. Though at times graphic, the film investigates the harmful effects captivity has had on these wonderful creatures and their trainers. Blackfish uses credible interviewees, powerful voice-overs, and influential outside evidence to persuade those who are un-informed of the negative effects of captivity on killer whales. The ultimate goal in doing this is to urge these individuals to take a stance against aquatic captivity.

Since 1961, 157 orcas, or killer whales, have been ripped from their homes and shoved into captivity. 127 of these orcas are now dead. With the number of captured orcas plus the number of those born into captivity, The W.D.C. (Whale and Dolphin Conservation) reports that, “At least 162 orcas have died in captivity, not including 30 miscarried or stillborn calves” ( “The Fate”1). Out of the 127 taken into captivity, 44 have died in SeaWorld. There are currently 58 orcas residing in 14 marine parks in eight different countries. 24 of those orcas are held in SeaWorld’s three parks in the United States. Since 2002, 14 have been taken out of the wild and put into these marine parks. (“The Fate”1) It is not fair for these innocent creatures to be physically and mentally manipulated and damaged. Such brutality would not be condoned if it were targeted towards a human, and it should not be condoned when targeted toward an animal. Orca whales should not be held in captivity because they are forced to live in subpar conditions, they are mistreated while in captivity, and they are led to aggressive behavior.

Gabriela Cowperthwaite’s documentary Blackfish explores the harm captivity causes to whales and their trainers. Throughout the film the orca whales undergo a transformation from defenseless creatures into molded killers. The orcas in the film are portrayed as intelligent and caring creatures who are capable of grief. Through this character the development the documentary has affected how these animals are treated, as well as the public’s opinion on the issue.

“If you love something, set it free.” This is a quote that has circulated for years, and nowhere else is it more applicable than in SeaWorld’s parks. Trainers and corporate alike claim a deep love for the animals they keep captive, but in recent years, the topic of holding orca whales in captivity has become more controversial than ever before. The CNN documentary “Blackfish” brought the conditions Seaworld provides for its orcas to the public eye in a way that had not been done before, which led to much public outrage. The containment of orca whales for educational and entertainment purposes has, in almost every way, been brought into question. Ranging from the physical and psychological damages they experience, the issues in their family structures, and the dangers that their human trainers experience, orca whales are not fit to be kept in captivity.

The rhetorical situation of the documentary is presented by director and writer Gabriela Cowperthwaite when she brings to light the history of Seaworld and it’s famous orca, Tilikum by recruiting former trainers and whale experts. The context of the film is explained when it dives into the orca attacks, the most recent victim being Dawn Brancheau who was killed by Tilikum in 2010. The principle aim to this documentary is that orcas should not be held in captivity because it is detrimental to their mind citing past incidents throughout Tilikum’s life. I found this “text” to be effective because it highlights the developed brain of an orca, former incidents with Tilikum, and consistent concealment of blame from

A documentary is film dedicated to recording an aspect of reality for informational purposes. Documentaries can cover a wide variety of topics, such as the wildlife in the world. A major topic that has become relevant is the discussion of endangered species and the human impact on their lives. In the movie, The Cove, the portrayal of Ric O’Barry creates pathos and ethos to gives the audience a sense of urgency to help the fight against the slaughtering of dolphins in Taiji, Japan. Ric O’Barry, in the 1960’s, was a famous capturer and trainer of dolphins for the popular TV show, Flipper.

The documentary Blackfish by Gabriela Cowperthwaite, is trying to persuade its audience that keeping orcas, or commonly known as killer whales, in captivity is a mistake. The director does this through rhetorical strategies. This film targets SeaWorld and its consumers in a logical way. “SeaWorld claims that orcas live longer in captivity than in the wild.

In the early 1960’s, the highly intelligent and emotionally evolved Orcas (Killer Whales) were captured and taken from their pods (families) and their natural habitat. They were forced to live in captivity where they were trained to entertain the public while generating large profits for businesses such as SeaWorld Entertainment. However, that practice was eliminated altogether due to the unpopularity of Killer Wales in captivity and the inhumane way in which the young Orcas were captured in the wild. Today Killer Whale entertainers are no longer captured and taken from the wild as in the past but instead are bred in captivity where they are raised and trained from birth to be tomorrow’s performers. Many scientists and advocate groups for the ethical treatment of animals such as PETA have been raising this ethical issue for many years and have even proposed methods that would allow the animals to continue entertaining the public while

“Big Brother is watching you” (Orwell 2). This quote is from the novel 1984 by George Orwell. In this book, the society is controlled by an all powerful government that capsizes the people’s brain so that there is no independent thought. Citizens are constantly being watched and monitored while all they can do is support them and pour out hate to the enemy thinking the party is always right. Hope comes to a man named Winston, the protagonist, a lone man who secretly opposes the manipulation of the mind. After the plot unravels, Winston begins to show his opposition against the party. The party controls everything in the society and puts everything the way they want it to be, endlessly reminding people that they