What Is The Frontier Hero In James Fenimore Cooper's Last Of The Mohicans

The colonization of Native American people has consequently framed Native American society as heteronormative, despite the historical inaccuracies of such a notion. The relationships presented throughout this collection range from sexual, platonic, familial and interracial. Race is "a constant presence" (14) throughout the course of each narrative. Alexie 's stories question of identity as it relates to race and sexuality across a boad spectrum. The nine stories in The Toughest Indian in the World move off the reservation to Seattle or the nearby city of Spokane. The ‘urban Indians’ at the heart of these stories are educated, middle class and sober, and outwardly at least, they are fully integrated into the dominant white society. This paper will explore the trajectory of identity in Alexie 's work and how Toughest Indian demonstates a sense of otherness of Indians in an urban envirnment. This theme is expored through Alexie 's treatment of race and sexuality as demonstrated in two stories: Toughest Indian and John Wayne.

The most serious Native American stereotypes are clearly visible in films of the early twentieth century in Hollywood westerns. The big screen stories about western cowboys defeating Native tribes proved to be extremely popular and lucrative. Hollywood then started producing western tales in incredible quantities . In most Westerns, white cowboys represent courageous, brave, and quick witted men while the Indians are the dimming past. Cowboys are logical. “Indians” are irrational. Together, cowboys and Indians are the ego and the heart of the Anglo-Saxon identity. Native American characters in twentieth century films have ranged from stereotypes including the bloodthirsty, raging beast to the noble savage. Still other Indian characters, whether they are heroes, bad guys, or neutral, were the characters with little to no character development or range in their personalities. These stereotypes have their origins in popular American literature dating as far back as the sixteenth and seventeenth centuries. Jacquelyn Kilpatrick, author of Celluloid Indians, notes that popular stories “centered on Native American savagery served as outlets for violence and pent up aggression in an early American society that prided manners and respectability.” (Kilpatrick 2) In these stories, the Native American population was seen as bad, though individual members could be represented as good. These stereotypes continued for years. One author, James Fenimore Cooper, began publishing a series of stories titled The Leatherstocking Tales in 1841. Kilpatrick emphasizes that Cooper

In the Last Stand, written by Nathaniel Philbrick he discusses a big leader in the Civil War, George Armstrong Custer and how he led his troops with reckless courage. Philbrick wrote this book which can be viewed in many ways: a bloody massacre that is a big part of American history, or a tale of crazy arrogance and even unmatched bravery. One way that this book can be viewed as is the Last Stand being viewed as an account of a well-known battle that encapsulates the treatment of Native Americans during the “Indian Wars.” The next option is that the Last Stand is a retelling story of a history that does not glorify the United States Army in the Indian Wars, but shows the hubris and reckless of the leaders and army. Finally, the Last Stand can be viewed as a double meaning, both the last stand for Custer and the Last Stand for the Sitting Bull and the Lakota Sioux. In this essay, I’m going to discuss the ways in which Custer leads his troops and how he was a powerful leader during this time.

“Indians are like the weather.” With his opening words Vine Deloria Jr. sets up the basis for the rest of his witty yet substantial manifesto, Custer Died for Your Sins. The book, which describes the struggles and misrepresentation of the American Indian people in 1960s American culture, is written in a style that changes from ironic and humorous satire to serious notions, then back again. Through energetic dialogue that engages the reader in a clever and articulate presentation, Deloria advocates the dismissal of old stereotypes and shows a viewpoint that allows the general public to gain a deeper understanding of what it is to be an American Indian.

Hollywood’s early depictions of Natives consisted of tribesmen and noble savages who are in tune with Nature. Films such as The Silent Enemy portray these stereotypes on screen with actors like Chief Buffalo Child Long Lance being shown as tribesmen who are very noble Natives. Although these stereotypes are positive, they are still stereotypes nonetheless. These stereotypes have caused

When the first colonists landed in the territories of the new world, they encountered a people and a culture that no European before them had ever seen. As the first of the settlers attempted to survive in a truly foreign part of the world, their written accounts would soon become popular with those curious of this “new” world, and those who already lived and survived in this seemingly inhospitable environment, Native American Indian. Through these personal accounts, the Native Indian soon became cemented in the American narrative, playing an important role in much of the literature of the era. As one would expect though, the representation of the Native Americans and their relationship with European Americans varies in the written works of the people of the time, with the defining difference in these works being the motives behind the writing. These differences and similarities can be seen in two similar works from two rather different authors, John Smith, and Mary Rowlandson.

A reader of The Last of the Mohicans is able to notice the manifested racism in the book which is perpetuated through the cultural divide and racial stereotypes. Racism from Cooper’s book depicts itself in being one of the contemporary themes in the novel which offers derogatory and stereotypical concerns to people of various races. In a more stringent analysis, the racial stereotypic statements from the book drive racial and cultural tolerance along with the societal inequalities which are set forth by Cooper. The author does not only use the stereotypes to further the racial barriers but also support and build the plot of the book promoting the idea that people from different racial and cultural upbringing can be divided on racial

Cooper and the American Wilderness – James Fenimore Cooper was the first great American novelist (The Last of the Mohicans, The Deerslayer) His novels “The Leatherstocking Tales” were a celebration of the American spirit and landscape

The last of the Mohicans is an adventure novel about Native American interactions with English, French, and frontier settlers during the French and the Indian war in 1757. The background of the novel is based on the French, and the British army who are fighting against each other and both have Indian allies to assist them. Nature, as itself, is introduced to the reader as a character among all the other characters which the author explains in good detail. Of all the characters in the novel, Hawkeye and Magua play an important role, Hawkeye as the hero who saves the day and Magua, as the villain whose appearance brings fear and terror to the reader. The story changes its pattern as soon as Magua appears on the scene and executes his evil ambition and plans.

In a New York Times article “Why Dakota Is The New Keystone,” written by Bill McKibben he uses word choice that envelops a certain tone to the reader, varying sentence structure that make the piece interesting, and appeals to both pathos and logos. All of these writing skills are used to encourage Americans to stand up with the Sioux tribe. McKibben uses a strong choice of words that portray the Sioux tribe as the “heroes of the standing rock reservation, sometimes on horseback, have peacefully stood up to police dogs, pepper spray and the bizarre-looking militarized tanks and SWAT teams that are the stuff of modern policing” (McKibben). When the reader sees the words such as ‘heroes’ and ‘peacefully’ it is easy for them to see that the tribe is not the enemy in this situation.

James Fenimore Cooper’s book The Last of the Mohicans, takes place in the frontier of western New York during the French and Indian War. The book is about two daughters getting escorted to see their father, the hardships that come with it, and the events afterward. While telling the story, I will tell you about two characters and how they either changed or resisted change. The characters that I will discuss are David Gamut, who changed, and Cora Munro, who resisted change.

In Sherman Alexie’s novel The Lone Ranger and Tonto Fistfight in Heaven shows the struggles of daily Native American life, which is shown through the point of view of male character. All though out the book the following three questions appear: ‘What does it mean to live as an Indian in this time? What does it mean to be an Indian man? and What does it mean to live on an Indian reservation?’ Alexie uses literary devices such as point of view, imagery, characterization to make his point that the conflict of being an Indian in the U.S. in these short stories using the following short stories “An Indian Education” and “Amusement”. “An Indian Education” uses both imagery and characterization to show us what the narrator is

Cooper challenges the assumption that white characters exhibit certain character traits simply because they' are white and Native Americans exhibit certain character traits simply because they are Native American. He does so by introducing the interracial friendship of Hawkeye, Chingachgook and Uncas who have a very different racial history but look past race and develop a bond that saves other and leads to unification between whites and Indians. The novel’s setting is three years into the French and Indian War, and the struggle over the unfamiliar Native frontier brings about tensions between an expanding national culture and a diminishing Native American population (Cooper 13). Chingachgook and his son Uncas are the last of the Mohican tribe who have an uncommon friendship with a white man named Hawkeye. While Hawkeye may identify as white, he most closely associates himself with the Indians, he is a

In The Last of the Mohicans by James Fenimore Cooper, historical romance is apparent through settings, characters and plots. Cooper is considered by many critics to be the father of the American historical romance. Fred Lewis Patee said, 'Not only was Cooper the pioneer (of the historical romance) in America, and thus worthy of the highest praise, but in many respects his romances have never been surpassed.'; (212) Cooper celebrated the creative spirit of the individual and had a deep appreciation for nature. He was a romantic who enjoyed the mysteriousness and exoticness of the frontier. He favored the use of emotions over reason. Through his romantic writings, Cooper is able to captivate the reader and led them on journey through his

Throughout James Fennimore Cooper’s novel The Last of the Mohicans a common theme of interracial friendship and love and the difficulty it takes to overcome such an obstacle, is shown strongly in the work. In the novel Cooper shows how the America people of European decent treat those that are native, by showing how negatively they treat the Native Americans. Chingachgook and Hawkeye have a friendship that is genuine and deep, bypassing the normal relationship between that of a white man and a Mohican Indian. Interracial love and romantic relationships are condemned in The Last of the Mohicans, for example when, Cora, the older daughter of Munro, is approached