What Is The Importance Of African Music

Dance has always been the focal point in which Africans are able to let free through movements of emotion. In this essay I will discuss the history of African Dance and its importance to the African Culture. Also will be discussing the general information of African dance, the different types of African dance and the ones that I like the most. Dance in the African culture is something that cannot be taken advantage of in the African Culture because it holds such a strong meaningful moment at the time of any occasion.

From the 1500s to the 1700s, African blacks, mainly from the area of West Africa (today's Senegal, Guinea, Sierra Leone, Gambia, Liberia, Ivory Coast, Ghana, Dahomey, Togo, Nigeria, Cameroon, and Gabon) were shipped as slaves to North America, Brazil, and the West Indies. For them, local and tribal differences, and even varying cultural backgrounds, soon melded into one common concern for the suffering they all endured. Music, songs, and dances as well as remembered traditional food, helped not only to uplift them but also quite unintentionally added immeasurably to the culture around them. In the approximately 300 years that blacks have made their homes in North America, the West Indies, and Brazil, their highly honed art

For as long as mankind has walked on this earth, music has been an important part of our culture and lifestyles. Each walk of life beats to a different drum. Different cultures use music for many aspects of their lives; for religious purposes, for celebrations, for comfort, for sorrow, for relaxation, for sports, for dances, for energy, for learning, for sleeping, and for sexual experiences. Everyone uses music for something. Music connects with people and reaches them in ways that words simply cannot. Music is a representation of what feelings sound like. It expresses emotion and brings that characteristic out from within us; it tells us a story. Every generation has its’ own sound and different music styles have emerged and become

a. Most of the collective music manifestations found in sub-Saharan Africa represent the community, and encourage group participation using a method that is called call-and-response. If they aren’t using a call-and-response such music’s are usually to be found at events such as religious ceremonies, and/or most other ritual based activities.

In ancient African civilizations music took precedence in all activities that the tribes participated in. There was a song for every celebration, every birth, and every death. As Africans were enslaved and moved to North America by Europeans, many customs and traditions followed with them. As their culture was stripped from them and European ideals were placed upon them, they kept song as their universal language and their link to the motherland. From early on, slave songs also known as “Negro Spirituals” were the first inclination of what could be considered African American music. These songs were largely influenced by the conversion of many Africans to Christianity, and generally held a religious overtone. As slavery came and went and

The roots of modern american rock and roll music, are firmly planted in Africa. As the native Africans were torn apart from their family’s and brought to the new world their lives were immediately and drastically changed forever. Finding themselves immersed in a completely new environment with a foreign culture, they thankfully persevered and carried on with their own traditions and most importantly to this paper, musical ones. Most American slaves originated from Western and Central Africa. The West Africans carried a musical tradition rich with long melody lines, complicated rhythms (poly rhythmics) and stringed instruments CITATION. The West Africans music was also strongly integrated into their everyday lives. Songs were preformed for religious ceremonies and dances and music was often a

According to the book New Africa Diaspora, “Music has been one of the primary media of communication in Pan-African world, through which cultural influences, ideas, images, instruments, institutions, and identities have continuously circulated, in the process of creating new modes of cultural expressions both within Africa itself and in the diaspora (Okpewho & Nzwgwu, 2012). The music was rooted to express the displacement of the African people and used as a creative way to connect with others in their culture. Through the use of music, cultures are able to express their true emotions and feelings to current and past events that have happened within their lives. This was a creative way for this group of individuals to relate to their homeland and also express their feelings of displacement. Another way in which African culture fits into the elements of a diaspora was through education. For education allowed individuals to pursue a higher education to allowed them to learn historical facts and ideas Africa itself. Thus demonstrating creating collective memories about their homeland. The book New Africa Diaspora suggest, “When Fourah Bay College in Sierra Leone and Liberia College in Liberal opened in 1827 and 1862, respectively, they served as Pan-Africanist institutions that attracted students and faculty from across West African especially, many of whom were themselves of

African influence is evident in African secular and religious practices, in instruments modeled after African instruments, and in the use of musical traits associated with Africa’s ethnic groups.

In Africa, music isn’t just something they see as having fun, it has become something greater. Africans use music in their everyday lives. It has become a social event, where African community’s come together and accompany songs with cultural beliefs, traditions, rituals, festivals and “recreation after a day’s hard work”(Bame, 7). For instance, in some communities it is believed farmers are able to heal people while dancing. Other’s dance to honor the death of a person, and find their soulmates.

“From the lyrical cries of black street vendors in 18th-century Philadelphia to the infectious dance rhythms of the Motown sound, African-American music has been heard at all times and in every corner of America. This particular part of this article shows you the elements and eras of music we will be talking about.” (“The History On African-American Music”).

Although dance movements could vary in some ways from culture to culture, the basic structure and reasons for dance were similar. The dance was vital to African societies because Africans danced for all the occasions and needs of life mentioned earlier. In both ritual and non-ritual forms, dance marked the notable events and served as an avenue to connect them to God as well as for celebration, recreation, and self-expression. Dance did everything from evoking the spirit world to portraying a dramatic allegory

In this essay, I will be examining the musical genre of Afrobeat which was created by Fela Anikulapo Kuti. Afrobeat first came to be in the late 1960’s during the Civil Rights Movement in America. Fela Kuti a Nigerian, was able to create a genre that has change the way we view music today. Afrobeat is made up of two different words, “Afro” and “Beat”. “Afro” correlates with “African organized sound while beat is a rhythmic counting pattern in relation to such music” (Oikelome, 2013). Therefore, the meaning of Afrobeat is the unique African rhythmic patterns of such music. The coming of this genre is very interesting since the man behind it has quite a story.

Cultural forms practiced by African slaves on the plantations included music, dance, festivals, food and religion. Music, to slaves was a form of expression of a people who had hope. Music was expressed in the form of singing and drumming. Although the drum seemed like a simple piece

In this course we have learned about all of the different cultures and their musical traditions. My favorite so far has had to be the west African music culture. They have a variety of different music, instruments, and dances to contribute to the reasons I liked this music culture so much. So, I have taken it upon myself to further my research on this particular musical group. I will compare and contrast a variety of different videos from the west African music culture and I will analyze how they connect to this culture.

Scholars have attempted to define music, and to be quite honest, it will be a huge challenge to try to weave a definition around the art that is music, because it is beyond definition. However, for the purposes of this work, we shall adopt the definition by Aluede & Eregare (2009), not because the definition is, in itself, complete, but because it captures the very essence of what we look for in the definition of music. Music, according to Aluede & Aregare (2009), is not only an organization of sound but also a symbolic expression of a social and cultural organization, which reflects the values, past and present ways of life of human beings. Also, Jones (1975), cited in Amana and Onogu (2015), defines music as “a language which encodes emotions, aspirations and people’s goals in autonomous and self-expressive arts forms.” These definitions are important in understanding music, because they highlight the fact that music does not only appeal to the feel-good emotion, it is not only used for entertainment; it is a valid form of social expression and this underscores the centrality of music in African socio-cultural life.