What Is The Literary Devices In The Fall Of The House Of Usher

Most times, anything abnormal or odd tend to be pushed under the rug. Edgar Allan Poe subtly brings attention to topics the are typically ignored. E. A. Poe had far from a perfect childhood. His father left when he was young and his mother died when he was three. Poe also seemed to have a lonely childhood after his parents were gone. He was separated from his relatives and didn’t appear to have many friends. He attended the army and after went into West Point. His academics there were well but he was eventually kicked out because of poor handlings of his duties. Before Poe died, he struggled with depression and a drinking problem. Some believe Poe’s tragic lifetime was the inspiration for some of his stories. Such as, “The Fall of the House of Usher”. A possible theory about this story is that Roderick and the Narrator were one in the same. This essay will discuss the possibility of them being the same through plot, characterization, and personification.

The narrator of the story stated that Roderick's fear might have been linked directly to the house. He explained how he is "enchanted by certain superstitious impressions in regard to the dwelling which he tenanted, and whence, for many years, he had never ventured forth." Roderick explained his feeling that he was stuck in the house and that horrible things would happen to him if he left. The narrator implied that Roderick's mental condition might have been relieved if he would leave the house and face his fears. However, because of

The Usher mansion is slowly deteriorating, just like Roderick Usher himself. The “sombre tapestries,” “ebon blackness,” and “phantasmagoric armorial trophies” did not just start showing in the house; these elements have had time to develop and is now represented as a never ending darkness, which is just like Roderick Usher’s mental illness. Not only does Poe create an image of the house, he also uses lucid details describing the Usher’s mansion and the rooms inside the home to show that Roderick’s mental illness has physically and mentally trapped him. Roderick is a gloomy and mysterious character who looks as if he is dead. Poe describes Roderick’s appearance as one to not easily be forgotten (Poe 152). In Roderick’s mind, he feels as if he has no escape from this illness, which terrifies him. His biggest fear is fear himself. The evil that has overcame his body will take a toll on his life and he is aware of it because he says “I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed no abhorrence of danger, except in it absolute effect-in terror” (Poe 153). As described in the story, the Usher house has rooms that create a somber life and with this creation, Poe is able to portray the kind of life that Roderick Usher is living and will live. Not only is this technique used in “The Fall of the House of

Edgar Allen Poe is a critic of short stories and poetry, and often puts his own theories into his writing. Edgar Allen Poe’s, “The Fall of the House of Usher,” falls into this category in the idea of the single effect. The short story starts with the Narrator going to visit his old friend, Roderick Usher because of a letter Roderick writes to him. The Narrator goes to the house and spends time with Usher, but all starts to go array when Roderick thinks his sister is dead and buries her. She comes out of her tomb and jumps at Usher and the House of Usher falls and Roderick dies. Poe argues that all short stories should have a single effect; a feeling the author should make the reader feel. The single effect of “The Fall of the House of Usher” is terror. Poe creates the single effect of terror through the settings, characters, and elements of the story. He does this through the setting of Usher’s room and Madeline’s tomb; through the characters of Roderick and Madeline Usher; and through the element of the Haunted Palace.

A concern of Roderick Usher is the waning health of his twin sister, Lady Madeline. Usher explains to his dear friend, the narrator, that she is the only surviving relative he has. He further explains that his sister’s health condition baffles any physician that has come to the house. After a few days of the narrator’s visit, Lady Madeline dies. Usher explains to the narrator that he wishes to preserve her body by placing her into the underground crypt of the house. I believe that Poe is trying to use symbolism in Lady Madeline’s death in relation to Roderick’s faltering mental stability. For example, Lady Madeline represents a part of Usher that he has lost; a part of him that has become so strange and frightening to him. When he and the narrator place Lady Madeline’s body into the crypt, it is a desperate act to help preserve a part of himself.

If Madeline was indeed a figment of Roderick’s imagination, Poe is here exploring the difference between the mental and physical self, and the importance that the two are similar.

All these things put together and a few others help to connect the house to Roderick and Lady Madeline. When the narrator first sees Roderick after a long period of time, he thinks that he resembles that of a corpse. Then Roderick tells him the reason for his appearance, why he looks so bad. He said he had an illness that was a “morbid acuteness of the senses.” The word morbid, when used anywhere, has very strong meaning and it is of the negative type. He uses the word tortured when he is describing his eyesight and says that even the slightest sound is almost unbearable. Thinking about having all of these symptoms put together is a very bad picture to paint in your mind. His condition, in this case, is very comparable to that of the condition of the house.

In the haunting House of Usher resides Roderick and Madeline Usher, who are both just as disturbing as the house itself. Their house is used to symbolize Roderick Usher. Throughout the story, the house is described as dark with many layers and hard to reach corners much like Roderick’s mysterious character. “No portion of the masonry had fallen; are there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones” (265). While the house is still acceptable as a whole, little pieces are falling apart one by one, much like Roderick.

Familial relationships enhance unity and trust and other important values that we may use in our daily lives. Within society, family is highly important, which may be the reason why Edgar Allan Poe decided to symbolize it through the aspect of the House. One could say; the passage depicts the idea that looks can be deceiving, especially when it comes to family. In regard to the hidden depths in Poe’s story, The Fall of the House of Usher, it is evident that in theory the house of Usher is in fact a visual representation of the family. The passage appears near the beginning of the story. It also in detail describes the appearance of the House of Usher. The narrator first saw the masonry through what he thought was antiquity, but in closely evaluating

In the story, “The Fall of The House of Usher”, there are many mysterious happenings that go on throughout the story between the characters Roderick Usher and the narrator. Throughout the story, Edgar Allan Poe uses themes such as madness and insanity to connect the house back to Roderick Usher. In the “Fall of The House of Usher”, the narrator goes through many different experiences when arriving to the house. The narrator’s experiences start out as almost unnoticeable in the beginning, turn into bigger ones right before his eyes, and end up becoming problems that cause deterioration of the mind and the house before the narrator even decides to do anything helpful for Roderick and his mental illness. In “The Fall of The

The downfalls of Roderick and the narrator juxtapose in order to emphasize the House’s true reign over the characters. The House began haunting the narrator from the moment he first viewed it. Yet it seems only to disturb him in subtle ways whereas Roderick, a resident of the House, seems to be degenerating at a pace similar to it. Just as the

In the story “ The Fall of the House of Usher” by Edgar Allan Poe, has an American romanticism with its characters. Edgar Allan Poe is considered a Dark Romanticism because of the way he writes his poems and short stories centered around the concept of evil human nature, darkness, and death. Roderick and Madeline Usher were said to be related during the middle of the story; they were twins. It explained how they were sick, Roderick had a mental disorder and Madeline was physically sick. As the narrator enters the desolate house, he finds both Roderick and his sister in a severe state of depression and they both appear sick like. The narrator tries to make Roderick feel better, but Roderick wouldn’t budge. Roderick thinks that the house is making him sick and making him to appear crazy.

In Usher, the allegory is psychological, Zimmerman explains, and the scholar believes (along with many other scholars) that the actual "house" of Usher represents Roderick's psyche. In the story the narrator enters the house and he is then led through "many dark and intricate passages" while looking for Roderick's studio; but Zimmerman suggests that that tour through the house is actually an allegorical journey into the organs in the human skull. Poe clearly gives clues that allow the alert reader to "detect the correspondence between Roderick's cranial features and his activities and temperament" (Zimmerman, 2).

In the text “The Fall of the House of Usher” there are supernatural events throughout the short story. From the rapidly decaying house that is quite literally connected to the main character Roderick Usher, to the ghost of Roderick's twin sister Madeline. “House of Usher” -- an appellation which seemed to include, in the minds of the peasantry who used it, both the family and the family mansion. This line gives us a hint from the title toward the supernatural link between the physical house collapsing and the metaphorical “fall” of the Usher Family. I believe Edgar Poe did this to evoke an uncanny feeling in the reader and to add to the sublime of the short story. This link between living and inanimate gives the story an extra gothic element. “There was blood upon her white robes, and the evidence of some bitter struggle upon every portion of her emaciated frame. For a moment she remained trembling and reeling to and fro upon the threshold -- then, with a low moaning cry, fell heavily inward upon the person of her brother, and in her violent and now final death-agonies, bore him to the floor a corpse, and a victim to the terrors he had anticipated.” The supernatural element of Madeline “coming back from the dead” or being a ghost creates conflict within the plot and therefore leads to the inevitable fall of the Usher Family. I believe this ghostly figure struck fear into the reader creating a suspenseful follow up, allowing the imagination to take off and picture this supernatural occurrence. This was never an explained supernatural event. It was left up to the reader's imagination and their assumption as to what is real and what is a figment of the characters imagination. “There was a long and

“The Fall of the House of Usher” follows a similar symbolic storyline. Throughout the story, the narrator uncovers significant details regarding the mysterious childhood friend of his and many of the important elements are revealed. Specifically, Poe designed the plot in such a way that the Usher siblings represent two sides of the same individual; Madeline and Roderick as the body and the mind respectively (Miller par 32). Since the twins are the first in their family, it shows the separation from original unity (genetically) and foreshadows that the twins must die in order for the restoration of peace. The House of Usher also has a significant symbolic value in the story; it represents Roderick’s psychological state of mind and is described by the narrator as having disturbing realistic qualities (Poe 893). Nevertheless, toward the end of the story, the epitome of the symbolic nature of this story is revealed and is concluded by an epic turn of events. Madeline collapses on Roderick as the narrator rushes to leave the house; the siblings death at the end symbolize the destruction of the physical world as shown by Madeline and the destruction of the spiritual world as displayed by Roderick’s immediate death